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About Regina Carter

2

Album Review

Claudia Acuna: Duo

Read "Duo" reviewed by Angelo Leonardi

by Angelo Leonardi

Alcuni classici della canzone popolare latina costituiscono il nucleo del sesto disco da leader di Claudia Acuña. In questa celebrazione la cantante cilena ha coinvolto sette protagonisti del jazz contemporaneo in altrettante esecuzioni in duo caratterizzate da palpitante relazione con la loro identità tradizionale. I due brani conclusivi sono cantati in inglese e la vedono piena protagonista: “Cristal Silence" di Chick Corea è cantato a cappella; “YO" è una sua composizione originale eseguita con un sottofondo percussivo. ...

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8

Album Review

Nate Smith: Kinfolk 2: See The Birds

Read "Kinfolk 2: See The Birds" reviewed by Mark Corroto

by Mark Corroto

If there were brick & mortar establishments called record stores today, one could imagine the challenge Nate Smith's Kinfolk projects would pose for an employee trying to file his latest releases. Those familiar with the drummer's work in the bands of Chris Potter, Dave Holland, or Alex Sipiagin might place the discs in the jazz section, but then again he's worked with the jazz/pop/soul singers José James and Norah Jones and he heads up the funk/soul band The Fearless Flyers. ...

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1

Album Review

Thana Alexa: ONA

Read "ONA" reviewed by Angelo Leonardi

by Angelo Leonardi

Ci giunge con un po' di ritardo questo secondo disco della talentuosa vocalist e compositrice Thana Alexa, ma va assolutamente considerato. Anche questo, come già il debutto Ode to Heroes, è un tributo: dalle figure musicali che l'hanno influenzata siamo passati a una celebrazione del genere femminile e al ruolo—spesso sottovalutato—che svolgono nel mondo. Nata a New York da famiglia croata, Thana è tornata nell'infanzia in Croazia dov'è rimasta per completare i suoi studi. Successivamente si è ...

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6

Album Review

Thana Alexa: ONA

Read "ONA" reviewed by Doug Collette

by Doug Collette

A departure from Thana Alexa's first album Ode to Heroes (Harmonia Mundi/Jazz Village, 2015), ONA is also rooted in jazz, but it showcases Alexa's use of her voice as both a lyrical and experimental instrument. Commencing immediately on the title tune, this mostly original material features arrangements in various combinations of atmospheric, electronic soundscapes and exotic instrumental textures, complementing a voice which enchants as often through its feather-light air as its full-throated tones. Co-produced with master drummer Antonio Sanchez--with whom ...

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4

Album Review

Thana Alexa: ONA

Read "ONA" reviewed by Geno Thackara

by Geno Thackara

Thana Alexa's voice contains a world of sound, and that is without even mentioning the globe-spanning musical trappings which surround it. Hearing her is like watching a thunderstorm or maybe a wild hawk in flight. She doesn't just sing but uses her voice as an expressive precision instrument, in much the same way all the tones and electronics here are sculpted into an unclassifiably genre-defying whole. Her rich contralto can also be honey-smooth and soothing in the (relatively) rare calm ...

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1

Album Review

Regina Carter: Southern Confort

Read "Southern Confort" reviewed by Maurizio Zerbo

by Maurizio Zerbo

Alla talentuosa violinista statunitense non si può certo negare una volatile progettualità, sempre votata alla esplorazione di diverse tradizioni musicali. Il suo caleidoscopio sonoro ingloba in questo CD sia le matrici afroamericane (blues) che bianche (country, cajun, melodie folk irlandesi) per dar luogo ad un progetto a dir poco irrisolto. Piccolo capolavoro di intrigante rielaborazione della matrice blues, la seconda traccia dà lustro ad un disco deludente. Mancano in esso le componenti dionisiache del jazz, che invece cedono il passo ...

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9

Album Review

Regina Carter: Southern Comfort

Read "Southern Comfort" reviewed by Dan Bilawsky

by Dan Bilawsky

Violinist Regina Carter's debut for Sony Masterworks finds her knee-deep in history once again. Carter has become something of a genre-blind and stylistically-inclusive musicologist, marrying her violin, family history and more to music of various shapes and origins. She paid tribute to the dark lord of the violin on Paganini: After A Dream (Verve, 2003), explored the songs that her mother loved on I'll Be Seeing You: A Sentimental Journey (Verve, 2006), and bridged the gap between ...

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