In the era of early jazz and swing, the violin was often an instrument that carried a hint of an old-fashioned sounda suggestion of classical music, of the high-society dance orchestra, of the gypsy café music of Europe. But Stuff Smith, considered one of the most important jazz violinists of his time, made music that told a different story: Smith's violin was raucous, rhythmically daring, and bluesy, looking toward the future, not the past. Like most great jazz players, Smith pushed the envelope in his playing, and later in his career he adapted with little difficulty to the new musical language of bebop. Smith also sang and was the composer of several jazz standards.
Hezekiah Leroy Gordon Smith was born in Portsmouth, Ohio, on August 14, 1909, but grew up in Cleveland. His father taught him to play the violin and encouraged him to study classical music. Smith took some music lessons but switched to jazz after hearing Louis Armstrong play the trumpet; Armstrong influenced Smith's own style at a fundamental level. Although he had received a scholarship to study at Johnson C. Smith University, Smith opted for a musical life instead. At age 15 he joined a touring minstrel show, the Aunt Jemima Revue.
In 1926 Smith joined the Dallas-based band of Alphonso Trent; this was one of the so-called territory bands that grew from the improvisatory and bluesy roots of jazz rather than moving toward the more composed and arranged style of the eastern seaboard. He stayed with Trent for four years, moving briefly to the band of Ferdinand Jelly Roll Morton but returning after becoming frustrated that his violin could not be heard over the dense sound of Morton's group. In 1930 Smith formed his own band in Buffalo, New York.