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Take Five with Clemens Grassmann
by AAJ Staff
Meet Clemens Grassmann Berlin-born, Brooklyn-based drummer, percussionist, composer and educator Clemens Grassmann has collaborated across the U.S. and internationally, releasing multiple recordings as a leader, including Grass Machine (self released, 2022). Recipient of the 2015 Armand Zildjian Percussion Award, Grassmann's genre-defiant aesthetic stretches across generations and unites listeners of every sonic prerogative. Grassmann's compositions ...
Art Taylor: Two Hours at the Village Vanguard
Art Taylor was a jazz drummer whose name, sadly, rarely comes up these days. But starting in 1951, Art was in huge demand as a sideman and recording artist. Over the course of his career, according to the Jazz Discography, he recorded on 323 sessions, a sizable number. Nicknamed A.T., or, to those in the know, ...
Meet Kenneth Cobb
by Tessa Souter and Andrea Wolper
We suppose it makes sense that our latest Super Fan, a high-level mathematician—a contractor for NASA, no less—would keep meticulous records about, well, everything, from his massive CD and LP collection, to his personal road trip “mix tapes," to every concert he's attended. But applying his mathematical genius to fitting an entire week's worth of music ...
Jazz Places: How Performance Spaces Shape Jazz History
by Ian Patterson
Jazz Places: How Performance Spaces Shape Jazz History Kimberly Hannon Teal 208 Pages ISBN: 9780520303706 University of California Press 2021 The most famous jazz venues, with a small number of notable modern-day exceptions, are the stuff of jazz lore and legend, tethered inextricably to the bebop era and a ...
Richard Brent Turner on Islam, Jazz and Black Liberation
by Lawrence Peryer
Richard Brent Turner is Professor in the Department of Religious Studies and the African American Studies Program at the University of Iowa. Since joining the faculty in 2001, Professor Turner has authored several books, including Jazz Religion, The Second Line, and Black New Orleans, New Edition (Indiana University Press, 2016), and Islam in the African-American Experience, ...
Spontaneity: Zinfandel Meets The Thad Jones / Mel Lewis Orchestra
by Kristen Lee Sergeant
Welcome to June's Jazz & Juice! So if last month we took a deeper look at things that might be familiar and formal (in prose, video, and podcast,) in this one we'll be celebrating the pleasures you can't plan for. Spontaneity There's no mistaking music that's truly of and in the moment. Virtuosity, organization, ...
Dayna Stephens: Right Now! Live At The Village Vanguard
by John Chacona
In his 2018 book, Playing Changes, Nate Chinen argues that the fundamental jazz dialectic of the 1980s and 90s, namely tradition vs. innovation, was ultimately a false choice. Two years later, Dayna Stephens' Right Now! Live at the Village Vanguard proves the point in the most eloquent way possible. In many ways, Right Now! ...
The Ed Palermo Big Band Flaunts the Union Jack with The Great Un-American Songbook Vol. 3: Run for Your Life
While pundits and experts debate whether the United States of America has entered an age of decline as a world power, New York saxophonist, composer, arranger, bandleader and inveterate troublemaker Ed Palermo makes an incontrovertible case for un-American ascendance. With The Great Un-American Songbook Volume 3: Run for your Life, slated for release on guitarist/vocalist Bruce ...
Meet Jonathan Glass
by Tessa Souter and Andrea Wolper
New York, New York, we can't imagine our latest jazz Super Fan thriving anywhere else, inspired as he is by the sports teams, the museums, the art galleries, the theater, and the jazz clubs—-perhaps most of all, the jazz clubs. You might have spotted him, sketchbook in hand, capturing the spirit of the night's performance for ...
Andrew Cyrille Quartet at Village Vanguard
by Mark Sullivan
Andrew Cyrille Quartet Village Vanguard New York, NY August 21, 2020 Drummer/composer/bandleader Andrew Cyrille opened this livestream from the venerable Village Vanguard jazz club speaking about the oddness of playing to an empty room, noting the absence of applause at the end of numbers. Or booing: “I've been booed, too" he ...
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