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Van Morrison: Roll With The Punches & Versatile
by Doug Collette
Van Morrison's disenchantment with the business underpinnings of his creative output has been a continuing theme of his work over the years. It's always been something of a self-serving state of mind, but never so much so with the release of two very similarly-conceived and executed albums, on two different labels, within three months of each ...
Inside Music Analytics: Chris Stapleton Has More In Common With Etta James, Van Morrison, Otis Redding Than You Think
In this piece Glenn Peoples looks at the rise of Chris Stapleton's cross genre success with is cover of “Tennessee Whiskey" and how the soulful country number has been able to capture the attention of audiences typically more focused on R&B/soul legends. Guest post by Glenn Peoples, Music Insights and Analytics at Pandora, of Medium “Tennessee ...
Nuove Orchestre Alla Ribalta
by Angelo Leonardi
Da anni non si vedevano all'opera tanti nuovi ensemble, sia negli Stati Uniti che in Europa. Le cinque formazioni che presentiamo spaziano da quella giovanile come l'italiana New Talents Jazz Orchestra guidata da Mario Corvini (Extempora) alla big band di John Beasley ricca di stelle (Monk'estra -Vol. 1); dai progetti norvegesi del pianista Rune Klakegg (Fjon) ...
Steven Wilson: To the Bone
by John Kelman
From the moment that he decided to “go solo"--despite his previous flagship group, Porcupine Tree, beginning in the late '80s as a solo project that only evolved into a group when it became popular enough to necessitate putting together a band in order to perform live--Steven Wilson has, in many ways, defied categorization and expectation, while ...
Van Morrison: The Authorized Bang Collection
by Doug Collette
The casual listener who marvels at the apparent distance Van Morrison covered between “Brown Eyed Girl" and the moody mystical atmosphere of the next year's Astral Weeks (Warner Bros., 1968) will no doubt be astounded to hear The Authorized Bang Collection. As much guidance as the young 'Belfast Cowboy' was absorbing from mentorand label founder Bert ...
The Man Who Changed Guitar Forever!
by John Kelman
In a time when album sales are a challenge being mitigated, at least to some extent, by the release of deluxe editions and box sets, it's still more necessary than ever to grab potential listeners with imagery and words; the title of a box set can have, especially for those less than intimately familiar with the ...
Dominic Miller: From Sting to ECM
by Luca Muchetti
Dominic Miller's debut album for ECM, Silent Light, has all the qualities to become a sensation. After a career spanning nearly five decades during which he has lent his versatile artistry to the likes of Phil Collins, Tina Turner, Steve Winwood, Peter Gabriel, and Sting since 1993, Miller has released a very intimate and elegant quasi-solo ...
Ray Charles Orchestra: Ray Charles Orchestra: Zurich 1961-Swiss Radio Days Jazz Series, Vol. 41
by Chris M. Slawecki
We generally take it for granted now, but Ray Charles' trademark blend of jazz, gospel, R&B and soul in a large ensemble or orchestral setting was a unique sound mastered by few artists when this 1961 set was recorded. Number 41 in the Montreux Jazz Label's Swiss Radio Days Jazz Series, Zurich 1961 is a historical ...
Sometimes Jazz Takes Guts
by Chris M. Slawecki
Brownout Brownout Presents Brown Sabbath II Ubiquity Records 2016 Brownout bandleader and guitarist Adrian Quesada listened to a lot of different music, including blood-curdling heavy metal monsters Black Sabbath, while growing up in South Texas. Even while creating original music more reflective of their Mexican and American funk, ...
Richie Buckley With The Scott Flanigan Trio @ The Sunflower, Belfast
by Ian Patterson
Richie Buckley With The Scott Flanigan Trio The Sunflower Belfast, N. Ireland February 8, 2017 “We have a bit of a surprise for you for you," The M.C. and promoter David Gould told the audience who had packed the upstairs bar of The Sunflower, in anticipation of Irish saxophone legend Richie ...
