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Scott Fields / Jeffrey Lependorf: Everything is in the instructions
by Eyal Hareuveni
Composer of contemporary chamber music and opera and certified master of the Japanese shakuhachi flute Jeffrey Lependorf cites an insightful incident he had with iconoclastic composer John Cage that reveals much about typical misconceptions about what is right and what is wrong in music and art. Lebendorf wanted Cage to clarify his vague instructions for a ...
The Rempis / Daisy Duo: Second Spring
by Glenn Astarita
Second Spring is one of two concurrent releases for Chicago reedman Dave Rempis' young Aerophonics Records label. The other outing Aphelion, features the artist's regular working trio. Here, Rempis aligns with longtime kindred spirit, drummer Tim Daisy for a rather aggressive, high-impact duo framework. At times Daisy's busy and highly active drumming patterns could easily be ...
Yusef Lateef's Secret Garden
by Chris M. Slawecki
This interview was originally published in February 2000. Yusef Lateef will tell you--politely, firmly, insistently, frequently--that he does not play jazz. He was born Bill Evans in Chattanooga (TN), but grew up in Detroit a tenor saxophone student who in the 1940s worked and studied alongside the likes of Roy Eldridge, Dizzy ...
Notable & Nearly Missed in 2013
by C. Michael Bailey
More music is released each year than can be realistically followed by a given writer. I typically listen to much more music than I write about, not because this music is not worthy somehow but there is so little time. So, this year, I am going to write a Notable & Nearly Missed" column to catch ...
Laurenzi-Ernst-Green: Sightline
by Hrayr Attarian
Chicago based trio Laurenzi-Ernst-Green's debut Sightline is an atmospheric album filled with intriguing patterns and exuberant and elegant spontaneity. An intimate mysticism imbues this collaborative effort of seven original compositions with a modal bent. Bassist Katie Ernst's wordless vocals hauntingly echo saxophonist Dustin Laurenzi's big toned tenor on the mesmerizing Skoops," while her resonant ...
Abbey Rader: Reach For The Skies
by Hrayr Attarian
Drummer Abbey Rader's compelling Reach for the Skies is a set of entirely improvised music that, nevertheless, follows an intricate and stimulating progression along certain unique motifs and ideas. The spontaneous orchestration flows freely and seamlessly thanks to the superlative musicianship of the quartet and the intuitive camaraderie among its members.Rader's haunting cymbal vibrations ...
Vocalist Mary Ellen Desmond Brings Comfort And Joy To Philadelphia And The World
Mary Ellen Desmond, revered Philadelphia vocalist, has brought her “Comfort and Joy” holiday benefit concert to the Church of St. Luke and the Ephiphany for several years now. This year, she has also released a newly minted CD by the same name with the same stellar backup group: Larry McKenna, tenor saxophone; Tom Lawton, piano; Lee ...
Jakob Baekgaard’s Best Releases of 2013
by Jakob Baekgaard
So much good music and so much to choose from. Every day provides the opportunity to hear something new or rediscover the magic in old tunes. The records on this list don't have much in common, except they all sound completely fresh and open and have their own take on what it means to create jazz ...
Desmond White: Short Stories
by Dan Bilawsky
Size and substance are not reflective of one another. Some people mistakenly assume that grand-scale productions automatically deserve grand-scale receptions and small- scale artistry deserves to exist on the fringe. That makes about as much sense as holding a belief that novels, by their very nature, are of greater importance than short stories, but some people ...
Kenny Barron/Gerry Gibbs/Ron Carter: Gerry Gibbs Thrasher Dream Trio
by Dan Bilawsky
When drummer Gerry The Thrasher" Gibbs was a youngster, growing up in California in the '70s, he idolized bassist Ron Carter and pianist Kenny Barron. Of course, neither man played his instrument of choice, but he recognized the greatness that emanated from both players and he viewed them as exemplars of what's right and good in ...

