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James Brandon Lewis and Chad Taylor: Live In Willisau
by Troy Dostert
Somewhat forgotten amidst the excitement surrounding James Brandon Lewis' UnRuly Manifesto (Relative Pitch, 2019) was the excellent release that preceded it. Radiant Imprints (Off, 2018), a duo release with drummer Chad Taylor, put the focus squarely on Lewis' extraordinary tenor saxophone prowess and his strong accord with one of the most in-demand drummers in creative jazz. ...
Ross McHenry: Nothing Remains Unchanged
by Troy Dostert
Electric bassist Ross McHenry has been a highly-regarded presence in the Australian jazz scene since the release of his 2013 debut record, Distant Oceans (First Word Records). His recognition outside of his home country has been limited, although that may change with his 2020 release, Nothing Remains Unchanged. Eschewing some of his larger-ensemble tendencies for a ...
Dave Sewelson: More Music for a Free World
by Troy Dostert
While baritone saxophonist Dave Sewelson may not be as widely-recognized as those whose company he regularly keeps, this long-standing veteran of William Parker's Little Huey Orchestra and the Microscopic Sextet has long been a force in wielding his weighty axe, lending lower-end punch with vigor and dexterity for several decades. Here he's reunited with Parker, drummer ...
Brian Shankar Adler: Fourth Dimension
by Troy Dostert
A percussionist with fierce rhythmic dynamism and a multiplicity of ideas, Brian Shankar Adler has steadily assembled a formidable body of work over the last several years, despite being relatively under-recognized. Much of this music has been released incrementally, through digitally downloaded EPs, perhaps attenuating its impact. But Adler should receive much more visibility with Fourth ...
Makar Kashitsyn: Jazz Animals
by Troy Dostert
Straight outta St. Petersburg, Rainy Days Records has done a splendid job of documenting some of the strongest emerging voices in Russian jazz, starting with drummer Sasha Mashin's superb Outsidethebox in 2018. Mashin's debut release belied his youth with an assured poise and dynamic vision, and here we have yet another wonderful first outing: alto saxophonist ...
Tomasz Dąbrowski FREE4ARTS: When I Come Across
by Troy Dostert
A musician who has frequently changed creative directions, trumpeter Tomasz Dabrowski takes yet another uncharted path with his latest FREE4ARTS album, When I Come Across. With erstwhile pianist Jacob Anderskov moving aside for guitarist Simon Krebs, this version of the band now possesses a grittier, rock-inflected sound. With frequent Dabrowski colleague Sven Dam Meinild switching from ...
Angela on the Arts: Within
by Troy Dostert
Aside from its somewhat unusual name, Angela on the Arts brings a well-grounded sensibility to its identity as a trio specializing in free improvisation. Espousing a patient, disciplined chamber aesthetic with an occasional hint of whimsy, its debut disc Within offers almost an hour's worth of intelligent, creative music spread over sixteen well-crafted vignettes.
Troy Dostert's Best Releases of 2019
by Troy Dostert
Is it jazz? Perhaps not in the narrowest sense, but each of the releases below arguably retains enough of a foothold in the tradition to justify that description. Maybe we've finally reached the point where the question no longer matters. In any case, what these artists have in common is a commitment to venturing outward in ...
Nick Fraser - Kris Davis - Tony Malaby (with Ingrid Laubrock & Lina Allemano): Zoning
by Troy Dostert
Nate Cross' Astral Spirits imprint has steadily become one of the go-to options for fans of adventurous music. With over a hundred releases in its five-year existence, including well over thirty in 2019 alone, the label has maintained an impressive commitment to both quality and quantity. However, an output this extensive can result in a few ...
Eric Hofbauer and Dylan Jack: Remains of Echoes
by Troy Dostert
Always attuned to unusual choices that keep his listeners guessing, guitarist Eric Hofbauer knows no bounds when it comes to his repertoire. One is as likely to hear a Cyndi Lauper or Nirvana cover as something by Thelonious Monk or Charlie Parker. And his stylistic approach on the guitar is similarly idiosyncratic, with a gutbucket blues ...
