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Kevin Sun: (Un)seaworthy
by Troy Dostert
Although he's a relative newcomer to the jazz world, having released his debut album, Trio (Endectomorph Music) in 2018, tenor saxophonist Kevin Sun is well on his way toward staking a major claim as a distinctive composer and soloist. After an excellent two-disc effort, The Sustain of Memory (Endectomorph) in 2019, he's now adding to his ...
I.P.A.: Bashing Mushrooms
by Troy Dostert
Comprised of an impressive roster of Scandinavian all-stars, I.P.A. might only need a better name if the group is to break through to wider notice. Harnessing its commitment to post-bop freedom to thoughtful tunecraft, the band's music is both accessible and tough-edged, cerebral and hard-grooving in equal measure. The quintet's first Cuneiform release, I Just Did ...
Guy Mintus Trio: A Gershwin Playground
by Troy Dostert
"Go big or go home" might as well be Guy Mintus' mantra. The Israeli pianist has a forceful presence on his instrument, and he seemingly brings every ounce of talent and creativity he possesses to every record he releases. His debut trio album, A Home In Between (Self-Produced, 2017), was a terrific amalgam of styles, showcasing ...
David Lord: Forest Standards Vol. 2
by Troy Dostert
Although his many years spent on the expansive plains of Wichita, Kansas, wouldn't make it likely that guitarist David Lord developed an obsession with the darker recesses of forest life, his music certainly conveys a deep appreciation of that somewhat otherworldly realm. On his Forest Standards Vol. 1 (BIG EGO Records, 2018) and current Vol. 2 ...
Mary Halvorson's Code Girl: Artlessly Falling
by Troy Dostert
Aside from her most obvious musical talents, including her phenomenal guitar chops and her budding talent as a lyricist, Mary Halvorson has a special gift for understanding the abilities of her bandmates and drawing out their strengths to the fullest. Part of it is the way she tends to keep the same company in her assorted ...
Nate Wooley: Seven Storey Mountain VI
by Troy Dostert
Long considered one of the most innovative and idiosyncratic trumpeters in the improvised music community, Nate Wooley has for many years astonished listeners with his formidable technique and broad-minded vision. Nowhere is this more evident than in his Seven Storey Mountain series, a sequence of recordings going back to 2007 that is now in its sixth ...
Deerhoof: Love-Lore
by Troy Dostert
"Where, in short, are the flying cars?" So asked David Graeber in 2012, in a widely-circulated essay entitled “Of Flying Cars and the Declining Rate of Profit." Graeber, an anthropologist of a decidedly unconventional bent, dedicated much of his academic career to challenging preconceived wisdom concerning the allegedly unlimited potential of capitalist economics and its attendant ...
Michael Musillami and Peter Madsen: Pictures
by Troy Dostert
Guitarist Michael Musillami and pianist Peter Madsen have long traveled in the same circles, with Musillami's Playscape label showcasing both musicians in a number of their independently derived projects. But they don't often get to work side-by-side. Aside from Musillami's sextet record, Dachau (Playscape, 2006), the two have only appeared together previously on duo disc, Part ...
John Blum and Jackson Krall: Duplexity
by Troy Dostert
A pianist of undeniable virtuosity and uncompromising intensity, John Blum has impressed free-jazz aficionados since the early 2000s with his uniquely potent approach to his instrument. One can easily hear the influence of Cecil Taylor in his ferocious, jaw-dropping power; but just as important are his ties to earlier pianists. There is just as much Art ...
Sylvie Courvoisier Trio: Free Hoops
by Troy Dostert
With her idiosyncratic mixture of mystery and mirth, and a seamless conjoining of jazz and classical musical vocabularies, pianist Sylvie Courvoisier has carved an enviable niche for herself. She not only possesses impeccable technique, but her voice as a composer is just as formidable, whether in partnerships with fellow mavericks like Mary Halvorson, Evan Parker, or ...
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