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Results for "Troy Dostert"
Matthew Alec: Cleveland Time
by Troy Dostert
Tenor saxophonist Matthew Alec is on a mission--and it's all about furthering the jazz scene in his native Cleveland. This starts with his own music, of course, going back to his first band Winslow, a fixture in the Cleveland scene from 2005-2016, and now continuing with his current ensemble, the Soul Electric. Its first release, Cleveland ...
Oliver Schwerdt with Barry Guy and Günter ‘Baby’ Sommer: One for My Baby and One More for the Bass
by Troy Dostert
There aren't many musicians who've loomed larger in European free improvisation since the 1970s than bassist Barry Guy and percussionist Günter 'Baby' Sommer. In addition to their own work as leaders (the former having much more of a presence in this regard than the latter, admittedly), each has collaborated with the heavyweights of the free music ...
[Ahmed]: Nights on Saturn (communication)
by Troy Dostert
When [Ahmed] released its debut album, Super Majnoon (Otoroku), in 2019, it provided not only an opportunity to revisit the under-heralded work of pathbreaking bassist Ahmed Abdul-Malik. It also offered a bewildering, sometimes intoxicating stew of improvisation that relied equally on minimalist repetition and deeply-rooted grooves. This intrepid team of European musicians, consisting of saxophonist Seymour ...
Michael Gregory Jackson: Frequency Equilibrium Koan
by Troy Dostert
One of the undersung elder statesmen of the jazz avant-garde, guitarist Michael Gregory Jackson played a vital role in the burgeoning loft scene of the 1970s, where his work with Oliver Lake was especially noteworthy. On albums like Lake's Holding Together (Black Saint, 1976) and Zaki (hatOLOGY, 1979), Jackson brought a deep reservoir of influences, not ...
Hafez Modirzadeh with Kris Davis, Tyshawn Sorey and Craig Taborn: Facets
by Troy Dostert
A rigorous, sometimes imposingly cerebral innovator, tenor saxophonist Hafez Modirzadeh has dedicated himself since the 1980s to ever more ambitious ways of opening up the Western musical tradition to scrutiny. A particular obsession is the restrictive quality of conventional instrumental tunings, which, as Modirzadeh perceives them, can limit the possibilities available to improvisers and composers alike, ...
See Through 4: Permanent Moving Parts
by Troy Dostert
Canadian bassist Pete Johnston is something of a jack-of-all-trades composer, working in contexts ranging from abstract chamber music to the headier fringes of prog-rock. His various See Through groupings allow him to pursue his muse wherever it leads: See Through Two's Slow Bend (All- Set!, 2016) has him teamed up with fellow bassist Rob Clutton for ...
Lina Allemano Four: Vegetables
by Troy Dostert
Trumpeter Lina Allemano is one of those artists whose boundless creativity requires numerous outlets for its adequate expression. Her Ohrenschmaus trio is a hard-driving unit that possesses a tenacious energy but somehow leaves room for adventitious excursions. The group's Rats and Mice (Lumo Records) was one of 2020's most intriguing releases. She's also an intrepid innovator ...
David Angel Jazz Ensemble: Out on the Coast
by Troy Dostert
Every now and then one runs across musicians or composers who are well-known by their peers, or who have carved out loyal followings regionally, but who at the same time have for whatever reason escaped the notice of the wider jazz community. Los Angeles-based saxophonist/bandleader David Angel would certainly fall into that category, despite a career ...
Mark Feldman: Sounding Point
by Troy Dostert
Violinist Mark Feldman has long been a consummate sideman, with well over a hundred appearances in that capacity over the course of his career dating back to the 1980s. His inimitable technique and fierce lyricism render him a perfect fit in so many different contexts: in 2020 alone he could be found reunited with the Arcado ...
François Lana Trio: Cathédrale
by Troy Dostert
The title of Swiss-based pianist François Lana's latest release, Cathédrale, carries a two-fold significance. Its most obvious reference is to transcendence, something Lana affirms in the liner notes: “Music is a form of spirituality," but it can also be a reference to the sophisticated architectural approach Lana brings to his art. Not only the music, but ...
