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542

Article: Album Review

Angelica Sanchez: Life Between

Read "Life Between" reviewed by Troy Collins


Since their relocation from Arizona in 1995, pianist Angelica Sanchez and her husband, saxophonist Tony Malaby, have made their mark on the fertile New York scene. Malaby has become omnipresent, appearing on over 50 albums in the last decade, while Sanchez has maintained a lower profile, playing often but recording sporadically, usually in a collective trio ...

492

Article: Album Review

Lafayette Gilchrist: Soul Progressin'

Read "Soul Progressin'" reviewed by Troy Collins


Baltimore-based pianist Lafayette Gilchrist stripped away the five-piece horn section of his octet, The New Volcanoes, fron his previous session, Third (Hyena Records, 2007), for an intimate trio exploration of hard- hitting funk. Soul Progressin' is the third album in his discography to feature the massed horns of The New Volcanoes, following in the footsteps of ...

485

Article: Album Review

Steven Bernstein's Millennial Territory Orchestra: We Are MTO

Read "We Are MTO" reviewed by Troy Collins


From his career-defining work on the score to Robert Altman's film Kansas City to his recent arrangements for producer Hal Wilner's various projects, trumpeter Steven Bernstein has ascended from the ranks of the underground to attain a level of recognition that few musicians of his caliber receive. Bernstein's rough and tumble Sex Mob quartet ...

435

Article: Album Review

Quinsin Nachoff: Horizons Ensemble

Read "Horizons Ensemble" reviewed by Troy Collins


Horizons Ensemble is the sublime follow-up to Quinsin Nachoff's stellar Songlines debut Magic Numbers (2006). The Canadian-born, New York-based saxophonist continues to explore neo-classical territory initiated by the Third Stream Movement with a series of extended compositions that skirt a tenuous line between the written and the composed. Magic Numbers featured a trio with ...

347

Article: Album Review

The Microscopic Septet: Lobster Leaps In

Read "Lobster Leaps In" reviewed by Troy Collins


"New York's Most Famous Unknown Band" is back after years of inactivity, with a new album every bit as rollicking and ebullient as those made in its prime. Although the band's genesis can be traced back to 1980, the Microscopic Septet was poised for the big time in the early nineties, but their big break never ...

329

Article: Album Review

Fight the Big Bull: Dying Will Be Easy

Read "Dying Will Be Easy" reviewed by Troy Collins


Based in Richmond, Virginia, guitarist Matt White's Fight the Big Bull is a prime example of how the information age has leveled the playing field for artists outside major metropolitan areas. Originally a self-released demo, Dying Will Be Easy is now available from the illustrious Portuguese label Clean Feed. One listen to the ensemble's debut and ...

312

Article: Album Review

RIDD Quartet: Fiction Avalanche

Read "Fiction Avalanche" reviewed by Troy Collins


Fiction Avalanche is the debut recording of a formidable young collective, the RIDD Quartet. Pianist Kris Davis, saxophonist Jon Irabagon, bassist Reuben Radding and drummer Jeff Davis are bandleaders at the forefront of a new Brooklyn scene, one which subtly incorporates the vagaries of myriad genres and styles into new avenues for exploration. Consisting ...

235

Article: Album Review

The Fred Hess Band: Single Moment

Read "Single Moment" reviewed by Troy Collins


Denver-based tenor saxophonist Fred Hess is an under-sung yet vital presence in the Mid-Western jazz scene. His current quartet with Ron Miles (trumpet), Ken Filiano (bass) and Matt Wilson (drums) first recorded together on The Long and Short of It (Tapestry, 2004). A prolific post-bop ensemble, they have issued three follow-up albums in as many years, ...

460

Article: Album Review

Tony Malaby Cello Trio: Warblepeck

Read "Warblepeck" reviewed by Troy Collins


A ubiquitous presence in New York's fertile jazz scene, saxophonist Tony Malaby has appeared on over fifty albums since Sabino (Arabesque, 2000), his debut as a leader. With unfaltering drive and boundless creativity, his impassioned playing has graced numerous Downtown collectives, with early stints spent in Charlie Haden's Liberation Music Orchestra and Paul Motian's Electric Be-Bop ...

394

Article: Album Review

Mario Pavone Double Tenor Quintet: Ancestors

Read "Ancestors" reviewed by Troy Collins


Ancestors marks the debut of bassist Mario Pavone's Double Tenor Quintet. A tireless bandleader and endlessly resourceful composer, Pavone's nineteenth release as a leader is his tenth recording for guitarist Michael Musillami's Playscape label. Dedicated to iconic masters Andrew Hill and Dewey Redman, Pavone pays homage to their legacies with a robust, unflagging set rich in ...


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