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163

Article: Album Review

Jeremy Udden's Plainville: If the Past Seems So Bright

Read "If the Past Seems So Bright" reviewed by Troy Collins


Named after his rural Massachusetts hometown, Plainville is Brooklyn-based saxophonist Jeremy Udden's heartfelt roots music-inspired project. In the New England Conservatory graduate's own words, “I listened to a lot of rock growing up, I continue to do so. So a lot of my music is about reconciling that...." From singer-songwriters like Neil Young to alt-rock icons ...

230

Article: Album Review

Starlicker: Double Demon

Read "Double Demon" reviewed by Troy Collins


Since the turn of the Millennium, cornetist Rob Mazurek has been one of the most intrepid explorers in the field of electro-acoustic jazz improvisation. From the seminal efforts of his flagship collective, the Chicago Underground (Duo to Orchestra), to recent endeavors like Exploding Star Orchestra, Mandarin Movie and his own self-titled Quintet, all of Mazurek's projects ...

95

Article: Album Review

Arrive: There Was...

Read "There Was..." reviewed by Troy Collins


A longtime fixture of the fertile Chicago jazz scene, Aram Shelton's relocation to Oakland, California has not diminished the alto saxophonist's presence among his peers in the Windy City. Courtesy of a rigorous touring schedule, Shelton maintains memberships in numerous ensembles, including Jason Adasiewicz's Rolldown, the collective ensemble Fast Citizens, and Arrive, his quartet with vibraphonist ...

254

Article: Album Review

The Cookers: Cast the First Stone

Read "Cast the First Stone" reviewed by Troy Collins


Cast the First Stone is the sophomore follow-up to Warriors (Jazz Legacy Productions, 2010), the debut recording of the all-star ensemble The Cookers, whose name was inspired by the 1965 Blue Note live album series Night of the Cookers. Lending credence to its namesake, this powerhouse septet swings mightily through a series of post-bop originals and ...

236

Article: Album Review

Heiner Stadler: Tribute to Bird & Monk

Read "Tribute to Bird & Monk" reviewed by Troy Collins


Originally released in 1978 as a double LP by Tomato Records, Tribute to Bird & Monk is as revelatory now as when it was awarded a five star review in Downbeat over three decades ago. This unique tribute transcends convention, featuring a stellar cast of musicians performing under-sung German composer Heiner Stadler's polyphonic orchestrations of be-bop ...

127

Article: Album Review

Seabrook Power Plant: Seabrook Power Plant II

Read "Seabrook Power Plant II" reviewed by Troy Collins


Guitarist Brandon Seabrook is one of the most imaginative six-string virtuosos currently operating in the fertile Brooklyn scene. His enviable talents have been featured in an eclectic variety of projects since the mid-1990s, including Beat Circus, Naftule's Dream and the Peter Evans Quartet, with an extremely percussive technique on tenor banjo adding further mystique to his ...

134

Article: Album Review

AGOGIC: AGOGIC

Read "AGOGIC" reviewed by Troy Collins


Defined as “accenting a musical note by extending it slightly beyond its normal time value," AGOGIC is the evocative name adopted by the seasoned front-line of multi-instrumentalist Andrew D'Angelo (alto saxophone, bass clarinet) and trumpet player Cuong Vu for a multi-generational collective featuring electric bassist Luke Bergman and drummer Evan Woodle, two of Seattle's most promising ...

216

Article: Album Review

KLANG: Other Doors

Read "Other Doors" reviewed by Troy Collins


Though he has long admired the small combo recordings of legendary clarinetist Benny Goodman, Chicago-based clarinetist James Falzone never intended to record a tribute to the revered King of Swing. As a former student of modern composition at the New England Conservatory with a strong presence in Chicago's fertile free-improvisation scene, Falzone assumed his youthful gigs ...

177

Article: Album Review

Marc Copland: Crosstalk

Read "Crosstalk" reviewed by Troy Collins


Pianist Marc Copland is widely admired for his harmonically astute writing, imaginative interpretations of standards, and sensitivity as a sophisticated soloist. The aesthetic foundation of Copland's expressionistic style can be traced to the poetic lyricism of Bill Evans and Keith Jarrett, and though the same could be said of many contemporary pianists, Copland's singular approach to ...

338

Article: Album Review

The Bill Dixon Orchestra: Intents And Purposes

Read "Intents And Purposes" reviewed by Troy Collins


Intents And Purposes has long been revered as Bill Dixon's singular masterpiece. Out of print for years, the late trumpet innovator's magnum opus has been lovingly remastered and reissued on CD, by International Phonograph Inc., in a deluxe mini-LP styled package that replicates the original 1967 issue, providing an important opportunity to reevaluate this seminal work. ...


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