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Aram Shelton: Everything for Somebody
by Troy Collins
Currently based in Oakland, California, alto saxophonist Aram Shelton initially rose to prominence as a member of the fertile Chicago jazz scene, where he resided from 1999-2005. His tenure in the Windy City resulted in a number of lasting relationships; one of the most notable is his Quartet with tenor saxophonist Keefe Jackson, bassist Anton Hatwich ...
Kyle Bruckmann: On Procedural Grounds
by Troy Collins
One of the most common methodologies embraced by the current generation of creative improvising musicians is polystylism--a seamlessly ingrained aesthetic sensibility that transcends the stylized post-modern dilettantism of earlier generations. Bay Area-based oboist Kyle Bruckmann has demonstrated the depth and breadth of this all-inclusive approach in myriad ways, from his art-damaged punk band Lozenge and genre-defying ...
Black Music Disaster: Black Music Disaster
by Troy Collins
The intriguingly titled Black Music Disaster is part of Thirsty Ear's Blue Series, which for over a decade has documented numerous cross-stylistic collaborations between artists from different genres. This live concert recording, taped in February 2010 at London's Cafe Oto, features a virtual indie summit meeting, presenting renowned avant-garde jazz pianist Matthew Shipp playing Farfisa organ, ...
Ivo Perelman / Matthew Shipp / Gerald Cleaver: The Foreign Legion
by Troy Collins
Inspired by the intuitive chemistry of his stunning new quartet with pianist Matthew Shipp, bassist Joe Morris and drummer Gerald Cleaver, Brazilian tenor saxophonist Ivo Perelman is in the midst of a prolific mid-career renaissance. After a successful tour supporting The Hour of the Star, the group's remarkable 2011 debut for Leo Records, Perelman decided to ...
Henry Threadgill: Tomorrow Sunny / The Revelry, Spp
by Troy Collins
Now into its twelfth consecutive year, Zooid can finally lay claim as Henry Threadgill's longest running ensemble, having superseded the tenures of the venerable composer's most celebrated lineups, including Air, Sextett and Very Very Circus. Tomorrow Sunny / The Revelry, Spp is the idiosyncratic chamber group's fourth release for Pi Recordings, which was founded in 2001 ...
David Liebman & Ellery Eskelin: Non Sequiturs
by Troy Collins
Non Sequiturs is the third Hatology release from the cooperative quartet co-led by saxophonist's David Liebman and Ellery Eskelin, following 2008's Renewal and their 2005 debut, Different But The Same. Although the pairing initially seemed surprising (Liebman is Eskelin's former teacher), the two tenors have since demonstrated an innate kinship; each is a fearless improviser, well-versed ...
The Cookers: Believe
by Troy Collins
Believe is The Cooker's third release in as many years, celebrating the all-star septet's fifth anniversary as a working group. More than just a collective of high-profile scene veterans (named after Freddie Hubbard's live 1965 Blue Note recording Night of the Cookers), the lineup's impressive credentials collectively span from the acoustic hard bop of Art Blakey's ...
Ravi Coltrane: Spirit Fiction
by Troy Collins
The second son of John and Alice Coltrane, saxophonist Ravi Coltrane was born two years before his father's death in 1967. Despite his imposing lineage, Coltrane's steady rise to prominence in the jazz world has been anything but conspicuous; notable stints as a sideman with Steve Coleman, Elvin Jones and Wallace Roney in the mid-1990s eventually ...
Ross Hammond Quartet: Adored
by Troy Collins
Adored is the debut of Sacramento-based guitarist Ross Hammond's Quartet. Although Hammond's previous recordings have featured an array of configurations (ranging from solo recitals to spontaneous improvisations with various West Coast peers), this date is among the most impressive in his growing discography. For the first time, the relatively young guitarist leads an all-star quartet of ...
Joel Harrison 7: Search
by Troy Collins
For over a decade, Joel Harrison has been steadily expanding his palette as a composer, although his penchant for unorthodox instrumental combinations and multicultural folk forms encompass only one facet of his inclusive aesthetic. Harrison's most recent efforts have borrowed heavily from Western neo-classical tenets; The Wheel (Innova, 2008) included an expansive five movement suite for ...
