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Article: Multiple Reviews

I nuovi progetti di Miho Hazama

Read "I nuovi progetti di Miho Hazama" reviewed by Angelo Leonardi


È da mezzo secolo, ovvero dai tempi Toshiko Akiyoshi, che dal Giappone non emergeva una bandleader così talentuosa. A soli 33 anni Miho brucia letteralmente le tappe: presenta il terzo disco a capo del suo collettivo M_Unit Dancer in Nowhere e, quasi in contemporanea e sempre per la Sunnyside Records, la sua personale rilettura dei classici ...

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Article: Under the Radar

Big in Japan, Part 3: Satoko Fujii’s Year of Living Dangerously

Read "Big in Japan, Part 3: Satoko Fujii’s Year of Living Dangerously" reviewed by Karl Ackermann


In the first two parts of this series we looked at the origins of jazz in Japan and its adherence to the American style of composing, arranging and playing. Though jazz has been popular in Japan from the earliest days, it was--as in the United States--hardly met with unanimous approval in a country that prized classical ...

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Article: Year in Review

2018: The Year in Jazz

Read "2018: The Year in Jazz" reviewed by Ken Franckling


The year 2018 was a busy one for the jazz world. The genre's version of the #MeToo movement resulted in a new Code of Conduct and other efforts to make the music workplace more equitable. International Jazz Day brought its biggest stage to St. Petersburg, Russia. The Thelonious Monk Institute of Jazz, which ran a high-profile ...

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Article: Under the Radar

Big in Japan, Part 2: Osaka & the Eri Yamamoto Connection

Read "Big in Japan, Part 2: Osaka & the Eri Yamamoto Connection" reviewed by Karl Ackermann


Part 1 | Part 2 In Part 1 of Big in Japan we looked at the early history of jazz music in that country--a history that dates back to the same time frame as the Jazz Age in the United States. The influence of American dance music was indisputable but it came to Japan ...

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Article: Under the Radar

Big in Japan: A History of Jazz in the Land of the Rising Sun, Part 1

Read "Big in Japan: A History of Jazz in the Land of the Rising Sun, Part 1" reviewed by Karl Ackermann


Part 1 | Part 2The music market in Japan--second only to the U.S. in terms of revenue--generates more than two-billion dollars in sales annually. Enthusiasts and collectors of jazz recordings had long ago discovered that Japan's robust music scene, and the now virtual accessibility to products have made the country a go-to resource for ...

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Article: Album Review

Jon Irabagon Quartet with Tim Hagans: Dr. Quixotic's Traveling Exotics

Read "Dr. Quixotic's Traveling Exotics" reviewed by Karl Ackermann


Tenor saxophonist Jon Irabagon is best known for his long tenure with Mostly Other People Do the Killing (MOPDtK), beginning with This Is Our Moosic (Hot Cup Records, 2008) and through the majority of that group's releases up to 2017's Loafer's Hollow. But along the way to Dr. Quixotic's Traveling Exotics, he has accumulated an eclectic ...

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Article: Jazz Bastard

November 2017: Geri Allen, Thad Jones / Mel Lewis Big Band, Thelonious Monk

Read "November 2017: Geri Allen, Thad Jones / Mel Lewis  Big Band, Thelonious Monk" reviewed by Patrick Burnette


Welcome to our monthly look at what's happening on the Jazz Bastard podcast! November is packed, so let's get to it: Episode 127 (live November 1, 2017) looks at the early career of pianist Geri Allen, who died June 27 of this year. Neither of us had listened extensively to her recordings before, so ...

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Article: Live Review

Toshiko Akiyoshi Trio at Dizzy's Club Coca-Cola

Read "Toshiko Akiyoshi Trio at Dizzy's Club Coca-Cola" reviewed by Keith Henry Brown


Toshiko Akiyoshi Trio Dizzy's Club Coca-Cola Lessons from Our Masters New York, NY September 3, 2017 At 87, the brilliant pianist/bandleader/composer Toshiko Akiyoshi knows by now what works for her and what doesn't. As she ambled onto the stage at Dizzy's Club Coca Cola at Lincoln Center on a warm ...

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Article: Genius Guide to Jazz

How the Other Half Swings

Read "How the Other Half Swings" reviewed by Jeff Fitzgerald, Genius


If there has been a frequent criticism of the Genius Guide, besides the fact that it's hard to tell what the hell I'm going on about most of the time, it would be that I have largely ignored the contributions of women to Our Music. One would think, from the body of my work to this ...

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Article: Interview

Lew Tabackin: A Life in Jazz

Read "Lew Tabackin: A Life in Jazz" reviewed by Rob Rosenblum


Tenor saxophonist and flutist Lew Tabackin is known as a forceful and dynamic soloist, both in small group and big band settings. His views of the jazz music scene, both past and present, are equally compelling. Recently, I had the opportunity to spend several hours with Mr. Tabackin for this interview. Rather than insert ...


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