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Ottawa Jazz Festival 2010: Days 10-11, July 3-4, 2010
by John Kelman
Days 1-3 | Days 4-6 | Days 7-9 | Days 10-11 The Wide Alley / Neil Cowley TrioChristian Scott / Tomasz StańkoTD Ottawa International Jazz Festival Ottawa, Ontario, Canada July 3-4, 2010 As the 30th Anniversary of the TD Ottawa International Jazz Festival wraps up, there's ...
Ottawa Jazz Festival 2010: Days 7-9, June 30-July 2, 2010
by John Kelman
Days 1-3 | Days 4-6 | Days 7-9 | Days 10-11 radio.string.quartet.vienna / Tord Gustavsen EnsembleTD Ottawa International Jazz Festival Ottawa, Ontario, Canada June 30-July 2, 2010 As the 30th Anniversary of the TD Ottawa International Jazz Festival enters the home stretch, it once again provided a day of ...
Ottawa Jazz Festival 2010: Days 4-6, June 27-29, 2010
by John Kelman
Days 1-3 | Days 4-6 | Days 7-9 | Days 10-11Kenny Garrett Presents / John Scofield and the Piety Street Band Ralph Towner and Paolo Fresu / Medeski, Martin and Wood John Geggie and Friends / Youn Sun Nah / Manu Katché TD Ottawa International Jazz Festival Ottawa, Ontario, Canada June 27-29, 2010 ...
Drummer Manu Katche Interviewed at AAJ...And More!
Manu Katche is one of the most original drummers anywhere, defying categorization and straddling musical genres with ease and flair. A French national of Ivorian background, he has turned his hand to pop, rock, fusion and jazz, and his exposure to all these elements, plus his classical training, is indelibly stamped in a playing style all ...
Ketil Bjornstad: Remembrance
by John Kelman
In a career spanning four decades that only began reaching a wider international audience with the release of his first album for ECM, Water Stories (1993), Norwegian pianist Ketil Bjørnstad has collaborated with many fellow Scandinavians, including guitarists Terje Rypdal and Eivind Aarset, bassist Arild Andersen, drummer Jon Christensen and live sampler Jan Bang. Surprisingly, he ...
Tord Gustavsen: Restored, Returned
by AAJ Italy Staff
Il quintetto protagonista di questo bell'album del quarantenne pianista norvegese è in realtà tale solo a pizzichi e bocconi. L'iniziale “The Child Within," per esempio, è un duo piano/sax soprano, algido, delicato, fin quasi esangue. Certo schiettamente nordico. Un tratto tipico di questa landa del jazz contemporaneo è anche, senz'ombra di dubbio, la solennità: appunto quella ...
Intervista a Tord Gustavsen
by AAJ Italy Staff
Ogni nota nella sua musica è essenziale e indispensabile al tempo stesso, una continua ricerca del “minimo" come forma solida dell'arte musicale. Una ricerca melodica che fonde elementi del folk scandinavo a musiche etniche di derivazione africana e caraibica. Lui è Tord Gustavsen, pianista norvegese tra i più affermati e interessanti della scena jazz europea contemporanea. ...
Espen Eriksen Trio: You Had Me At Goodbye
by John Kelman
When Rune Grammofon released In the Country's outstanding 2005 debut, This Was the Pace of My Heartbeat, it was promoted as the Norwegian label's “first jazz record." Still, that piano trio's eminently beautiful music retained the skewed edges so definitive of the label, while subsequent releases, including 2009's ambitious Whiteout, have aligned even more closely with ...
Rune Grammofon: Mutation and Reevaluation
by David McLean
Since its inception in 1998, Rune Grammofon has been at the forefront of ground breaking new music, heralding a new unprecedented interest in Scandinavian music. Whereas ECM's focus on the region has largely been based around the folk/traditional music explorations of its most prolific artists, including Jan Garbarek, Arild Andersen, Terje Rypdal and Jon Christensen, and ...
Tord Gustavsen Ensemble: Restored, Returned
by John Kelman
With three albums mining a seemingly narrow area--and proving just how broad that territory really--Norwegian pianist Tord Gustavsen changes gears with Restored, Returned. Abandoning the longstanding trio that, with Changing Places (ECM, 2003), The Ground (ECM, 2005), and Being There (ECM, 2007), brought him greater international acclaim, Restored's quintet remains relatively introspective in tone. Still, with ...
