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Xavier Reija: The Sound Of The Earth
by Glenn Astarita
Spain-based artists, guitarist Dusan Jevtovic and drummer Xavi Reija, reunite for a supergroup-like endeavor, including world-renowned bassist, stick artiste Tony Levin (Stick Men, King Crimson) and touch guitarist Markus Reuter, who performs/records with Levin in Stick Men amid numerous projects with others. Recorded in upstate New York, the musicians' noise-shaping, sound-designs and bone-rattling progressive rock improvisations ...
King Crimson: Meltdown (Live in Mexico City)
by John Kelman
Something happened to King Crimson between June 28, 2017 in Chicago, IL and the band's five-night run from July 14 to 19 (with a night off on the 17th), that same year, in Mexico City. Both engagements were exceptional, with the Chicago performance captured on Official Bootleg: Live In Chicago, June 28th, 2017 (DGM Live, 2017), ...
Markus Reuter featuring Sonar and Tobias Reber: Falling for Ascension
by Glenn Astarita
Billed as a minimalist groove band, the Swiss musicians performing under the moniker Sonar recently collaborated with experimental guitar hero David Torn on the widely heralded, Sonar with David Torn (Rare Noise, 2018). And here, they merge their unique craft with one of the reigning touch style guitar pioneers, Markus Reuter along with his partner from ...
King Crimson alla Cavea dell'Auditorium, Roma
by Mario Calvitti
King Crimson Cavea dell'Auditorium Roma 22.07.2018 Pochi gruppi nella storia della musica rock sono stati importanti quanto i King Crimson. Nei quasi 50 anni trascorsi dalla loro prima apparizione risalente al 1969 hanno sempre rappresentato un punto di riferimento avanzato per il rock progressivo (anche se la definizione non è ...
King Crimson: Live In Vienna, December 1st, 2016 (UK Edition)
by John Kelman
Another year, another live King Crimson set? True, perhaps. But since reforming in a slightly shifting but conceptually constant form in 2013 to begin touring in the fall of the following year, the band's forward-looking, ever-growing repertoire of new music and revisitation of old music (from across its nearly half century career) made new again has ...
Leonardo Pavkovic: Nothing is Ordinary
by Chris M. Slawecki
More than any other person, Leonardo Pavkovic has made me write some crazy shit. Pavkovic is the primal force behind the joyously eclectic MoonJune Records, which he established in 2001. Established" may not be the right word: I am truly an unusual and rules breaking call-it-record-company with a 'label' identity despite the fact that ...
King Crimson: Sailors' Tales 1970-1972
by John Kelman
If it's a fundamental truth that adversity can sometimes bring the absolute best, creatively speaking, out of music and the people who make it, then the roughly 23 months following the release of King Crimson's classic 1969 debut, In the Court of the Crimson King (Island)--and, after a single North American tour, the breakup of its ...
King Crimson: Official Bootleg: Live in Chicago, June 28th, 2017
by John Kelman
As many King Crimson fans eagerly await the November release of its latest 40th Anniversary Series box set--this time spanning the years 1970 through 1972, when saxophonist/flautist Mel Collins was a constant alongside band co-founder/guitarist Robert Fripp for three studio albums (1970's In the Wake of Poseidon and Lizard, and 1971's Islands) and one live album ...
Evan Parker
by John Eyles
In his biography of Robert Wyatt, Different Every Time (Serpent's Tail, 2015), author Marcus O'Dair describes Evan Parker as perhaps the finest British free-jazz saxophonist of his generation." The only words in that phrase that seasoned Parker followers might take issue with are perhaps," British" and free-jazz," preferring just to describe him as the finest improvising ...
Stick Men at Havana
by Geno Thackara
Stick Men Havana New Hope, PA August 15, 2017 Stick Men look like a secondary project or side endeavor on the surface--probably inevitable since the members are most known in the progressive music world for being part of the King Crimson family--but there's a real difference between being a side ...





