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Tommy Flanagan
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Rarely has such unanimously unstinting praise been bestowed on a less self-congratulatory recipient. As genial and matter-of-fact off the stand as he is fiercely individual at the keys, Tommy Flanagan handles his world class ranking with an equanimity, a modesty, an easy friendliness not always associated with the psychic burden of being Number One. Perhaps because almost instant early recognition by his peers and the universal affection in which he has been held by them over the years has made for a warm and artistically rewarding roost in the jazz jungle for Tommy Flanagan. Or perhaps it is owing to his wholesome origins, as one of six children of an upwardly striving, musically enthusiastic family in Detroit. Whatever, Flanagan made his professional debut in 1945 at age 15, joining forces with fellow Motor City budding heavyweights Milt Jackson, Thad Jones, Elvin Jones and Kenny Burrell, playing clubs like the Bluebird, Detroit’s renowned jazz room
Mal Waldron: Free At Last
by Karl Ackermann
The sensitivity reflected in much of Mal Waldron's music was a deep aspect of his psyche. The Harlem-born pianist, who died in Brussels, Belgium, in 2002, worked downtown with saxophonist Ike Quebec at Café Society in the early 1950s and went on to record on several Charles Mingus recordings including Pithecanthropus Erectus (Atlantic), Jazz Composers Workshop ...
Meet Andrew Rothman
by Tessa Souter and Andrea Wolper
Lawyer, audiophile, lifelong arts enthusiast, our newest Super Fan's life plan was to be a classical pianist, until college took him in another direction. But it was two major epiphanies" (the first time he heard Miles Davis and, later, Bill Evans) that turned him into a jazz Super Fan--such a Super Fan, in fact, that he ...
Richie Beirach: Indelible Memories and Thought-Provoking Reflections on a Life in Jazz, Part 2
by Victor L. Schermer
Part 1 | Part 2 Richie Beirach hovers somewhat mysteriously in the pantheon of the great modern jazz pianists. Some of the others in that category from his generation (coming up in the 1960s/'70s), like Herbie Hancock, Keith Jarrett, Chick Corea, and Kenny Barron have greater celebrity, but Beirach easily qualifies alongside them as ...
Richie Beirach: Indelible Memories and Thought-Provoking Reflections on a Life in Jazz, Part 1
by Victor L. Schermer
Part 1 | Part 2 Richie Beirach hovers somewhat mysteriously in the pantheon of the great modern jazz pianists. Some of the others in that category from his generation (coming up in the 1960s/'70s), like Herbie Hancock, Keith Jarrett, Chick Corea, and Kenny Barron have greater celebrity, but Beirach easily qualifies alongside them as ...
Resonance Records: The Art of the Sampler
by Geno Thackara
Resonance Records is a refreshing success story in the modern jazz world, still happily defying the norms of the streaming age with unflagging class and style. Even familiar listeners can lose sight of what a catalogue of material they've gathered, which is where 2019's handful of budget samplers come in. Co-president Zev Feldman declares that he's ...
Jeff Chambers' Chosen Alternative: The Therapies of Tijuana
by Arthur R George
Jeff Chambers, long a go-to San Francisco Bay Area bassist, looked at death closely and decided it was not yet his time. In 2017 his medical chart revealed Stage IV prostate cancer, commonly and fearfully an endgame diagnosis. Prostate cancer affects African-American men with almost twice the frequency as other races, and is almost twice as ...
Coltrane 58: The Prestige Recordings
by C. Andrew Hovan
Some fifty-two years since his death, the shadow of John Coltrane looms large in the minds of many jazz fans and musicians. Over the past few years this has been aided and abetted by the fact that his music continues to be repackaged. In the case of last year's Both Directions at Once, some previously unissued ...
Alex Delcourt: To My Brothers
by Victor L. Schermer
This album by bassist Alex Delcourt is a treasure of a recording, a contemporary mirror of the hard bop movement of the past. It's as if that music awakened from its sleep years later and is as fresh today as it was then. Except for seasoned valve trombonist and trumpeter John Swana, the personnel consists of ...
John Coltrane: Coltrane '58: The Prestige Recordings
by Mike Jurkovic
Sure these 37 tracks, predominantly standards, blues, and ballads have been released before on such earlier, pre-iconoclast recordings as Black Pearls, Soultrane, Bahia, and Setting The Pace, (Prestige, 1958) but never as chronologically curated as they are presented here on Coltrane '58: The Prestige Recordings. Certainly an argument can be made that they may ...





