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Album

After All Is Said

Label: 482 Music
Released: 2015
Track listing: Lastly; The Comb; For Tom and Gerald; Boaster's Roast; Solar Wind; The Hook Up; When.

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Article: Album Review

Tomeka Reid: Tomeka Reid Quartet

Read "Tomeka Reid Quartet" reviewed by Hrayr Attarian


As an accomplished composer and improviser, cellist Tomeka Reid, is an integral part of Chicago's creative music scene. In addition to being an educator, Reid is a versatile and tireless performer both in her hometown and beyond. Moreover her unique style graces the works of such luminaries as flutist Nicole Mitchell, multireed player Anthony Braxton as ...

10

Article: Album Review

Mary Halvorson: Meltframe

Read "Meltframe" reviewed by Dan Bilawsky


It should come as no shock that Mary Halvorson's first solo guitar album is a mind-bender. In the past, regardless of where she's gone and who she's gone with, Halvorson has managed to surprise by liberally mixing uncommonly aggressive assaults, open-ended exploration(s), and, on occasion, calm(ing) cogitation. Here, standing all by her lonesome, all three of ...

9

Article: Album Review

Tomas Fujiwara & The Hook Up: After All is Said

Read "After All is Said" reviewed by Troy Collins


Tomas Fujiwara is one of the busiest drummers in New York City, with memberships in cornetist Taylor Ho Bynum's Sextet, baritone saxophonist Josh Sinton's Ideal Bread and the cooperative trio Thumbscrew, featuring acclaimed guitarist Mary Halvorson and veteran bassist Michael Formanek, among other projects. Formed in 2008, Fujiwara's flagship ensemble, The Hook Up, is one of ...

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Article: Album Review

Tomas Fujiwara & The Hook Up: After All Is Said

Read "After All Is Said" reviewed by Glenn Astarita


Drummer Tomas Fujiwara's The Hook Up features artists who are among the more prominent representatives of new directions in jazz and improvisation. Here, the leader acts as an instigator and propulsive factor via his rhythmically shaped works, comprised of rolling, tumbling and splintered movements, etched with budding thematic developments. Guitarist Mary Halvorson's distinctive phraseology ...

1

Article: Album Review

Anthony Braxton, Tomas Fujiwara, Tom Rainey: Trio (New Haven) 2013

Read "Trio (New Haven) 2013" reviewed by Giuseppe Segala


L'abbinamento spericolato di ance e batteria rappresenta uno dei motivi più penetranti del jazz contemporaneo e continua a essere praticato con pregnanza a abbondanza: se i lavori recenti di Roscoe Mitchell con Tyshawn Sorey e Mike Reed ne disegnano l'aspetto più metafisico e astratto, le numerose escursioni di Ken Vandermark con Paal Nilssen-Love tracciano percorsi audaci ...

Album

Diamond People

Label: Cart/Horse Records
Released: 2014
Track listing: Disjunct; Clone Village; Answers; Blues For Kinah; Broken Things; Retraction; Alphaville; Hymn

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Article: Year in Review

Troy Collins' Best Releases of 2014

Read "Troy Collins' Best Releases of 2014" reviewed by Troy Collins


Considering the quantity of recordings released in a year's time, attempting to compile an end of the year list mentioning every first-rate session would be difficult at best. The ten titles included below are among the most exceptional new jazz albums I've heard in 2014. Kyle Bruckmann's Wrack ...Awaits Silent Tristero's Empire ...

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Article: Album Review

Mary Halvorson: Reverse Blue

Read "Reverse Blue" reviewed by Troy Collins


In the past few years, Mary Halvorson, already an acclaimed member of New York's Downtown improv scene, has been earning widespread recognition as a bandleader and composer of note. Her writing displays an increasing sophistication with each new effort, revealing a compositional maturity as distinctive as her idiosyncratic guitar technique.Her latest ensemble, Reverse Blue, ...

1

Article: Album Review

Mary Halvorson, Michael Formanek, Tomas Fujiwara: Thumbscrew

Read "Thumbscrew" reviewed by Enrico Bettinello


È un trio intrigante, quello composto da Mary Halvorson alla chitarra, Michael Formanek al contrabbasso e Tomas Fujiwara alla batteria. Organismo collettivo, mette in contatto musicalità molto forti già individualmente e in grado di condividere processi di improvvisazione sempre mobili. Forme aperte che però mantengono sempre una forte coerenza interna, inerpicandosi a volte ...


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