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Art Tatum: Trio Days
by Marc Davis
I was wrong. I like Art Tatum. But in a slightly different way. My introduction to Art Tatum, many years ago, was a series of solo piano albums. They left me cold. No question, the man was gifted beyond belief. He could play faster, more accurately and with a greater sense of ...
Charlie Parker: The Complete Masters 1941-54
by Chris May
Charlie ParkerThe Complete Masters 1941-54Universal France2012 It is possible that more “complete" collections of the work of Charlie Parker have been released than there were recordings made by the saxophonist. And as you beat your way through the box set undergrowth, caution is required. Few of the ...
Odean Pope: A Singular Voice in the Choir
by Elliott Simon
Grounded in the Baptist spirituals of his youth followed by a musical upbringing in Philadelphia with the likes of John Coltrane and organist Jimmy Smith as mentors, tenor saxophonist Odean Pope is the bridge between hard bop and free. His contributions to jazz are of major historical significance and through his over ...
The Story of Jazz Guitar
by AAJ Staff
While in its early days, jazz guitar was considered a rhythm instrument alongside the banjo of Dixieland. In 1940, Charlie Christian and his Gibson ES-150 changed that and elevated guitar to lead instrument status alongside the saxophone and trumpet--instruments that could acoustically cut through the sound of a piano-bass-drums rhythm section. Here, we encapsulate some of ...
Ray Nance: Body and Soul
by Jeff Dayton-Johnson
Ray Nance recorded Body and Soul, his first album as a leader, in May 1969, almost thirty years after he took over Cootie Williams' trumpet chair in the Duke Ellington orchestra, but only about two years after Billy Strayhorn's death in May 1967, and mere days after Coleman Hawkins' in May 1969. Nance performed “Take the ...
