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Bill Royston: The History of a Festival
by Lloyd N. Peterson Jr.
It is a passion and responsibility that no one takes as serious as they do; and they do it knowing that little, if any acknowledgment will come their way. They are the festival promoters and artistic directors of this music we call Jazz.And though it's a music that has always had its up and ...
Craig Taborn Trio at the Vortex, London, England
by John Sharpe
Craig Taborn Trio Vortex London, England December 7, 2009 Judging by the number of young musicians in the audience, pianist Craig Taborn has something of a reputation among the cognoscenti. That many of them were pianists too just whetted the appetite even more for his leadership debut in the UK ...
Marty Ehrlich Rites Quartet: Things Have Got To Change
by Troy Collins
One of the seminal artists of the New York Loft jazz scene, composer and multi-instrumentalist Julius Hemphill (1938-1995) left a diverse legacy that lives on through the tireless efforts of saxophonist Tim Berne and multi-instrumentalist Marty Ehrlich. Hemphill's earthy forays with cellist Abdul Wadud in the early seventies broke new stylistic ground, unapologetically drawing inspiration from ...
The Fonda/Stevens Group: Memphis
by Troy Collins
The 11th album of their storied 18 year career, Memphis is only the fourth studio recording of the venerable Fonda/Stevens Group, making this release a delightful surprise. Co-led by bassist Joe Fonda and pianist Michael Jefry Stevens, the veteran quartet is rounded out by trumpeter Herb Robertson and drummer Harvey Sorgen. Boasting a collective resume that ...
John O'Gallagher: Dirty Hands
by David Adler
Saxophonist John O'Gallagher and bassist Masa Kamaguchi have a history. They documented their intense, ruminative interplay on O'Gallagher's two-volume CIMP session of 2004, Rules of Invisibility, featuring Jay Rosen on drums. Dirty Hands, recorded in Portugal during a 2007 European tour, is a continuation of that history, although this time we hear the leader and Kamaguchi ...
Marc Ducret: Le sens de la marche
by Jean-Marc Gelin
From the word go, guitarist Marc Ducret's Le sens de la marche enters another world, an unsettled one full of surprise and anguish--one for which there can be no preparation. Vaguely reminiscent of Frank Zappa, King Crimson and Tim Berne, it's a musical hubbub of organized chaos--systematic in theory but brutal and brilliant in practice. The ...
Tim Berne: The Subliminal Explorations of a Creative Mind
by Lloyd N. Peterson Jr.
Fascinated by unconventional and complex ideas, saxophonist and composer Tim Berne has become a creative force, exploring all the possibilities in sound through his fearless and brilliant imagination. Lloyd Peterson: You didn't start playing the sax until you were about twenty. That would take quite a bit of confidence.Tim Berne: I didn't ...
Scott Tinkler: Trumpet Down Under
by Ludwig vanTrikt
Bassist/composer Lindsey Horner recently said, “I think one thing that has really changed in the past quarter century is that the music has become so broad, so truly international and genre-encompassing that the days when jazz was one very definable, finite thing are well and truly gone." These remarks also serve to introduce this interview with ...
Simon Jermyn: Trot A Mouse
by Mark F. Turner
An unusual but satisfying release, Trot A Mouse debuts the diverse ideas of electric bassist/composer, Simon Jermyn. Equally adept on guitar and bass, the Irish native is classically trained and lives in Dublin, Ireland. Travels have taken him to the Berklee College of Music in Boston on scholarship, The Hague, where he earned a Masters Degree ...
Downtown Music Gallery A Summer Blockbuster Hit
by Mark Corroto
Imagine the opening credits to a summer blockbuster movie that starts out in space looking down at the earth. As the camera moves in you recognize North America, then the east coast comes into frame and finally the island of Manhattan. The camera pans across the skyscrapers, down, down, down to Chinatown between the Manhattan and ...
