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11

Article: Album Review

Broken Shadows: Broken Shadows with Tim Berne, Chris Speed, Reid Anderson, Dave King

Read "Broken Shadows with Tim Berne, Chris Speed, Reid Anderson, Dave King" reviewed by Dan McClenaghan


The context for Broken Shadows is--can you guess--the Ornette Coleman album of the same name, recorded in 1971 and released on Columbia Records in 1982. That, along with three tunes from Coleman's Science Fiction (Columbia, 1971), and more from the free jazz pioneer's Atlantic and Blue Note Records days. And while we're at it, throw in ...

4

Article: Interview

Gli Unscientific Italians e l'arte della meta-sintesi Friselliana

Read "Gli Unscientific Italians e l'arte della meta-sintesi Friselliana" reviewed by Ludovico Granvassu


Se Nanni Moretti fosse nato nel 1973 invece che nel 1953, la famosa scena di Caro Diario che lo vede in sella ad un vespone per le strade vuote di una languida Roma ferragostana avrebbe avuto come colonna sonora la musica di Bill Frisell piuttosto che quella di Keith Jarrett. Perchè ogni epoca viene definita da ...

18

Article: Album Review

Ches Smith / We All Break: Path of Seven Colors

Read "Path of Seven Colors" reviewed by Karl Ackermann


For some time, drummer/composer Ches Smith kept his interest in the Voudou music of Haiti at bay. Recognizing himself as an outsider in that world, he researched, listened, studied, and after years brought a project to fruition. Smith's group We All Break released their self-titled, self-produced debut in 2017 and received less attention than deserved. Now ...

9

Article: Album Review

Tom Rainey Obbligato: Untucked In Hannover

Read "Untucked In Hannover" reviewed by Dan McClenaghan


Tom Rainey Obbligato is drummer Rainey's jazz standards group. Untucked In Hannover is the first live album of a triptych. It follows Obbligato (2014) and Float Upstream (2017), both on Intakt Records. Great American Songbook tunes hammered and bent and stretched away from expectations into new shapes is the name of the game, an approach which ...

6

Article: Multiple Reviews

The Pandemic Sessions: Solos, Pt. 1

Read "The Pandemic Sessions: Solos, Pt. 1" reviewed by Mark Corroto


Part 1 | Part 2 The entire world was in lockdown during the COVID-19 crisis and of course, that includes musicians. Unable to tour and record with their various ensembles, many prepared solo projects (some recorded before the virus struck) for your listening pleasure. Most of the music is very personal, as if the ...

Article: Album Review

Gabrio Baldacci: Nina

Read "Nina" reviewed by Neri Pollastri


"Uno stralcio di vita vissuta," “un album di foto ricordo": con questa modestia Gabrio Baldacci introduce il triplo CD Nina, dedicato alla figlia e pubblicato da Auand, che raccoglie tre lavori diversi per formazioni e periodi, accomunati però da una cifra stilistica: quella che il chitarrista livornese porta felicemente in dote da anni alle numerosi formazioni ...

1

Article: Album Review

Russ Lossing: Metamorphism

Read "Metamorphism" reviewed by Neri Pollastri


Registrato nel luglio del 2017, questo lavoro a firma dell'allora cinquantasettenne Russ Lossing, pianista della scena newyorchese originario dell'Ohio, vede all'opera un quartetto classico nella formazione, ma in equilibrio tra mainstream e contemporaneità negli stilemi. Il leader, infatti, ha alle spalle trentacinque anni di collaborazioni con artisti di primissimo piano, da Kenny Wheeler a ...

Article: My Favourite Things

Giancarlo Tossani e il Questionario di Proust

Read "Giancarlo Tossani e il Questionario di Proust" reviewed by Paolo Peviani


Il tratto principale della mia musica Emozione e riflessione, equilibrio tra scrittura e improvvisazione (così dicono...). La qualità che desidero nei musicisti che suonano con me Affinità musicale e umana, cos'altro sennò? Come musicista, il momento in cui sono stato più felice Quando ho scoperto che si poteva ...

10

Article: Album Review

Julius Hemphill: The Boyé Multi-National Crusade For Harmony

Read "The Boyé Multi-National Crusade For Harmony" reviewed by Mark Corroto


There is something inherently objectionable when a billionaire acquires an artistic masterpiece by say, Leonardo DaVinci or Claude Monet, only to sequester it from public view. You might feel the same about Julius Hemphill's recordings Dogon A.D. (Mbari, 1972) and 'Coon Bid'ness (Arista/Freedom, 1975). Both five star recordings, now out of print, cost a small fortune ...

4

Article: Album Review

Michael and Peter Formanek: Dyads

Read "Dyads" reviewed by John Sharpe


There can be few instances where a parent-offspring hook-up has proved as potent as Dyads by bassist Michael Formanek and his reedman son Peter. With not a hint of featherbedding, the pair interact as equals on a 72-minute program which alternates six charts penned by both with seven collective inventions. While the bassist has amassed a ...


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