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Meet Trumpeter Anthony Hervey
by Sanford Josephson
Anthony Hervey was in the sixth grade when he discovered jazz. “My mother encouraged me to play trumpet because my grandfather played trumpet," he said. “I was very reluctant to do so, but she convinced me to do it and said I could quit after a year if I wanted to." Then, Hervey was ...
Mike Clark: The Drummer Gets (And Gives) Some!
by Doug Collette
Drummer Mike Clark must've already had some estimable pedigree in the first place to be invited to join Herbie Hancock's seminal funk/fusion ensemble Headhunters back in the Seventies. But the man at the kit only built upon his existing prestige during his tenure with that group and then went on to expand upon his rep with ...
Michael Wollny: Treasures from the Wunderkammer
by Kurt Ellenberger
German pianist Michael Wollny is one of the most exciting and important jazz artists of our time. His work is marked by exquisite pianism and a restless creativity and search for expression that knows no stylistic boundaries. Wollny's output has been remarkable both in quality and quantity--he is in his early 40s, and has released almost ...
Steven Feifke Big Band: Kinetic
by Angelo Leonardi
Assimilare la tradizione per poi creare cose originali. È questo il percorso che hanno seguito e continuano a seguire i musicisti jazz, in forme e approfondimenti diversi. A 30 anni esatti il pianista Steven Feifke è ancora al primo passo ma in questo scintillante debutto orchestrale dimostra di avere tutte le carte in regola per sviluppare ...
La Jazz Poetry di Jayne Cortez
by Maurizio Zerbo
Articolo originariamente pubblicato nel marzo 2003 e ora riproposto in occasione del mese dedicato al contributo femminile al jazz Per la sua spiccata componente di oralità, la Jazz Poetry è probabilmente l'espressione che meglio di altre connota—insieme al jazz stesso—l'esperienza artistica afroamericana del '900, in quanto trait d'union fra improvvisazione e composizione scritta.
Discovering Jazz through Pretzel Logic
by Alan Bryson
It's a good bet that most of us have heard people say they don't like jazz, or even worse, drop the H-bomb, “I hate jazz." If you choose to engage, the key is to tread lightly and tailor an approach that considers the tastes and sensibilities of the other person. The “So You Don't Like Jazz" ...
The Rebel Festival
by Karl Ackermann
On the morning of July 4, 1960, there were more than a few signs of the mayhem that had taken place the night before in Newport, Rhode Island. Newport's Millionaires Row woke up to broken store windows, overturned vehicles, and storm drains clogged with garbage and beer bottles. One-hundred-eighty-two people, mostly young, New England college students ...
Brian Landrus: For Now
by Doug Hall
Low-register reed specialist and multi-instrumentalist and composer Brian Landrus confronted a difficult period in his life and used adversity to inspire a passionate declaration in song on his 2020 release For Now (BlueLand Records). He took advice from the late valve-trombonist, composer and educator Bob Brookmeyer, “book a recording session before you have the music composed—then ...
The Lorca Hart Trio: Colors Of Jazz
by Edward Blanco
West Coast drummer Lorca Hart presents a collection of vibrant traditional jazz on the exciting Colors of Jazz, from the Lorca Hart Trio augmented by saxophonist Ralph Moore. Offering a mix of original compositions with four cover tunes, the canvas of nine sparkling pieces paints a portrait that's far more than pleasing to the ear, it's ...
The Touch of Your Lips, Part 2: Touch and Tone Color in Jazz Piano
by Kurt Ellenberger
Part 1 | Part 2 | Part 3 As mentioned in Part 1, tone color took on a prominent role in classical music in the 19C. The Romantic composers like Wagner, Strauss, Berlioz, Chopin and many others were, I think it is fair to say, somewhat obsessed with it. The composers before them were ...
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