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Results for "Thelonious Monk"
Jymie Merritt: Dedication Personified
by Victor L. Schermer
Jymie Merritt came up in Philadelphia during the evolution of bebop and hard bop, when the town was a hotbed of musical activity. Players like John Coltrane, Benny Golson, and Philly Joe Jones were getting started there, and musicians like Charlie Parker, J.J. Johnson, Dizzy Gillespie and Miles Davis would come to the city to perform ...
Jonathan Bratoeff & Chris Vatalaro: Chapters
by Chris May
Unexpectedly, a trend has been developing among musicians associated with London's F-IRE collective to revisit the standards repertoire. It's not an area this experimentally inclined body of players usually inhabits, but the results so far--all recorded by duos--make it an engaging diversion. Saxophonist Ingrid Laubrock and pianist Liam Noble were first off the block ...
Umbria Jazz: Days 4-6, July 13-15, 2009
by Michael J. West
Days 1-3 | Days 4-6 | Days 7-10 The next three days of the Umbria Jazz began with two concert series that promised to be intriguing. American vibraphonist Joe Locke performed three times with Italian pianist Dado Moroni and saxophonist Rosario Giuliani at the very small Oratorio Santa Cecilia church. The trio is recording an ...
Vision Festival 2009: Day 5
by John Sharpe
Day 1 | Day 2 | Day 3 |Day 4 | Day 5 | Day 6 | Day 7 Seth Meicht's Big Sound Ensemble / Bear and Eagle / Darius Jones Trio / Matthew Shipp / Rob Brown Trio / Milford Graves Quartet / Lisa Sokolov Trio / Joe Morris GoGo Mambo 14th Annual ...
Bob Albanese Trio: One Way/Detour
by John Patten
In 2008, pianist Bob Albanese took his trio into a studio to do an unplanned recording while performing in Florida, spinning a collection of first and second takes with saxophonist Ira Sullivan that became One Way/Detour. As a composer, Albanese uses rhythm to lay the groundwork for his compositions. He builds on spare harmonic ...
Jazz Eyes: Eyes and Ears Wide Open
by Jakob Baekgaard
In jazz, spontaneity is essential. It can also be useful when setting up a label. So it's no great coincidence that, once the Italian jazz enthusiasts Paolo Siculiana and Toti Cannistraro realized they both loved the production and distribution of records, their Jazz Eyes label rapidly became a reality. “The story starts on a dark night," ...
Andy Milne / Benoit Delbecq: Where is Pannonica?
by George Kanzler
Occasioned by a commission from Chamber Music America's French-America Jazz Exchange and realized during a three-week composing/recording residency at the Banff Centre in Canada in 2008, this is a fascinating project, pushing the boundaries of the piano duo format. Using Steinway D grands that were often--mostly in Benoit Delbecq's case--altered with prepared devices (objects on strings) ...
Bill Anschell / Brent Jensen: We Couldn't Agree More
by C. Michael Bailey
By definition, the classical or jazz duo is the most intimate performance format. Intimacy requires two parties sharing with a base empathy. An example is Eddie Daniels and Roger Kellaway's A Duet of One (2008, IPO), where the two principles shared a great love for the mainstream and its sensitive presentation. Enter west coasters, pianist Bill ...
Eyran Katsenelenbogen: 88 Fingers
by Terrell Kent Holmes
With the release of 88 Fingers, add the name Eyran Katsenelenbogen to the expanding roster of exciting pianists on the scene today. Katsenelenbogen draws from jazz, classical and the Great American Songbook for tunes that allow him to show off his amazing sound and bold-faced technique. Throughout 88 Fingers, Katsenelenbogen plays with confidence ...
Trio 3 + Geri Allen: At This Time
by Chris May
The publicity surrounding the release of At This Time is making much of the addition of a pianist to Trio 3's saxophone, bass and drums line-up. Arguably, however, the inclusion of a keyboard, played by Geri Allen, isn't the album's most significant feature. True, during the course of the group's 23-year history, most of its work ...
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