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The Wind

Album:
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Label: Resonance Records
Released: 2008
Duration: 6:23

The Wind

Label: ECM Records
Released: 2007
Track listing: Part I; Part II; Part III; Part IV; Part V; Part VI; Part VII; Part VIII; Part IX; Part X; Part XI; Part XII.

The Wind

Label: Enja Records
Released: 2007

ARTICLE: ALBUM REVIEW

Kayhan Kalhor - Erdan Erzincal: The Wind

Read "The Wind" reviewed by AAJ Italy Staff

Il musicista iraniano Kayhan Kalhor, conosciuto in Occidente come membro del duo Ghazal, con cui ha inciso tre album per l'americana Shanachie e uno per la tedesca ECM (The Rain), è un virtuoso del kamancheh, sorta di violino arabo che si suona con l'archetto, tenendolo però in posizione verticale. In questa occasione non ha più al ...

ARTICLE: ALBUM REVIEW

Kayhan Kalhor and Erdal Erzincan: The Wind

Read "The Wind" reviewed by Nenad Georgievski

The Wind, a collaboration between two master musicians, is as good an example of musical interaction as you will ever hope to hear. Duet albums between master musicians from different traditions used to be a rare occurence in the past. But in this rapidly shrinking world, more and more musicians are trying to expand their musicial ...

The Wind

Label: ECM Records
Released: 2006
Track listing: Part I; Part II; Part III; Part IV; Part V; Part VI; Part VII; Part VIII; Part IX; Part X; Part XI; Part XII.

ARTICLE: ALBUM REVIEW

Kayhan Kalhor: The Wind

Read "The Wind" reviewed by Budd Kopman

In an exquisite moment on Kayhan Kalhor's last recorded collaboration, The Rain (ECM, 2003), tabla player Sandeep Das hits an “out" note on his tuned drum. This momentarily shocks Kalhor and sitarist Shujaat Khan, but soon brings a smiling murmur when he repeats it as if to say, “I meant that." The two soloists, Kalhor (from ...

ARTICLE: ALBUM REVIEW

Kayhan Kalhor: The Wind

Read "The Wind" reviewed by John Kelman

Improvisation isn't strictly the purview of jazz, although it's certainly one of the genre's defining foundations. But it's also an area of fertile exploration for artists operating far outside its conventions. Iranian kamancheh (spike fiddle) player Kayhan Kalhor has been exploring the improvisational possibilities at the nexus of Persian and North Indian music for nearly a ...


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