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Article: Album Review

Mark Kavuma & The Banger Factory: Arashi No Oto

Read "Arashi No Oto" reviewed by Chris May


London-based trumpeter and composer Mark Kavuma was last seen in this parish in July 2019. At the start of that month, Kavuma released his second album with his nonet, The Banger Factory. A couple of weeks later, he led a quintet on the floor of the Barbican Art Gallery, performing Thelonious Monk's Brilliant Corners (Riverside, 1956) ...

18

Article: Album Review

Bévort 3: On Fire

Read "On Fire" reviewed by Ian Patterson


After a recording hiatus of seven years, Bévort 3, the trio led by Pernille Bévort, is back. Not that the Danish saxophonist-composer has been idling. Since the release of Trio Temptations (Gateway Music, 2014), Bévort has dedicated most of her energy to expanded line-ups. Which Craft? (Gateway Music, 2016) for octet and BLIK (Self Produced, 2020) ...

9

Article: Interview

Clifton Anderson: Knowing the Road

Read "Clifton Anderson: Knowing the Road" reviewed by Barbara Ina Frenz


New York trombonist Clifton Anderson has mastered his instrument from the 1970s on in jazz programs of his home town outside the conservatory (which he also attended), that were initiated by leading spirits of the music such as Barry Harris, Sam Rivers, and Reggie Workman; these informal, professional jazz circles gave him information, insights and inspiration ...

6

Article: Radio & Podcasts

Weather Report - Zawinul, Shorter, Pastorius (1971 - 1976)

Read "Weather Report - Zawinul, Shorter, Pastorius (1971 - 1976)" reviewed by Russell Perry


By 1970, Wayne Shorter and Joe Zawinul were recognized as two of the finest hard bop composers and players having contributed the full range of their talents to The Jazz Messengers and Miles Davis Quintet (in Shorter's case) and the Cannonball Adderley Quintet (in Zawinul's). Both contributed to Davis' Bitches Brew sessions and in 1971 formed ...

33

Article: Under the Radar

The Archive of Contemporary Music

Read "The Archive of Contemporary Music" reviewed by Karl Ackermann


In Lower Manhattan, sits a musical gold mine. It's the motherlode of recorded music though the small, brightly colored sign above a grey steel door provides only a cryptic clue. The dusty window display of rare 78 RPM records, broken into erratic pie charts serves as a vestige of the past and a cautionary tale about ...

6

Article: Radio & Podcasts

The Songbooks (1950 - 1959)

Read "The Songbooks (1950 - 1959)" reviewed by Russell Perry


Songs from what came to be known as the Great American Songbook, have been part of jazz perhaps since The Original Dixieland Jazz Band began recording Irving Berlin compositions. In the 1940s, singer Lee Wiley recorded several collections of 78s, known as “albums"--a name that stuck into the LP era, focused on the work of individual ...

4

Article: Radio & Podcasts

The Lyricists - Benny Golson, Gigi Gryce, Art Farmer (1953 - 1962)

Read "The Lyricists - Benny Golson, Gigi Gryce, Art Farmer (1953 - 1962)" reviewed by Russell Perry


"Musicians of a gentler, more lyrical bent ... found in hard bop a more congenial climate than bebop had offered: for instance, trumpeter Art Farmer, [and] composers Benny Golson and Gigi Gryce.... In a sense, such musicians were not hard boppers at all. They are, however, partially associated with the movement for two reasons. First, they ...

4

Article: Album Review

Craig Fraedrich: Out of the Blues

Read "Out of the Blues" reviewed by Chris M. Slawecki


Out of the Blues, featuring Craig Fraedrich on trumpet and flugelhorn with The Jazz Trumpet Ensemble, would have sounded great in the sweltering hard-bop landscape that Cannonball Adderley, The Jazz Messengers led by Art Blakey, Horace Silver and other jazz legends began to explore in the late 1950s. Fraedrich has been featured trumpet soloist ...

10

Article: From the Inside Out

Sonic Styles of the Seventies

Read "Sonic Styles of the Seventies" reviewed by Chris M. Slawecki


Hugo Fattoruso Hugo Fattoruso Y Bario Opa Far Out Recordings 2018 Once upon a time in Uruguay, teenage brothers Osvaldo and Hugo Fattoruso stepped out of their musical family trio to play guitar and bass for popular Latin American jazz (swing) and rock 'n' roll ensembles venturing in ...


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