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Enter the "The Bad Plus - Made Possible" Giveaway at All About Jazz!
All About Jazz members are invited to enter the eOne Music “The Bad Plus - Made Possible“ giveaway contest starting today. We'll select FIVE winners at the conclusion of the contest on November 5th. Click here to enter the contest (Becoming a fan of The Bad Plus at AAJ automatically enters you in the contest.) Good ...
Take Five With Sam Newsome
by AAJ Staff
Meet Sam Newsome: One of the more important soprano saxophonists of his generation, Sam Newsome emerged onto the scene as a member of Terence Blanchard's quintet in the early 1990s, Newsome really hit his artistic stride when he began releasing a series of solo saxophone recordings expanding the sonic terrain of the soprano sax: ...
Manner Effect: Abundance
by C. Michael Bailey
Manner Effect knits together the jazz aesthetics of The Bad Plus to Kneebody to pianist Robert Glasper and bassist Esperanza Spalding, while forging its own unique and progressive sound. With music, particularly jazz, so highly atomized, it is a hard market in which to distinguish oneself. This quintet's approach is one of total assimilation and immersion ...
Gent Jazz Festival: Days 1-4: July 5-8, 2012
by Martin Longley
Gent Jazz Festival Bijloke Gent, Belgium July 5-8, 2012 All parts of northern Europe had already been suffering an intense rainfall throughout the month of June. There was no abating once July was in swing. The forecast was pretty much for a daily downpour, and for once ...
Badbadnotgood: BBNGLIVE 2
by Thomas Carroll
Hip-hop grooves and electronics are not new to the jazz world. In the 1970s, forward-thinking jazz giants such as trumpeter Miles Davis and keyboardists Herbie Hancock and Chick Corea popularized the sound of electrified keyboards and horns supported by rhythm sections of slapping bass players, superhuman fusion drummers and funky electric guitarists. Since at least 2003, ...
Billy Hart: All Our Reasons
by John Kelman
In a career spanning work with saxophonist Pharoah Sanders and trumpeter Miles Davis to pianists Tommy Flanagan and Marian McPartland, drummer Billy Hart has pretty much seen it all, from the most centrist mainstream to the outer reaches of free playing and beyond. But as he approaches 72 later in 2012, there's one thing Hart hasn't ...
Georg Breinschmid: Fire
by Larry Taylor
A mixture of outrageous humor and subtle beauty make up Fire, from Austrian bassist Georg Breinschmid. Such a conflicting opinion needs explaining. The 14 mostly originals (plus a bonus disc of four additional tracks) combine live and studio recordings using two different groupings. There is Brein's Café--a piano/violin/bass trio; and a duo with ...
Adam Kromelow Trio: Youngblood
by Dan Bilawsky
Adam Kromelow's group is a jazz piano trio in instrumentation, but not intent. Kromelow, who originally hails from Illinois and now resides in New York, takes his cues and inspiration from a variety of sources, such as modern classical music, rock sounds and, of course, jazz. All of these influences merge on Youngblood. ...
The Wee Trio: Ashes To Ashes - A David Bowie Intraspective
by Glenn Astarita
Vibraphonist James Westfall participated with several New Orleans-based musicians to cover the music of pop icon David Bowie and took the concept further by using this premise for The Wee Trio's third album. The band projects youthful vigor along the lines of The Bad Plus and Medeski, Martin & Wood; firmly rooted in the jazz vernacular, ...
The Bad Plus: Never Stop
by Thomas Carroll
For the past decade, The Bad Plus has received both praise and criticism for its idiosyncratic approach to jazz-rock. Liberal jazz fans and those who are inclined towards the mainstream but want to dabble in jazz have enthusiastically received the band's modern piano trio reworking of rock standards such as Nirvana's “Smells Like Teen Spirit" and ...
