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Enjoy Jazz Festival: Days 1-2, October 20-21, 2009

by John Kelman
Days 1-2 | Day 3-6 | Days 7-10 | Days 11-12 Situated along the Neckar River in the central part of Germany, Heidelberg may seem like an unlikely place for a six-week jazz festival in the middle of the fall each year. But Enjoy Jazz, now in its eleventh year, has been bringing an ...
Lama: Look What You Made Us Do

by John Kelman
Its performance rattled more than a few cages at Punkt 2008, in Kristiansand, Norway. Still, Lama's debut, Guidebook to Lamaland (Spoon Train Audio, 2008), was really a solo album hiding beneath a group name, with the exception of one cathartic live track that featured the full group. Lama's sophomore disc, Look What You Made Us Do, ...
Why George Russell Will Always Live in Time

by Raul d'Gama Rose
A measure of just how underrated a musician he was in his lifetime is reflected in the fact that even three days after he passed on most of the major publications had not even reported his death, much less celebrated his life in the glowing terms that he so richly deserved. Perhaps this was because oddly ...
Molde Jazz: Day 6, July 18, 2009

by John Kelman
Day 1 | Day 2 | Day 3 | Day 4 | Day 5 | Day 6 Break of Day in Molde / Crimetime Orchestra / Jaga Jazzist / Arve Henriksen Closing ConcertMolde Jazz Molde, Norway July 18, 2009 It's almost impossible to believe, that after the late nights ...
Norwegian Jazz 101a: JazzNorway in a Nutshell 2009

by John Kelman
2008 | 2009 | 2010 | 2011 One of the challenges of any organization or festival is to find ways to top past performances, and certainly the breadth of exposure to Norwegian music, culture and geography at JazzNorway in a Nutshell 2008 (JNiaN) would be hard to beat. A junket where approximately 40 people ...
Mark O'Leary: Plucking the Flower

by Eyal Hareuveni
Irish guitarist Mark O'Leary emerged on the global improvised music scene in the last few years, pushing his bold vision and broad scope of musicality through constantly-changing collaborations. O'Leary can cross easily between genres, from progressive, synth-laden rock and seventies fusion to free jazz and abstract soundscapes.The guitarist's encyclopedic interests and remarkable prolificacy are ...
Geir Lysne Ensemble: The Grieg Code

by John Kelman
The Norwegian aesthetic for large ensembles is often considerably distanced from the American tradition, though there are mid-Atlantic meeting points, with Mariah Schneider and Darcy James Argue finding some common ground with Jon Balke, Trygve Seim and Geir Lysne. Lysne, in particular, has managed to combine a greater predilection for overt soloing within oftentimes expansive, detailed ...
Live in Leipzig
By Terje Rypdal
Label: ECM Records
Released: 2008
Track listing:
1. The Sea V (Bjørnstad) - 08:01; 2. The Pleasure Is Mine, I’m Sure (Rypdal) - 05:28; 3. The Sea II (Bjørnstad) - 07:30; 4. Flotation
And Surroundings (Bjørnstad) - 06:43; 5. Easy Now (Rypdal) - 04:36; 6. Notturno (fragment) (Grieg) - 01:01; 7. Alai's
Room (Bjørnstad) - 01:38; 8. By the Fjord (Bjørnstad) - 03:06; 9. The Sea IX (Bjørnstad) - 05:24; 10. Le Manfred / Foran
Peisen (Rypdal) - 05:10; 11. The Return of Per Ulv (Rypdal)- 05:21.
Arild Andersen: Live at Belleville

by John Kelman
The general international perception of Norway's jazz scene as Nordic Cool," is, like most generalizations, inevitably distanced from truth. Atomic, The Core and Motif may possess no shortage of heat, but ECM has undeniably helped define that unmistakable Norwegian aesthetic. One of the big four," brought to international attention in the early 1970s alongside guitarist Terje ...
Ketil Bjørnstad - Terje Rypdal: Live in Leipzig

by AAJ Italy Staff
Questo disco riassume il percorso avviato da Ketil Bjørnstad e Terje Rypdal nel 1995, quando, assieme al violoncellista David Darling e al batterista Jon Christensen, diedero vita a The Sea, formazione tra le più rappresentative delle sonorità scandinave ECM. Negli anni, il quartetto di origine ha dato vita a dischi e progetti con formazioni ridotte o ...