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Results for "Terje Rypdal"
Arild Andersen: Green Into Blue - Early Quartets
by John Kelman
He's one of Norway's “Big Four"—a group of artists who, with the assistance of the emerging ECM label in the early 1970s, kick-started international focus on the music from a country that, despite its relatively small population, has become a truly vital force in the evolution of jazz over the past 40 years. Alongside saxophonist Jan ...
Rune Grammofon: Mutation and Reevaluation
by David McLean
Since its inception in 1998, Rune Grammofon has been at the forefront of ground breaking new music, heralding a new unprecedented interest in Scandinavian music. Whereas ECM's focus on the region has largely been based around the folk/traditional music explorations of its most prolific artists, including Jan Garbarek, Arild Andersen, Terje Rypdal and Jon Christensen, and ...
douBt: Never Pet a Burning Dog
by John Kelman
Sometimes bringing two musicians together for the first time can yield some real magic. That was the case when British keyboardist Alex Maguire joined up with Michel Delville and members of the Belgian guitarist's flagship group, The Wrong Object, for Brewed in Belgium (MoonJune, 2008). Never Pet a Burning Dog largely pares things down to a ...
Jan Gunnar Hoff: Magma
by John Kelman
Keyboardist Jan Gunnar Hoff may not have the international visibility of fellow keyboardist Bugge Wesseltoft, but with a growing discography dating back to the mid-1990s and including, most recently, the powerfully fusion-esque Jungle City (Alessa, 2009), with fellow countryman/bassist Per Mathisen and ex-Weather Report percussionist/drummer Alex Acuna, that deserves to change. At the core of the ...
Chris Jentsch: Cycles and Reflecting on the Journey
by Ludwig vanTrikt
John Coltrane once said, “Let the music speak for itself." The guitarist/composer and band leader Christopher Jentsch adds an interesting twist on that subject by opting to describe himself when asked about the broader subject of how to capture his music in his own words. “I think of myself as a composer/guitarist working with contemporary improvisational ...
Eberhard Weber: Colours
by John Kelman
As the jazz-rock fusion movement gained ground from its early years in the late 1960s through its glory days in the early-to-mid-1970s—blending the more sophisticated harmonies of jazz with rock music's rhythmic power and high volume—all too often it was about muscular chops and complex writing for the sake of it. Little attention was paid to ...
John Moulder: Bifrost
by John Kelman
A longtime member of ex-Pat Metheny Group drummer Paul Wertico's trio, enough has already been written about John Moulder's double life as jazz guitarist and ordained priest. Bifröst is Moulder's follow-up to the ambitious and eclectic Trinity (Origin, 2006), where the guitarist's spirituality became a touchstone for music ranging from the ethereal to the grounded, and ...
ECM at 40: Enjoy Jazz Festival: Days 3-6, October 22-25, 2009
by John Kelman
Days 1-2 | Day 3-6 | Days 7-10 | Days 11-12 ECM at 40. It's hard to believe that a record label responsible for stretching the boundaries of modern music has survived the various crises that have threatened and, in some cases, decimated so many others. With Enjoy Jazz's “The Blue Sound: 40 Years ...
Enjoy Jazz Festival: Days 1-2, October 20-21, 2009
by John Kelman
Days 1-2 | Day 3-6 | Days 7-10 | Days 11-12 Situated along the Neckar River in the central part of Germany, Heidelberg may seem like an unlikely place for a six-week jazz festival in the middle of the fall each year. But Enjoy Jazz, now in its eleventh year, has been bringing an ...
Lama: Look What You Made Us Do
by John Kelman
Its performance rattled more than a few cages at Punkt 2008, in Kristiansand, Norway. Still, Lama's debut, Guidebook to Lamaland (Spoon Train Audio, 2008), was really a solo album hiding beneath a group name, with the exception of one cathartic live track that featured the full group. Lama's sophomore disc, Look What You Made Us Do, ...
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