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Albert Ayler: Spiritual Unity
by Mark Corroto
Fifty years after the recording of Albert Ayler's Spiritual Unity, the music (and the man) are still causing tumult. It is not so much that free jazz hasn't been on our radar these past decades, it's just that this recording remains one of those “where were you, when you first heard it?" experiences. Recorded ...
Eric Zinman Devototionalien: Söllen uns in demut üben in harmony zu ieberlüben
by Libero Farnè
Le note di copertina non riportano i titoli delle tre tracce che compaiono nel lettore CD: evidentemente si considera la performance, registrata dal vivo a Vienna nell'aprile 2009, come una suite in tre movimenti, l'irripetibile espressione di un flusso d'improvvisazione. Si sviluppa così una musica di forte impatto, antiaccademica, debitrice verso il free più ...
Eric Revis: Eric Revis: In Memory Of Things Yet Seen
by John Sharpe
Although the title to bassist Eric Revis' quartet offering appears to pay homage to some of the early AACM documents (think pianist Muhal Richard Abrams' unaccompanied manifesto Things To Come From Those Now Gone (Delmark, 1975)), the actuality is a different animal entirely. Having rung the changes since the acclaimed City of Asylum, Revis' outfit acts ...
Itaru Oki: Chorui Zukan
by Eyal Hareuveni
Japanese trumpeter Itaru Oki is one of the forefathers of the free jazz scene in Japan; he was a member of the seminal, experimental Japanese trio ESSG, with pianist Satoh Masahiko, and drummer Togashi Masahiko, an improviser who was a role model for many Japanese musicians. Among them was pianist Satoko Fujii, and trumpeter Natsuki Tamura, ...
Eric Revis Quartet: In Memory of Things Yet Seen
by Vincenzo Roggero
Nel corso degli anni la figura artistica di Eric Revis--giunto alla ribalta delle cronache jazzistiche per la lunga permanenza nel quartetto di Branford Marsalis, qui presente in due brani--è andata acquisendo i contorni di musicista che, pur senza la pretesa di cambiare le sorti del jazz, ne è diventato esponente di spicco, dalla consistente vena creativa ...
Getting To Know Ras Moshe
by Dom Minasi
Ras Moshe is not a name most people are familiar with. If you listen to straight ahead jazz you probably wouldn't know Ras. Now if you go to some of the 'downtown' performances in New York City and Brooklyn you probably have seen him play. I heard him ten years ago playing Tenor Sax at the ...
John Edwards Double Bass Man
by Sammy Stein
When John Edwards plays his double bass, he is extraordinarily engaging. He plucks, tweaks, bows, hits and hums aloud. So engrossed is he that it is difficult to look away. One memorable gig, I overheard a member of the audience say “ It's almost pornographic what he does with that bass." I ...
How to Know: Spirit Music - Crazy Wisdom, Shamanism And Trips To The Black Sky
by Ken Hyder
The following is an excerpt from the “Instability as an Aid to Spirit Music" chapter of How to Know by Ken Hyder (Amazon Digital Services, 2013). There is a tension between precision and looseness. In jazz, the tension is minute, but it makes all the difference to whether the music swings ...
The Veiled Meanings of Paul Motian
by Nic Jones
While Paul Motian's music could be regarded as amalgam of the predetermined and the free, that tells only a small part of the story. Similarly, arguing that his drumming was a merging of Kenny Clarke and Sunny Murray is no more helpful, even as it hints at the freedom in his work. But at this moment ...
Noah Howard Quartet: The Bremen Concert
by Jerry D'Souza
Alto saxophonist Noah Howard was a key player in the free jazz movement of the 1960s. He moved into the realm of that decade--a time when the atmosphere was rife with saxophonists primed to the calling. Born in New Orleans, Howard characterized his approach with a distinctive sensibility for gospel music that unraveled enticingly in his ...
