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Acid Mothers Temple and Melting Paraiso UFO: Son of a Bitches Brew
by Dave Wayne
One would have to be living in a cave not to know that trumpeter Miles Davis' electric music has become a bit of a cause célèbre amongst forward-thinking jazz artists. Love it or hate it, Davis' radical experiments with funk, acid rock, and Stockhausen-inspired sound painting has quickly gone from much-maligned to iconic over the past ...
Jimmy Herring: Talkin' Blues, Bluegrass and More
by Alan Bryson
The spark of bringing together unusual combinations, like a classically trained bluegrass fiddler, a Cameroonian bassist, and a high energy guitarist, could have resulted in a musical culture clash, but for Jimmy Herring the bet paid off. While he might be modest and deferential on a personal level, his latest album is bold and expansive. It ...
2012 Umea Jazz Festival: Umea, Sweden, October 24-28, 2012
by John Kelman
Umeå Jazz Festival Umeå, Sweden October 24-28, 2012 Nestled about 20 kilometers from the coast of the Baltic Sea in northern Sweden, connected by the Ume River, sits Umeå (pronounced: ooo-me-oh), a town of about 120,000 (including the surrounding region). Small it may be, but since 1968 it has hosted an annual ...
The Opposite: In Action
by Eyal Hareuveni
The Opposite investigates improvisation and interplay through a collective group sound and open approach, assimilating elements of rock and Indian, African and Cuban musical traditions. In Sction documents this Swedish sextet live on a Swedish club tour in 2011. The live setting enable The Opposite to emphasize its formative influences, including early fusion bands like Weather ...
Medeski, Martin & Wood: Free Magic: Live
by Mark Corroto
Free Magic: Live is the first release of by trio Medeski Martin & Wood from its third decade of existence. Maybe I should repeat that. This disc is by a jazz band that has remained intact for more than 21 years. Like a family, the trio has born musical genres, specifically the infamous jamband phenomena, matured, ...
Living By Lanterns: New Myth/Old Science
by Troy Collins
First premiered live at the 2011 Chicago Jazz Festival, the material presented on the studio recording New Myth/Old Science was originally commissioned by Experimental Sound Studio. As one of the Windy City's most prominent scene leaders, drummer Mike Reed was given unprecedented access to audition over 700 hours of tape from Sun Ra's El Saturn Audio ...
Medeski, Martin & Wood: Sound Sculpting
by Thomas Carroll
Progressive keyboard trio Medeski, Martin & Wood has helped redefine the boarder where musical genres meet since the group's inception over 20 years ago. MMW has experimented with everything from song structure to acoustic-electric instrumental blends, all while appealing to both jazz-specific and mainstream audiences. Free Magic (Indirecto, 2012) is a fine example of MMW's exploratory ...
Francisco Mora Catlett: Francisco Mora Catlett: Afro Horn MX
by Steve Bryant
When Afro-Mexican Drummer Francisco Mora Catlett first came to this country in the1970s, he dreamed of playing drums for the Sun Ra Arkestra. Not only did Mora achieve his dream, he also forged a lifelong relationship with drum legend Max Roach, which resulted in his performing in Roach's seminal drum ensemble, M'Boom. As a composer and ...
The Grand Canyon
by Mark Corroto
Flying over the Grand Canyon on your way to Las Vegas is one way to see that huge gash in the earth, and standing on the banks of the Colorado River is another. From one perspective depth cannot be appreciated, from the other the enormity of it all. Such is the case with modern improvised music. ...
NEA Statement on the Death of NEA Jazz Master Von Freeman
NEA Chairman Rocco Landesman's Statement on the Death of NEA Jazz Master Von Freeman “On behalf of the National Endowment for the Arts, it is with great sadness that I acknowledge the passing of 2012 NEA Jazz Master Von Freeman. An extraordinary saxophonist with a sound all his own, Von Freeman's contributions to jazz – and ...
