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2012: The Year in Jazz
by Ken Franckling
The world of jazz officially went global in 2012, kicked the Grammy Awards in the shins, dealt with economic issues and Mother Nature, and found new ways to innovate in this social media and Internet-savvy age. There were ups and there were downs for both longstanding clubs and festivals, too. Here's a look at ...
Take Five With Tyler Mitchell
by AAJ Staff
Meet Tyler Mitchell: Chicago born Tyler Mitchell studied the bass with Don Rafael Garrett (John Coltrane, Archie Shepp, Rahsaan Roland Kirk) and Malachi Favors (Art Ensemble of Chicago). He played with Von Freeman before moving to New York in 1984. In 1985/86, he joined the Sun Ra Arkestra, with whom he played and toured ...
Davey Payne: Ready To Play
by Sammy Stein
Davey Payne is known best for the time when he was saxophonist with British group, The Blockheads. His solo on the 1978 number 1 hit, “Hit Me With Your Rhythm Stick" was the first time a double sax solo had appeared on a hit record. Before he joined forces with Dury, who fronted The ...
Bruce Cox Core-Tet: Status Cymbals
by Dan Bilawsky
Drummer Bruce Cox may not be a household name in the jazz world, but he's studied, played and/or recorded with plenty of people who are. The Philadelphia-born stick-wielder gleaned plenty of wisdom through his lessons with drumming icons Philly Joe Jones and Alan Dawson, and he's put that knowledge to good use by backing the greats ...
Alice Coltrane: Huntington Ashram Monastery / World Galaxy
by Chris M. Slawecki
Composer, pianist, keyboard player, harpist and bandleader Alice (McLeod) Coltrane married John Coltrane in 1965. She played in her husband's band until his passing in 1967 but his influence remained strong throughout her music thereafter. Few of her albums reflect this influence more strongly than Huntington Ashram Monastery, recorded in 1969, and World Galaxy, recorded in ...
From Britain to Boogaloo
by Chris M. Slawecki
Chris BarberMemories of My TripProper American Records2011 You will find very few jazz retrospectives more thoroughly, warmly inviting than Memories of My Trip, which celebrates six decades of recording and performing by one of Britain's most enduring traditional jazz musicians--trombonist, bassist and bandleader Chris Barber. ...
The Ratchet Orchestra: Hemlock
by Ted Harms
Wikipedia defines a ratchet as a mechanical device that allows for motion in only one direction; it also could be a piss-take or deliberate mispronunciation of “rat shit." Certainly the former is more appropriate for The Ratchet Orchestra's Hemlock, from a very large ensemble led by bassist/composer Nicolas Caloia. This group of 30 players is primarily ...
Slumgum / Hugh Ragin: The Sky His Own
by Eyal Hareuveni
The third release of the young Los Angeles-based, Cal Arts-educated Slumgum attempts to expand its musical universe. This inventive quartet already defined its rich aesthetic, drawing from diverse influences like jazz, free improvisation, world music and modern classical music, stressing a vivid sense of exploration and adventure with close and supportive interplay. On The Sky His ...
You say you're beat? You don't know Jack
by Mark Corroto
..."the only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn, burn like fabulous yellow roman candles exploding like spiders across the stars..." Jack ...
RJ Spangler Trio: This Is What We Do
by Steve Bryant
Detroit has always been a home for a multitude of jazz traditions. From big band to swing, from hard bop to the avant-garde, any jazz style can be heard in a given week. The city has especially embraced the organ trio, that staple of neighborhood joints found throughout the urban landscape. Veteran drummer and bandleader RJ ...
