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5

Article: We Travel the Spaceways

You say you're beat? You don't know Jack

Read "You say you're beat? You don't know Jack" reviewed by Mark Corroto


..."the only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn, burn like fabulous yellow roman candles exploding like spiders across the stars..." Jack ...

4

Article: Album Review

RJ Spangler Trio: This Is What We Do

Read "This Is What We Do" reviewed by Steve Bryant


Detroit has always been a home for a multitude of jazz traditions. From big band to swing, from hard bop to the avant-garde, any jazz style can be heard in a given week. The city has especially embraced the organ trio, that staple of neighborhood joints found throughout the urban landscape. Veteran drummer and bandleader RJ ...

6

Article: Album Review

Acid Mothers Temple and Melting Paraiso UFO: Son of a Bitches Brew

Read "Son of a Bitches Brew" reviewed by Dave Wayne


One would have to be living in a cave not to know that trumpeter Miles Davis' electric music has become a bit of a cause célèbre amongst forward-thinking jazz artists. Love it or hate it, Davis' radical experiments with funk, acid rock, and Stockhausen-inspired sound painting has quickly gone from much-maligned to iconic over the past ...

11

Article: Talkin' Blues

Jimmy Herring: Talkin' Blues, Bluegrass and More

Read "Jimmy Herring: Talkin' Blues, Bluegrass and More" reviewed by Alan Bryson


The spark of bringing together unusual combinations, like a classically trained bluegrass fiddler, a Cameroonian bassist, and a high energy guitarist, could have resulted in a musical culture clash, but for Jimmy Herring the bet paid off. While he might be modest and deferential on a personal level, his latest album is bold and expansive. It ...

7

Article: Live Review

2012 Umea Jazz Festival: Umea, Sweden, October 24-28, 2012

Read "2012 Umea Jazz Festival: Umea, Sweden, October 24-28, 2012" reviewed by John Kelman


Umeå Jazz Festival Umeå, Sweden October 24-28, 2012 Nestled about 20 kilometers from the coast of the Baltic Sea in northern Sweden, connected by the Ume River, sits Umeå (pronounced: ooo-me-oh), a town of about 120,000 (including the surrounding region). Small it may be, but since 1968 it has hosted an annual ...

4

Article: Album Review

The Opposite: In Action

Read "In Action" reviewed by Eyal Hareuveni


The Opposite investigates improvisation and interplay through a collective group sound and open approach, assimilating elements of rock and Indian, African and Cuban musical traditions. In Sction documents this Swedish sextet live on a Swedish club tour in 2011. The live setting enable The Opposite to emphasize its formative influences, including early fusion bands like Weather ...

2

Article: Album Review

Medeski, Martin & Wood: Free Magic: Live

Read "Free Magic: Live" reviewed by Mark Corroto


Free Magic: Live is the first release of by trio Medeski Martin & Wood from its third decade of existence. Maybe I should repeat that. This disc is by a jazz band that has remained intact for more than 21 years. Like a family, the trio has born musical genres, specifically the infamous jamband phenomena, matured, ...

5

Article: Album Review

Living By Lanterns: New Myth/Old Science

Read "New Myth/Old Science" reviewed by Troy Collins


First premiered live at the 2011 Chicago Jazz Festival, the material presented on the studio recording New Myth/Old Science was originally commissioned by Experimental Sound Studio. As one of the Windy City's most prominent scene leaders, drummer Mike Reed was given unprecedented access to audition over 700 hours of tape from Sun Ra's El Saturn Audio ...

14

Article: Catching Up With

Medeski, Martin & Wood: Sound Sculpting

Read "Medeski, Martin & Wood: Sound Sculpting" reviewed by Thomas Carroll


Progressive keyboard trio Medeski, Martin & Wood has helped redefine the boarder where musical genres meet since the group's inception over 20 years ago. MMW has experimented with everything from song structure to acoustic-electric instrumental blends, all while appealing to both jazz-specific and mainstream audiences. Free Magic (Indirecto, 2012) is a fine example of MMW's exploratory ...

2

Article: Album Review

Francisco Mora Catlett: Francisco Mora Catlett: Afro Horn MX

Read "Francisco Mora Catlett: Afro Horn MX" reviewed by Steve Bryant


When Afro-Mexican Drummer Francisco Mora Catlett first came to this country in the1970s, he dreamed of playing drums for the Sun Ra Arkestra. Not only did Mora achieve his dream, he also forged a lifelong relationship with drum legend Max Roach, which resulted in his performing in Roach's seminal drum ensemble, M'Boom. As a composer and ...


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