Home » Search Center » Results: Storyville Records

Results for "Storyville Records"

Advanced search options

Album

66 67

Label: Storyville Records
Released: 2017
Track listing: Bit; Ras Bros; Stella By Starlight; There Will Never Be Another You; Juleballade; Tja; Bass Blues; Why Not? That’s What!; Naima; Bessie’s Blues; Santa Claus Is Coming To Town; Some Day My Prince Will Come.

Album

The Treasury Shows, Vol. 24

Label: Storyville Records
Released: 2017
Track listing: CD1: Take The A Train; Harlem Air Shaft; Creole Love Call; C Jam Blues; Is It A Sin?; Just A-Settin’ And A-Rockin’; Moonlight Fiesta; The Hawk Talks; Satin Doll; Take The A Train; Blue Jean Beguine; Boo Dah; Cocktails For Two; Nothin’ Nothin’ Baby; Jump For Joy; Perdido; Blue Moon; Satin Doll; Take The A Train; Concerto For Cootie; Johnny Come Lately; My Heart Tells Me; Blue Skies; Things Ain’t What They Used To Be. CD2: Take The A Train; Caravan; I Let A Song Go Out Of My Heart; Bond Promo; The Hawk Talks; Come On Home; Flamingo; Bond Promo; Jump For Joy; Satin Doll; Take The A Train; Take The A Train; The Tattooed Bride; Bond Promo; Nothin’ Nothin’ Baby; Rock Skippin’ At The Blue Note; Just Squeeze Me; Ting-A-Ling; Satin Doll.

4

Article: Album Review

Jimmy Dawkins: The Chicago Blues Box 2

Read "The Chicago Blues Box 2" reviewed by Chris Mosey


It's a strange but true story: how a French woman schoolteacher, reared on classical music and Gallic chansons, came to play a major role in reviving the fortunes of Chicago blues in the 1970s. Marcelle Chailleux was introduced to the blues by Jacques Morgantini, a founder member of the Hot Club de France. ...

2

Article: Album Review

Duke Ellington And His Orchestra: The Treasury Shows, Vol. 24

Read "The Treasury Shows, Vol. 24" reviewed by Chris Mosey


The early 1950s were a worrying time for Duke Ellington. Musical tastes were changing and big bands were going out of business. Ellington was nervous. “I like to keep a band so I can write and hear the music next day," he said, “The only way you can do that is to pay the band and ...

1

Article: Album Review

Trio 65 1/2: 66 67

Read "66 67" reviewed by Chris Mosey


The somber shade of Bill Evans hovers over this album, recorded 1966-67, by three of his fans, Danish musicians, Kenneth Knudsen (keyboards), Ib Lund Nielsen (bass) and Ole Streenberg (drums), who went under the collective moniker Trio 65 ½. This title, coined by drummer Streenberg, is a play on the title of Evans' ...

4

Article: Album Review

Fonnesbaek & Kauflin: Synesthesia

Read "Synesthesia" reviewed by Chris Mosey


Young US pianist Justin Kauflin and Danish bassist Thomas Fonnesbaek share the neurological condition known as synesthesia, in which the senses become mixed. For the two musicians, this means experiencing sounds as colors with their minds' eyes. They met in Copenhagen for the first time in 2015. Fonnesbaek recalls, “Besides being a meeting ...

3

Article: Album Review

Carsten Dahl Experience: The Ultimate Experience

Read "The Ultimate Experience" reviewed by Chris Mosey


Danish pianist Carsten Dahl wears many musical hats. The one worn with the band he calls The Carsten Dahl Experience is that of Free Jazz. This was a movement that began in the 1950s and continued into the following decade. Musicians such as Ornette Coleman, Cecil Taylor and Albert Ayler sought greater freedom ...

5

Article: Album Review

Troels Jensen and The Healers feat. Miriam Mandipira: My Love

Read "My Love" reviewed by Chris Mosey


After studying music in her native Zimbabwe, Miriam Mandipira moved from that unhappy country, first to South Africa, then 10 years ago to Denmark. Here she became a mainstay of the local blues scene. Her influences, she said, were Ma Rainey and Bessie Smith but she sounded more like Aretha Franklin and Randy Crawford and still ...

6

Article: Album Review

Wild Bill Davison: The Danish Sessions

Read "The Danish Sessions" reviewed by Chris Mosey


Wild Bill Davison was aptly described by Humphrey Lyttelton as the kind of drunken reveller who throws his arms around your neck one moment and tries to knock you down the next. Aside from his drinking, Wild Bill was, more importantly, a white Dixieland cornet player of considerable ability, with a fierce, uninhibited attack, whose heroes ...

6

Article: Album Review

Rodney Green Quartet: Live At Jazzhus Montmartre

Read "Live At Jazzhus Montmartre" reviewed by Chris Mosey


At the age of three, at the church in Camden, New Jersey, where his father was pastor, Rodney Green saw a drum kit for the first time. He stared at it, fascinated; it was so big and shiny. He thought to himself, “OK, let's play some drums." He wasn't supposed to play jazz, it ...


Engage

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.

Install All About Jazz

iOS Instructions:

To install this app, follow these steps:

All About Jazz would like to send you notifications

Notifications include timely alerts to content of interest, such as articles, reviews, new features, and more. These can be configured in Settings.