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Dave Stryker: Guitars, Organs & Eight-Tracks

by Mark Sullivan
Guitarist Dave Stryker grew up in Omaha, Nebraska and moved to New York City in 1980. His big break came when he joined organist Jack McDuff's group for two years, from 1984-85. It was through McDuff that Stryker met tenor saxophonist Stanley Turrentine, who would occasionally sit in. After leaving McDuff, Turrentine asked Stryker to join ...
Results for pages tagged "Stevie Wonder"...
Stevie Wonder

Born:
b. Steveland Judkins, 13 May 1950, Saginaw, Michigan, USA. Born Judkins, Wonder now prefers to be known as Steveland Morris after his mother's married name. Placed in an incubator immediately after his birth, baby Steveland was given too much oxygen, causing Steveland to suffer permanent blindness. Despite this handicap, Wonder began to learn the piano at the age of seven, and had also mastered drums and harmonica by the age of nine. After his family moved to Detroit in 1954, Steveland joined a church choir, the gospel influence on his music balanced by the R&B of Ray Charles and Sam Cooke being played on his transistor radio. In 1961, he was discovered by Ronnie White of the Miracles, who arranged an audition at Motown Records
Charleston Jazz Festival 2020

by Martin McFie
Various Venues Charleston Jazz Festival Charleston, SC January 23-26, 2020 Jazz Festivals are like people, six years old is still in infancy, but everything has to start somewhere. Historically, the city which gave birth to the Charleston dance craze and was the inspiration for Gershwin's Porgy and Bess, deserves The Charleston ...
The Very Singular Mr. Ran Blake

by Duncan Heining
There have been few American composers and musicians, with the ability to encapsulate their country's music in all its racial and ethnic complexity. We might perhaps point to Aaron Copland, Leonard Bernstein, Charles Ives and perhaps, in their own distaff ways, Harry Partch and Steve Reich. In jazz, their number is fewer still--Duke Ellington and George ...
Kendrick Scott: Making Walls into Bridges

by Rob Garratt
Kendrick Scott authored one of the most compelling jazz releases of last year with A Wall Becomes a Bridge (Blue Note, 2019), a nuanced meditation on identity, history and prejudice, shepherded under the direction of producer and former band mate Derrick Hodge. Pairing gorgeous, searching improvisatory canvases with break beat interludes and samples from guest DJ ...
Manfred Eicher: ECM 50 at Centre Culturel Flagey, Brussels

by Mario Calvitti
This article first appeared at italia.allaboutjazz.com. ECM 50Centre Culturel FlageyBrussels, BelgiumNovember 21-24, 2019 During the year marking the 50th anniversary of the foundation of the German record company ECM, there have been numerous music festivals in Europe and America dedicated to the official celebration of the event. One of ...
Manfred Eicher - L'uomo che fa accadere la musica: ECM 50 a Flagey, Bruxelles

by Mario Calvitti
ECM 50 Centro Culturale Flagey Bruxelles, Belgio 21-24.11.2019 Nell'anno in cui ricorre il cinquantesimo anniversario della fondazione della casa discografica tedesca ECM sono stati numerosi in Europa e America i festival musicali dedicati alla celebrazione ufficiale dell'evento. Uno dei più importanti è sicuramente stato quello svoltosi alla fine di Novembre a ...
The Later Years: 1987-2019

by John Kelman
On January 10, 1994, Pink Floyd announced its upcoming North American tour in support of what would be its second studio album following the 1984 departure of bassist and band co-founder Roger Waters, The Division Bell (Columbia/EMI), a little more than two months before its release on March 28 of the same year. The first of ...
Larry Fuller Trio At The Jazz Corner

by Martin McFie
The Larry Fuller Trio The Jazz Corner Overjoyed Hilton Head Island, SC November 22-23, 2019 On a Saturday afternoon between performances, Larry Fuller took a moment to talk about his music while enjoying a coffee break at the Sonesta Oceanfront hotel, on Hilton Head Island. In the morning, he had ...
Ryan Porter: Force For Good

by Chris May
The Los Angeles jazz scene clustered around the community of session musicians known as the West Coast Get Down (WCGD), and its most prominent member (and now ex-session musician), Kamasi Washington, is a US equivalent of London's underground jazz scene. Both exist in parallel universes to the jazz establishment, both are culturally inclusive though peopled mainly ...