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133

News: Recording

Revisiting an Old Boss Named John Coltrane

Revisiting an Old Boss Named John Coltrane

The pianist Steve Kuhn can play John Coltrane’s music meaningfully without sounding as if he lives by it. That shows self-possession, for a couple of reasons. Coltrane was the most influential jazz musician in the late 1950s and 1960s, when Mr. Kuhn got started. And Mr. Kuhn, now 71, also has something many of his peers ...

192

News: Performance / Tour

Steve Kuhn Revisiting an Old Boss Named John Coltrane

Steve Kuhn Revisiting an Old Boss Named John Coltrane

The pianist Steve Kuhn can play John Coltranes music meaningfully without sounding as if he lives by it. That shows self-possession, for a couple of reasons. Coltrane was the most influential jazz musician in the late 1950s and 1960s, when Mr. Kuhn got started. And Mr. Kuhn, now 71, also has something many of his peers ...

310

Article: Album Review

Steve Kuhn: Mostly Coltrane

Read "Mostly Coltrane" reviewed by Stuart Broomer


When John Coltrane left Miles Davis' band at the end of 1959, the first working quartet he formed had Steve Kuhn on piano for gigs at the Jazz Gallery over the first three months of 1960. Here Kuhn pays deeply affecting tribute to Coltrane and his music with Joe Lovano on tenor and tarogato and Kuhn's ...

1,204

Article: Interview

Steve Kuhn: Shimmering Beauty

Read "Steve Kuhn: Shimmering Beauty" reviewed by Maxwell Chandler


This interview was originally published on All About Jazz on March 2, 2009. Whether it is in his trio, collaborating with vocalists or accompanying an orchestra, pianist Steve Kuhn has always managed to effortlessly defy and combine genres. Whether it is an older recording or one of his newer albums, an inherent ability to ...

637

Article: Extended Analysis

Steve Kuhn Trio with Joe Lovano: Mostly Coltrane

Read "Steve Kuhn Trio with Joe Lovano: Mostly Coltrane" reviewed by John Kelman


Although he's spent most of his career focusing on interpreting the music of others, pianist Steve Kuhn's albums for the ECM label have largely been about his small but significant repertoire of original music. Which makes Mostly Coltrane a real anomaly by comparison to earlier works like those reissued in the three-CD box set Life's Backward ...

294

Article: Multiple Reviews

Paul Motian: Zen Brushstrokes

Read "Paul Motian: Zen Brushstrokes" reviewed by Tom Greenland


Larry Gelb America Is Free ImaginMusic 2008 George Garzone Among Friends Stunt Records 2009 Michael Adkins Quartet Rotator Hat Hut 2008 Ed Schuller & ...

1,477

Article: Record Label Profile

Venus Records

Read "Venus Records" reviewed by Ken Dryden


Venus Records may be sparsely represented in North American record stores, though it has built quite a loyal following among jazz aficionados who frequent online music sources. Tetsuo Hara, the owner and founder of the label, has long been a jazz fan: “When I was a very young man, I listened to many 78-rpm records that ...

779

Article: Interview

Jochen Pfister: Touring with Sheila Jordan

Read "Jochen Pfister: Touring with Sheila Jordan" reviewed by AAJ Staff


German pianist Jochen Pfister had played in workshops with Sheila Jordan in Germany and, at her invitation, in the United States. In 2008, while in Cologne, he asked her if she might be interested in a German tour. “Yes" was the answer, and now it's about happen The first gig is Friday Match 6, 2009, in ...

165

News: Interview

Pianist/Composer Steve Kuhn Interviewed at AAJ

Pianist/Composer Steve Kuhn Interviewed at AAJ

Whether it is in his trio, collaborating with vocalists or accompanying an orchestra, pianist Steve Kuhn has always managed to effortlessly defy and combine genres. Whether it is an older recording or one of his newer albums, an inherent ability to create melodic-based beauty makes his playing and compositions instantly identifiable. AAJ contributor Maxwell Chandler spoke ...


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