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Blue Note 50th Anniversaries for March
by Marc Cohn
We're off to Van Gelder's for Blue Note sessions from March 1969, including tracks originally from the Elvin Jones LP The Prime Element with Lee Morgan, George Coleman, and Joe Farrell. And there's Blue Note #7 from 1939, as well as 21st century music that grabbed my ears. Enjoy the show. Next week: listener favorites and ...
Blue Note's Tone Poet Series
by Patrick Burnette
With CD-quality streaming a reality for those with butch internet and money to burn, and vanilla streaming the reality for almost everyone else, digital music has never seemed less collectable. Why clutter your Marie Kondo-approved home with jewel boxes when much (though heaven knows not all) of the digital catalogue is available on tap? While compact ...
Jorge Nila: Tenor Time (tribute to the Tenor Masters)
by Chris Mosey
The four participants on this album all hail from Omaha, Nebraska. Not a town that springs readily to mind in the history of jazz. Although, as drummer Dana Murray, recalls: “In the ballroom days everyone came through--Count Basie, Duke Ellington, Louis Armstrong, Dinah Washington--the list goes on." But it is the friendship and ...
The Complete Jan Akkerman: Focusing on a Life's Work
by John Kelman
He may be largely regarded as the most influential guitarist to emerge from the Netherlands, a country that, bordering on the North Sea, is roughly one-quarter the physical size of England and, with a current number of about seventeen million, has just one-third the population of the UK's largest country. Still, despite garnering major in-country recognition, ...
Vijay Iyer, Max Moran and more
by Joe Dimino
This week we begin with Vijay Iyer playing music from Far From Over, the powerful release he has recorded with his Sextet and profiling their show in Kansas City at The Gem Theater headlining a stellar night of jazz that was kicked off by a performance with Hermon Mehari and Logan Richardson. We also focus on ...
CTI on BGO
by Jakob Baekgaard
"It was the best of times, it was the worst of times." The echo of Charles Dickens' famous novel A Tale of Two Cities is suitable to describe the climate of jazz when Creed Taylor launched CTI. It was 1970 and acoustic jazz was in crisis. Following the invasion of rock, it had survived by becoming ...
Blue Note 50th Anniversaries: October 1968 & More
by Marc Cohn
The first show of the month means it's time for a dive into the Blue Note vault for our monthly celebration of Blue Note 50th anniversaries. Before that, the doctor presents a selection of recent music that caught his ear. As a bonus, you will find Albert Ammons, from the second Blue Note release, which was ...
Ben Paterson: Live at Van Gelder's
by Jack Bowers
Jazz organ trios have been with us for well over half a century now with not much change in nature or design. There are basically two explicit issues that any such band must address: has it chosen its material with care, and even more to the point, does it swing. Happily, organist Ben Paterson's tight-knit group ...
Aretha in Jazz & New Releases
by Ludovico Granvassu
This week we pay homage to the Queen of Soul, Aretha Franklin, looking into her early jazz forays and her influence on many jazz musicians. We'll then dive into a bin full of extraordinary new albums. Happy listening! Playlist Ben Allison “Mondo Jazz Theme (feat. Ted Nash & Pyeng Threadgill)" from ...
Bob Reynolds: Communication Is Key
by R.J. DeLuke
Bob Reynolds, a saxophonist and composer of note with nine recordings under his own name and a work load that has him playing with artists like Larry Carlton, Snarky Puppy, Josh Groban, John Mayer and others, pauses when considering the genre of jazz and how he fits in. Reynolds doesn't have to apply his ...
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