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Art Pepper: Art Of Art

by Alberto Bazzurro
Registrato dal vivo al festival genovese di Villa Imperiale il 6 luglio 1981, vale a dire nel periodo in cui Art Pepper, in una sorta di oasi estrema da quel mix esplosivo di tossicodipendenza e conseguenti reclusioni che ha segnato buona parte della sua vita, era tornato a lavorare sodo, incidendo in studio album fra i ...
Doug Richards: Through a Sonic Prism

by Angelo Leonardi
Interpretare le canzoni di Antonio Carlos Jobim, come fossero forme luminose che attraversano un prisma. Questo è l'intento dichiarato nel titolo del disco da Doug Richards, che rilegge con la sua orchestra quattordici composizioni dell'autore brasiliano in modo personale. Professore da quattro decenni alla Virginia Commonwealth University, dove ha fondato il dipartimento jazz, ...
John Basile: Heatin' Up

by Bill Milkowski
John Basile's warm tone and impeccable articulation on Heatin' Up at first may trigger memories of the late, great Pat Martino, an iconic guitarist whom Basile obviously admires. But listen closer to the elegant phrasing, the confident use of space and less is more" approach he applies to tunes like Cy Coleman's See Saw," the oft-covered ...
Late-Period Art Pepper Box Sets

by C. Michael Bailey
In his essay, Endgame," which opens the liner notes to Art Pepper: The Complete Galaxy Recordings (Galaxy, 1989), music critic Gary Giddens said of Art Pepper's professional comeback: Pepper's sudden reappearance in 1975 was something of a second coming in musical circles. For the next seven years, his frequent recordings and tours, and ...
Stan Kenton and His Orchestra: Roots

by Jack Bowers
Roots is a most appropriate title for this series of concerts by the Stan Kenton Orchestra recorded in 1944-45 on behalf of the Armed Forces Radio Service. While the sessions do include a handful of staples from the Kenton book ("Eager Beaver," Reed Rapture," Tampico," the well-known Artistry in Rhythm" theme), it's clear that Kenton and ...
Shelly Manne and His Men at the Black Hawk 1

by Richard J Salvucci
For many years, but certainly for most of the '50s and '60s, the top jazz drummer--by public opinion--was Shelly Manne. Although he was typically associated with West Coast Jazz, (a term he disliked), Manne had come West from New York City in the '50s and settled in Los Angeles in the halcyon days of the post-war ...
Dino Betti van der Noot: la big band tra suono e racconto

by Neri Pollastri
Nel mondo del jazz, e non solo in quello, Dino Betti van der Noot è una personalità decisamente unica: formalmente un dilettante, ha però pubblicato quindici album, molti dei quali pluripremiati; scrive per big band, una cosa oggi ormai rarissima, dando inoltre vita a opere che si discostano dalla tradizione della formazione; dotato di una cultura ...
Marshall Gilkes and WDR Big Band: Life Songs

by Jack Bowers
Maryland-born trombonist Marshall Gilkes, who spends much of his time working in and around various jazz bases in North America, returns to his second" home, Cologne, Germany, for Life Songs, his eighth album as leader and third with his former employer, Cologne's world-class WDR Big Band. Gilkes spent the years 2010-13 in the WDR trombone section, ...
Gary Bartz, Sun Ra, Meshell Ndegeocello and More

by Jerome Wilson
This show gets into both the celestial and the funky with artists such as Gary Bartz, Sun Ra, Oliver Nelson, Itamar Borochov, and Meshell Ndegeocello. Playlist Henry Threadgill Sextett I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic) 00:00 Sun Ra Rocket Number ...
Oscar Peterson: Con Alma

by Chris May
To borrow Duke Ellington's description of Louis Armstrong, Oscar Peterson was born poor, died rich and never hurt anyone along the way. He also brought joy to untold numbers of people. But, truth to tell, his style was the twentieth-century equivalent of modern day AI-produced generative music. Sit Peterson down at a piano, progamme him (as ...