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170

News: Interview

Pianist Steve Kuhn Speaks Out About Japan at AAJ

Pianist Steve Kuhn Speaks Out About Japan at AAJ

Steve Kuhn's most recent CD, Mostly Coltrane (ECM, 2009), pays tribute to John Coltrane, having been the first pianist in the legendary saxophonist's quartet. He also has played as a sideman with Kenny Dorham, Art Farmer, Stan Getz and many others. Mostly Kuhn has led his own groups, largely trios with bassists including Buster Williams, Eddie ...

733

Article: Live Review

Steve Kuhn: On Japan

Read "Steve Kuhn: On Japan" reviewed by Wayne Zade


Steve Kuhn's most recent CD, Mostly Coltrane (ECM, 2009), pays tribute to John Coltrane, having been the first pianist in the legendary saxophonist's quartet. He also has played as a sideman with Kenny Dorham, Art Farmer, Stan Getz and many others. Mostly Kuhn has led his own groups, largely trios with bassists including Buster Williams, Eddie ...

872

Article: Extended Analysis

Stanley Clarke Trio: Jazz in the Garden

Read "Stanley Clarke Trio: Jazz in the Garden" reviewed by Carl L. Hager


Stanley Clarke Trio Jazz In The Garden Heads Up International 2009 In the mid-1970s when Stanley Clarke rose to prominence playing electric bass in the powerhouse band Return To Forever, it had been his beautiful touch on acoustic bass that originally attracted the notice of the band's founder, ...

229

Article: Album Review

Mark Colby: Reflections

Read "Reflections" reviewed by Jack Bowers


Reflections, the eighth CD as leader or co-leader by one of the Chicago area's most undervalued treasures, tenor saxophonist Mark Colby, is a tribute, he writes, to “the things that shaped and moved me when I was just a kid," as well as to friends, family and artists who nourished his growth and served as a ...

406

Article: Album Review

Fred Hersch: Plays Jobim

Read "Plays Jobim" reviewed by Victor L. Schermer


It is a pleasure to follow pianist Fred Hersch's recorded output as he delivers creative and deeply felt solo and small group jazz, seeking to express ideas that sometimes approach the mysterious and ineffable, yet remain rooted in the best of musical expression. In this excellent release, Hersch offers nine solo piano versions of the work ...

79

News: Music Industry

The Jazz Audience

The Jazz Audience

When The National Endowment for the Arts study on Public Participation in the Arts came out a few weeks ago, the survey's bad news about the size of the jazz audience caused ripples of concern. It showed that over a six-year period, the number of Americans attending jazz events dropped to a low of 7.8%. In ...

304

Article: Album Review

Stan Getz: Legacy

Read "Legacy" reviewed by Jack Bowers


Here's a pleasant surprise: “previously unissued material" by tenor sax giant Stan Getz that by and large deserves to be more widely disseminated and heard. Legacy is comprised of five sessions spanning the years 1980-86, including three numbers with the Woody Herman Herd and another with Getz and pianist Jimmy Rowles performing Rowles' “The Peacocks." The ...

856

Article: Book Excerpts

Jazz Orchestras

Read "Jazz Orchestras" reviewed by Nick Catalano


This excerpt appears in New York Nights: Performing, Producing and Writing in Gotham (IUniverse, 2008). In addition to the productions of the dance band shows, being a Performing Arts producer meant that I had the opportunity to present artists from every genre imaginable. I steadfastly tried to adhere to some sense of objectivity listening ...

458

Article: Album Review

Stan Getz: Stan Getz with Guest Artist Laurindo Almeida

Read "Stan Getz with Guest Artist Laurindo Almeida" reviewed by Andrew Velez


This is music that may be impossible to listen to while remaining still. The instant Stan Getz and Laurindo Almeida take off with “Minina Moca" ("Young Lady"), the party's on. Although the performances throughout are masterful, nothing is about showboating. This is music of great beauty in a totally relaxed setting. By the ...

763

Article: Megaphone

Sam Newsome: To Play or Not to Play the Soprano

Read "Sam Newsome: To Play or Not to Play the Soprano" reviewed by Sam Newsome


When I think about the radical move I made 14 years ago, switching from the tenor to the soprano saxophone, I sometimes ask myself: “What in the hell were you thinking?" Even though in hindsight I look back on my decision with amazement and disbelief, I'm happy to say that it's one I've never regretted. Becoming ...


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