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Article: Live Review

Jerry Vivino and the LA/NY Jazz Trio: Half Moon Bay, CA, June 9, 2013

by Bill Leikam
June 22, 2013

Jerry Vivino and the LA/NY Jazz TrioDouglas Beach HouseHalf Moon Bay, CaliforniaJune 9, 2013Three top-flight jazz musicians--saxophonist/flautist Jerry Vivino (soprano, tenor, and baritone), the ever-inspiring pianist Mitchel Forman and stand-up bassist Kevin Axt (touted as being Los Angeles' busiest bassist)--presented themselves on a breezy, sunny afternoon at the Bach Dancing and ...

Article: Big Band Report

Pointing Fingers... And Naming Names

by Jack Bowers
May 4, 2013

As the countdown continues toward the last Big Band Report in June, the time has come to point fingers and name names--in other words, to compile a short list of contemporary jazz musicians who have risen above the norm to help make life more pleasurable for one devoted listener. These are, mind you, personal choices, and ...

Article: Interview

Terri Lyne Carrington: The Long Road

by R.J. DeLuke
April 22, 2013

"Better Git It in Your Soul," a perspicacious jazz man once communicated in a song title more than half a century ago. Drummer Terri Lyne Carrington wasn't even born yet, but she sure did have it in her soul upon arrival. Long before she was even aware of bassist Charles Mingus, the author of those words, ...

Article: Meet the Staff

Meet Maxim Micheliov

by AAJ Staff
April 17, 2013

I currently live in: Vilnius, LithuaniaI joined All About Jazz in: 2010What made you decide to contribute to All About Jazz? My professional background is in web marketing, and I connected with Michael Ricci through Chris Rich, who encouraged me to submit my first article “Howard Riley: Five Decades in Music." High ...

Article: Interview

Ralph Bowen: The Power Play

by Diana Kondrashin
April 9, 2013

Ralph Bowen was born in Canada but he has pursued a jazz career in the United States for over 20 years, as tenor saxophonist, composer and arranger. He strikes neatly with his recordings as a leader, just like it was done last year with Total Eclipse, an album recorded with his quartet: organist Jared Gold, guitarist ...

Article: Meet the Staff

Meet Dr. Judith Schlesinger

by AAJ Staff
March 22, 2013

I currently live in: Dobbs Ferry, NY I joined All About Jazz in: 2002 What made you decide to contribute to All About Jazz? Was thrilled to discover it back in 2002. Happy to do whatever I can to nurture and promote my favorite music. How do you ...

Article: Extended Analysis

Charles Lloyd: Quartets

by John Kelman
March 20, 2013

ECM's Old & New Masters Edition series was not just created to bring material back into print. Some has been available on CD before, but an even bigger carrot for fans of the label is material that has never been on compact disc, like bassist Arild Andersen's three 1970s recordings, collected on Green in Blue (2010), ...

Article: Album Review

Tommy Flanagan / Jaki Byard: The Magic of 2

Read "The Magic of 2" reviewed by Dan McClenaghan

by Dan McClenaghan
March 19, 2013

One of San Francisco's most famous jazz venues, Keystone Korner, closed in 1983. It was a favorite venue of the top jazz players of the day, and several landmark live albums by pianists Bill Evans and McCoy Tyner, and saxophonists Rahsaan Roland Kirk and Stan Getz, resulted from shows taped inside its hallowed hall.The ...

News: Recording

World Jazz Quartet Veronneau Celebrates the 50th Anniversary of 'Jazz Samba'

March 16, 2013

50 years ago “bossa nova" was a term barely known beyond Brazil, until in 1963 Jazz Samba, the milestone recording by Stan Getz and Charlie Byrd, took the world by storm. In popularizing the seductive, syncopated “bossa" rhythm, it became the only jazz album in history to reach #1 on the Billboard pop chart in March ...

Article: Interview

Conrad Herwig: There's Nothing Else

by Bob Kenselaar
February 25, 2013

Talking about some of his great influences in jazz, Conrad Herwig points out that it's important to look beyond their achievements on their instruments. “Sometimes during a musician's lifetime, people put so much emphasis on their virtuosity as a player that they don't really think about the vehicle of their expression—their compositions." Herwig was speaking of ...