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In Praise of Liner Notes
by Marc Davis
Joni Mitchell was onto something. You don't miss liner notes until you don't have them. I admit: Many liner notes leave me cold, for two reasons. First, they're way too detailed, especially in jazz. Every take has to be scrupulously annotated. Who played third trumpet in that big band? Was that Bird's second or ...
The Long Shadow of the Little Giant: The Life, Work and Legacy of Tubby Hayes
by David A. Orthmann
The Long Shadow of the Little Giant: The Life, Work and Legacy of Tubby Hayes Simon Spillett 376 Pages ISBN: #13 978 1 78179 1738 Equinox Publishing Ltd. 2015 Tenor saxophonist, author, and discographer Simon Spillett spent a decade writing The Long Shadow of the Little Giant: The ...
2015: The Year in Jazz
by Ken Franckling
The year 2015 was a curious blend of ups and downs, with glimmers of optimism offset by its losses. Venues opened to great fanfare, but others closed for a variety of reasons. UNESCO's International Jazz Day became firmly entrenched as the exclamation point on Jazz Appreciation Month activities in April. Daily arts journalism took a hit ...
Famed Bassist Chuck Israels Signs With Dot Time Records - New Release "Garden Of Delights"
Dot Time Records is excited to announce the signing of composer, arranger and bassist Chuck Israels. Best known for his work with the Bill Evans Trio from 1961 through 1966, he is also recognized for his pioneering accomplishments in the Jazz Repertory as Director of the National Jazz Ensemble from 1973 to 1981. Chuck's first release ...
Kenny Barron’s Platinum Trio with George Mraz and Lewis Nash
by Patricia Myers
Kenny Barron's Platinum Trio with George Mraz and Lewis Nash The Nash Third Anniversary Concert Phoenix, Arizona November 17, 2015 Pianist Kenny Barron brought his Platinum Trio with bassist George Mraz and drummer Lewis Nash to perform two classy concerts as part of the third anniversary celebration of The Nash, ...
Top Ten Guitarists Who Left Us Too Soon
by Alan Bryson
Ranking musicians is a hopelessly flawed endeavor. It's about as meaningful as having a list of the top ten best tasting foods. Taste is highly individualized, influenced by mood, familiarity, and the way in which multiple variables interact. One person's escargot is someone else's slice of Chicago style pizza. I just took a break and searched ...
César Cardoso: Bottom Shelf
by Roger Farbey
"Além" starts unceremoniously, almost mid-tune, tenor sax and guitar evoking a sultry Stan Getz mood. The labyrinthine structure of the title track adds to its appeal and benefits from strong playing with a feisty guitar solo. César Cardoso's soprano on Ónica" evinces a delicate interplay between the sax and the guitar. It might be a bit ...
Tubby Hayes: The Syndicate - Live At The Hopbine 1968 Vol. 1
by Roger Farbey
Out of all the Tubby Hayes archival releases over the past few years, this one should by rights generate more than passing interest for several reasons. Expertly mastered by Gearbox from the original tapes and released on vinyl and digital download, it contains four gems, but one of the chief reasons for getting hold of it ...
Doug Mosher / John Estes: Southern Lights
by Jack Bowers
After listening to Southern Lights, a series of extremely low-key tone poems by tenor saxophonist Doug Mosher and bassist John Estes, two questions spontaneously arise: first, where is the audience for an album that glides gently along on an unflagging current of somnolence? (the term smooth jazz" springs to mind, but even that genre produces an ...
Bill Kirchner: Finding Music's Intimacy
by R.J. DeLuke
The extremely accomplished Bill Kirchner--composer, arranger, saxophonist, writer, editor, teacher--enjoys a career anyone would be proud of. He's played with important musicians, led outstanding groups and had his arrangements played by top-shelf musicians and bands. In 1996, he won a Grammy for Best Album Notes for the revered Columbia/Mosaic re-issue Miles Davis and Gil Evans: The ...





