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Erik Friedlander: A Little Cello?
by Ian Patterson
Normally lumped into the 'miscellaneous instruments' category of jazz awards, the cello has been something of a bit player in the colorful history of jazz. That said, today there are arguably more cellists in jazz and contemporary improvised music--and some extraordinary ones at that--than ever before. One of the best known cellists is undoubtedly Erik Friedlander, ...
Getz/Gilberto '76
Label: Resonance Records
Released: 2016
Track listing: Spoken Intro By Stan Getz ; É Preciso Perdoar ; Aguas De Março; Retrato Em Branco E Preto; Samba Da Minha Terra; Chega De Saudade ; Rosa Morena ; Eu Vim Da Bahia; João Marcelo; Doralice; Morena Boca De Ouro; Um Abraço No Bonfá ; É Preciso Perdoar (Encore);
Jazz Education: The Next Generation, Part 1
by Karl Ackermann
A Protracted Beginning Ken Prouty, an assistant professor of Musicology and Jazz Studies at Michigan State University and author of Knowing Jazz: Community, Pedagogy, and Canon in the Information Age (University Press of Mississippi, 2013) has written at length about the early history of jazz education in the US. In his writings, he ...
Ashley Kahn: The Making of the Miles Davis Masterpiece
by Lazaro Vega
This interview was first published at All About Jazz in November 2000 and is part of our ongoing effort to archive pre-database material. Ashley Kahn, the author of Kind of Blue: The Making of the Miles Davis Masterpiece (Da Capo Press, 224 pgs.), is Music Editor at VH1, and was the primary editor ...
Recent Reading: Books About Jazz In Four US Regions
After jazz emerged—or coalesced—as a distinct form of music in New Orleans in the early twentieth century, it quickly took hold throughout the world. Jazz musicians developed on every continent, even in countries where the spirit of jazz goes against the grain of politics and culture; a jazz community is emerging in China, not an eventuality ...
Stan Getz in L.A.: 1953 and '55
In April 1953, Stan Getz was in New York recording for Norman Granz's Clef label. He was joined by Bob Brookmeyer on valve trombone, John Williams on piano, Bill Crow on bass and Al Levitt on drums. This group was a revamped version of the Stan Getz Quintet formed after guitarist Jimmy Raney left the group ...
Roland Kirk: Here Comes The Whistleman
by Duncan Heining
This December, it will be thirty-nine years since Rahsaan Roland Kirk split the scene for good. He was forty-one and about two-thirds of that short life span had been spent as a professional musician. He might not have been around long but he left behind a powerful legacy that may have no parallel in jazz or ...
Paul Winter Sextet: Count Me In
by Duncan Heining
The Paul Winter Sextet might just be one of the best early sixties groups you never heard. Their story, and that of their leader and altoist Paul Winter's, is certainly one of the most remarkable in jazz. Had some director made a film of the Sextet's short life, jazz buffs would have scoffed at the conceit. ...
Meet Francesca "Cha Cha" Miano
by Tessa Souter and Andrea Wolper
A Newport Jazz Festival-New York concert at Carnegie Hall in the early 1970s got Queens native Francesca “Cha Cha" Miano hooked on hearing live jazz--even though, she says, some of the music she heard on the mixed bill that night was way ahead of her at the time. Little did she know that her magnificent obsession ...
Weekend Extra: Eddie Duran
In 1980 when Benny Goodman appeared at the Aurex Jazz Festival in Tokyo, he called on Eddie Duran to solo on Duke Ellington’s “Prelude to a Kiss.” The video allows us an opportunity—far too rare—to see and hear the elegance of a guitarist whose vast experience includes playing with Charlie Parker, Cal Tjader, Stan Getz, Vince ...
