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Article: Album Review

Sam Taylor: My Future Just Passed

Read "My Future Just Passed" reviewed by Dan McClenaghan


One spin of saxophonist Sam Taylor's debut CD, My Future Just Passed, and it's not hard to tell where he's coming from, influence-wise. He's a traditionalist with a muscular sound, and you hear Coleman Hawkins, Ben Webster, and bringing things forward in time, perhaps Dexter Gordon, and on this particular trio affair at hand, Sonny Rollins ...

6

Article: Interview

Mindi Abair: Game Changer

Read "Mindi Abair: Game Changer" reviewed by Trish Richardson


You know a dream is like a river, Ever changing as it flows. And a dreamer's just a vessel, That must follow where it goes. --"The River," vocals by Garth Brooks, lyrics by Victoria Lynn Shaw You know what it's like to wake up in ...

7

Article: Album Review

Kenny Werner: The Melody

Read "The Melody" reviewed by Dan Bilawsky


The Melody lives up to its name, but not through the simple act of melodic dissemination: pianist Kenny Werner and his trio mates don't make their mark by addressing melodies so much as by undressing them, revealing what's beneath these tuneful coverings. All seven songs on the album--four Werner originals, a Broadway classic, and two standards--speak ...

6

Article: Multiple Reviews

Francesca Han: Dream Episodes, Blue Suns, Icarus

Read "Francesca Han: Dream Episodes, Blue Suns, Icarus" reviewed by Ian Patterson


A new Francesca Han recording is something to get excited about. The pianist's spirited trio/quartet outing Illusion (Audioguy Records, 2012) and the bewitching solo effort Ascetic (Audioguy Records, 2012)—one of the finest solo piano jazz albums of recent years—were outstanding examples of her skills as a composer, bandleader and improviser. Now, in a relatively short space ...

Article: Album Review

Branford Marsalis: A Love Supreme - Live in Amsterdam

Read "A Love Supreme - Live in Amsterdam" reviewed by Angelo Leonardi


In occasione del cinquantenario della pubblicazione di A Love Supreme di John Coltrane, l'etichetta Okeh ripubblica il concerto del 30 marzo 2003 di Branford Marsalis alla BimHuis di Amsterdam. Quella performance uscì un decennio fa per la Marsalis Music in un'elegante confezione contenente il DVD video del concerto, interviste, contenuti speciali e un compact ...

20

Article: My Blue Note Obsession

Joe Henderson: Page One – 1963

Read "Joe Henderson: Page One – 1963" reviewed by Marc Davis


Joe Henderson is one of those jazz guys who made such a spectacular comeback late in life that you tend to forget how good he was in the beginning. Page One is all the evidence you need of Henderson's early heroics. Let's start at the end. The last four albums of Henderson's ...

1

News: Obituary

Ornette Coleman (1930-2015)

Ornette Coleman (1930-2015)

Ornette Coleman, whose highly expressive approach to jazz jolted listeners and deeply influenced jazz, rock and funk musicians in the 1960s and beyond, died Thursday morning in Manhattan. He was 85. At about 10 a.m. yesterday, one of my Wall Street Journal editors emailed asking if I could turn around an appreciation for Speakeasy, the paper's ...

3

News: Recording

Ellen Johnson's Distinctive New Release "Form & Formless" Honors The Way Of Life

Ellen Johnson's Distinctive New Release "Form & Formless" Honors The Way Of Life

“So much of life, like music, is the art of listening and responding,” said west coast vocalist Ellen Johnson about her recording, Form & formless, released June 9, 2015 by Vocal Visions Records. So far the recording has received praise for it's unusual format based on what Johnson calls the “formless” way, taken from a poem ...

17

Article: My Blue Note Obsession

George Braith: The Complete Blue Note Sessions - 1963-64

Read "George Braith: The Complete Blue Note Sessions - 1963-64" reviewed by Marc Davis


Playing two saxophones at once is a gimmick, and not a very good one. It can be done, and maybe if your name is Rahsaan Roland Kirk, you can even sell a few records doing it. But it's not a great artistic achievement, and the sound you get is mostly tinny and obnoxious. Which ...

5

Article: Album Review

Ivo Perelman/Whit Dickey: Tenorhood

Read "Tenorhood" reviewed by Mark Corroto


For this meditation session, we ask you not to think about the legends of the tenor saxophone. Just listen to the interplay between Ivo Perelman and drummer Whit Dickey. Press play, and ignore the track titles dedicated to Hank Mobley, Ben Webster, John Coltrane, Albert Ayler, and Sonny Rollins. Why? Because, the saxophonist did just that ...


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