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Sonny Rollins and Bill Evans: Icons In Action
by Doug Collette
As icons of contemporary jazz, saxophonist Sonny Rollins and pianist Bill Evans deserve the carefully-researched and fastidiously-annotated packages Resonance Records has created in the form of Rollins In Holland and Live At Ronnie Scott's. The curators and producers for the label aim to formulate releases in line with each man's exacting approach, so while it is ...
About Clifton Anderson
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Clifton Anderson
Born:
Clifton Anderson was born on October 5, 1957 in Harlem, New York City. He grew up surrounded by music. His father was a church organist /choir director, and his mother a singer and pianist. It was no surprise that Clifton exhibited an affinity for music at an early age. When he was just seven years old he got his first trombone, a gift from his uncle Sonny Rollins.
Clifton attended the prestigious Fiorello LaGuardia High School of Music and Art. In 1974 he spent one year at The State University of New York at Stony Brook studying under Simon Karasick and Dave Schechter. He continued his education at the Manhattan School of Music, and graduated in 1978 with a Bachelor of Music degree
Kevin Sun: (Un)seaworthy
by Troy Dostert
Although he's a relative newcomer to the jazz world, having released his debut album, Trio (Endectomorph Music) in 2018, tenor saxophonist Kevin Sun is well on his way toward staking a major claim as a distinctive composer and soloist. After an excellent two-disc effort, The Sustain of Memory (Endectomorph) in 2019, he's now adding to his ...
George Coleman: In Baltimore
by Mike Jurkovic
At 85, tenor saxophonist George Coleman has sat in on and made his presence mightily known on a host of flat out, hard bopping sessions beginning with B.B. King through Max Roach, Miles Davis, Booker Little, Lee Morgan, Herbie Hancock and . . . well, you should have got the larger picture by now.
Ada Rovatti: Big Sax, Big Heart, Big Shoes
by Jim Worsley
From a small town in Italy to bright lights around the world, saxophonist Ada Rovatti boldly stepped into the big shoes of the late and legendary saxophonist Michael Brecker several years ago. She didn't fill them. No one could. Instead she has snugged up inside them and found her own way of expressing Brecker's music. Married ...
David S. Ware New Quartet: Théâtre Garonne, 2008
by Giuseppe Segala
È giusto ricordare un gigante come David S. Ware. La quantità di energia e poesia che egli convoglia nella propria musica e nel suono poderoso del sax tenore (e stritch) lo accomuna a grandi come Sonny Rollins, John Coltrane, Albert Ayler. L'etichetta AUM Fidelity lo ricorda con merito nella collana a lui appositamente dedicata, denominata DSW-ARC ...
The Archival Producer: Zev Feldman
by B.D. Lenz
I have to be honest. When I approached Zev Feldman about doing this interview I really had no idea what an “archival producer" was. I had the impression that it was a very solitary task that involved working in some, half-lit, library basement searching through dusty stacks. I came to understand that it's really more about ...
Joe Farnsworth: Friends In High Places
by R.J. DeLuke
Joe Farnsworth is one of the top jazz drummers working today, with a resume that includes some of the absolute greats. His muscular swing and precise timekeeping have been attractive to employers like Wynton Marsalis, Diana Krall, McCoy Tyner, George Coleman, Pharoah Sanders, Eric Alexander, Benny Golson and many more. He likes to say ...
Last Dance (for Now)
by Marc Cohn
So, this is our “last dance" at least for now, and we hope to have new Gifts & Messages shows in 2021. As many of you know, even this is only a two-hour show, it's almost a full-time job, with listening to new/old music, selecting tunes, doing the program-specific research and lots of reading, in addition ...
James Brandon Lewis: Molecular
by Dan McClenaghan
Saxophonist James Brandon Lewis offers up an introductory statement in the album packaging as a preface to the liner notes of Molecular. His train of thought is difficult to follow. He leaves an impression of not being a “normal" person, in the best possible sense of that assessment. It is the impression of a deep-thinking artist ...
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