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Article: Interview

Jaleel Shaw: Philly Soul

Read "Jaleel Shaw: Philly Soul" reviewed by George Colligan


[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth ] Jaleel Shaw has been one of my favorite young alto players for about a decade. We first played together with the Charles Mingus Band, and we kept in touch over the years. I've worked a few times in his ...

17

Article: Interview

Jim Hall: Live, Now and Then

Read "Jim Hall: Live, Now and Then" reviewed by Bob Kenselaar


[ This interview was originally published on July 16, 2013. ] Widely acknowledged as one of the most influential guitarists in modern jazz, Jim Hall has had an extraordinary musical career that spans more than half a century. His style is marked not by soaring speed or virtuoso technique but by his explorative artistry ...

5

Article: New York Beat

Minton's: An iconic Jazz Haven Re-opens in Harlem

Read "Minton's: An iconic Jazz Haven Re-opens in Harlem" reviewed by Rob Mariani


An iconic jazz haven is born again. It's a name I don't think I've heard spoken of in many years. And so when I learned that after many years, “Minton's Playhouse" was re-opening at its original address at West 118th Street in Harlem on the ground floor of the old Cecil Hotel, I was ...

11

Article: Record Label Profile

ArtistShare: A Record Label for the Digital Age

Read "ArtistShare: A Record Label for the Digital Age" reviewed by Paul Naser


In the information age, as technology is transforming the way we share ideas, the creative artist seems to be in a dangerous situation. Peer-to-peer file sharing and free-streaming content are direct threats to an artists' livelihood. Combining this insight with a love for music and an appreciation for artists and the value of their work, Brian ...

9

Article: Interview

Arun Ghosh: A Very British-Asian Jazz Head-Space

Read "Arun Ghosh: A  Very British-Asian Jazz Head-Space" reviewed by Ian Patterson


If clarinetist/composer Arun Ghosh continues as he's going there's a danger he'll soon dethrone saxophonist Gilad Atzmon as the UK's hardest-working jazz musician. In between gigs, festival appearances and European tours, Ghosh is busy writing music for theatre, film, dance and multi-media events. His relatively short recording career has been marked by a refusal to stand ...

5

Article: Live Review

The Ginger Baker Jazz Confusion at the Musical Instrument Museum

Read "The Ginger Baker Jazz Confusion at the Musical Instrument Museum" reviewed by Patricia Myers


The Ginger Baker Jazz Confusion Musical Instrument Museum Phoenix, AZ October 18, 2013 The Ginger Baker Jazz Confusion was promoted as a tribute to jazz icons Wayne Shorter, Sonny Rollins and Thelonious Monk. When just two of those artists were musically referenced and Monk was not, it likely was noticed only ...

16

Article: Catching Up With

Randy Brecker: A Fusion Legacy

Read "Randy Brecker:  A Fusion Legacy" reviewed by R.J. DeLuke


On stage at the North Sea Jazz Festival in Holland last July, the ubiquitous trumpeter Randy Brecker lowered his horn after playing two joyous and funky numbers on the stage that is one of the festivals largest venues, serving as a hockey arena during the appropriate season. There were throngs of people, sitting and standing, gleefully ...

2

Article: Album Review

Tom Artwick: Jazz Scenes: Music from the Movies

Read "Jazz Scenes: Music from the Movies" reviewed by Jack Bowers


A pleasant album of themes from various movies, seamlessly performed for an appreciative audience by five able musicians whose earnest labors affirm that there is an abundance of talented artists in this country whose endeavors pass largely unnoticed unless concerts such as this one are recorded and released so that a wider audience is able to ...

4

Article: Album Review

David Sills: Blue's the New Green

Read "Blue's the New Green" reviewed by Dan McClenaghan


Saxophonist David Sills opens his Blue's the New Green with tenor sax titan Sonny Rollins' tune, “No Moe." But Sills doesn't use Rollins' musculature or his burly tone. He rolls more in the mode of sax men Joe Henderson or Stan Getz--or, to take it back further, Coleman Hawkins or Ben Webster, with a smooth, vibrato-less ...

3

Article: Interview

Jerome Harris: Guitar and Bass Doubler

Read "Jerome Harris: Guitar and Bass Doubler" reviewed by George Colligan


[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth]Jerome Harris is a highly underrated musician. He's proficient doubler on bass and guitar; he's been a regular on the former with Jack DeJohnette and the latter with Sonny Rollins. Add to that he's got a wonderful singing voice, and has also ...


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