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Jaleel Shaw: Philly Soul
by George Colligan
[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth ] Jaleel Shaw has been one of my favorite young alto players for about a decade. We first played together with the Charles Mingus Band, and we kept in touch over the years. I've worked a few times in his ...
Jim Hall: Live, Now and Then
by Bob Kenselaar
[ This interview was originally published on July 16, 2013. ] Widely acknowledged as one of the most influential guitarists in modern jazz, Jim Hall has had an extraordinary musical career that spans more than half a century. His style is marked not by soaring speed or virtuoso technique but by his explorative artistry ...
Minton's: An iconic Jazz Haven Re-opens in Harlem
by Rob Mariani
An iconic jazz haven is born again. It's a name I don't think I've heard spoken of in many years. And so when I learned that after many years, Minton's Playhouse" was re-opening at its original address at West 118th Street in Harlem on the ground floor of the old Cecil Hotel, I was ...
ArtistShare: A Record Label for the Digital Age
by Paul Naser
In the information age, as technology is transforming the way we share ideas, the creative artist seems to be in a dangerous situation. Peer-to-peer file sharing and free-streaming content are direct threats to an artists' livelihood. Combining this insight with a love for music and an appreciation for artists and the value of their work, Brian ...
Arun Ghosh: A Very British-Asian Jazz Head-Space
by Ian Patterson
If clarinetist/composer Arun Ghosh continues as he's going there's a danger he'll soon dethrone saxophonist Gilad Atzmon as the UK's hardest-working jazz musician. In between gigs, festival appearances and European tours, Ghosh is busy writing music for theatre, film, dance and multi-media events. His relatively short recording career has been marked by a refusal to stand ...
The Ginger Baker Jazz Confusion at the Musical Instrument Museum
by Patricia Myers
The Ginger Baker Jazz Confusion Musical Instrument Museum Phoenix, AZ October 18, 2013 The Ginger Baker Jazz Confusion was promoted as a tribute to jazz icons Wayne Shorter, Sonny Rollins and Thelonious Monk. When just two of those artists were musically referenced and Monk was not, it likely was noticed only ...
Randy Brecker: A Fusion Legacy
by R.J. DeLuke
On stage at the North Sea Jazz Festival in Holland last July, the ubiquitous trumpeter Randy Brecker lowered his horn after playing two joyous and funky numbers on the stage that is one of the festivals largest venues, serving as a hockey arena during the appropriate season. There were throngs of people, sitting and standing, gleefully ...
Tom Artwick: Jazz Scenes: Music from the Movies
by Jack Bowers
A pleasant album of themes from various movies, seamlessly performed for an appreciative audience by five able musicians whose earnest labors affirm that there is an abundance of talented artists in this country whose endeavors pass largely unnoticed unless concerts such as this one are recorded and released so that a wider audience is able to ...
David Sills: Blue's the New Green
by Dan McClenaghan
Saxophonist David Sills opens his Blue's the New Green with tenor sax titan Sonny Rollins' tune, No Moe." But Sills doesn't use Rollins' musculature or his burly tone. He rolls more in the mode of sax men Joe Henderson or Stan Getz--or, to take it back further, Coleman Hawkins or Ben Webster, with a smooth, vibrato-less ...
Jerome Harris: Guitar and Bass Doubler
by George Colligan
[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth]Jerome Harris is a highly underrated musician. He's proficient doubler on bass and guitar; he's been a regular on the former with Jack DeJohnette and the latter with Sonny Rollins. Add to that he's got a wonderful singing voice, and has also ...


