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Take Five With Kelly Powers
by AAJ Staff
Meet Kelly Powers:Pianist Kelly Powers has performed with the Cab Calloway Orchestra, the Artie Shaw Orchestra, Steve Davis, Nat Reeves, Jack Jeffers and the New York Classics, George Gee Swing Orchestra and Travis Sullivan's Björkestra, among others. Her playing has been showcased in numerous New York City venues including Smoke Jazz Club, Cleopatra's Needle, ...
Microscopic Septet: Chance Meeting with the Future
by Gordon Marshall
The Microscopic Septet is all about swing, but swing in a sense extrapolated from the stale, dated pages of the past. Its take on the music of the '30s and '40s is too scholarly to fall off the map as retro, and too deeply felt to be dismissed as a dusty trove of museum pieces. The ...
Ben Wolfe Quintet: Live at Small's
by Raul d'Gama Rose
Ben Wolfe is a commanding presence beside the gravitational weight of his bass violin. On Live at Smalls, Wolfe brings something of the fabled Charles Mingus' authority and leadership to his own quintet. It had to be so; Wolfe undertakes to have four towering individualists interpret the charts performed on this date at the club that ...
Ben Wolfe: Live At Smalls
by Dan Bilawsky
Smalls jazz club entered the CD market in a big way in 2010, releasing a series of albums documenting live performances at this venerable Greenwich village institution. While Smalls Records already had a hand in showcasing the musicians and scene surrounding this club, Smalls Live is all about presenting the music as it happened on any ...
Finding Sonny Clark
Sam Stephenson's JAZZ LOFT PROJECT blog is one I visit regularly—not only for its subject matter but for the caliber of Sam's prose. Often the site's subject is the magical and mysterious music and life revolving around Eugene Smith, photographer and thinker and friend of jazz. But today I was captivated by a black-and-white picture of ...
John Zorn / George Lewis / Bill Frisell: More News For Lulu
by Glenn Astarita
More News For Lulu was this trio's second album and, despite being recorded in 1989 and originally released on hatOLOGY Records (the father label to HatHut Records) in 1992, its crisp attack and buoyant execution holds up rather immaculately with this overdue reissue. A hybrid studio/live program, the artists effortlessly work through bop, and swing motifs ...
hatOLOGY Reissue Bonanza Continues
by Mark Corroto
Begun in 1975, Hat Hut Records was to become the model for adventurous, independent, new music labels such as Okka Disk, AUM Fidelity and Clean Feed. From the start, founder Werner X. Uehlinger sought out challenging and innovative musicians and music that might have been too risky for major labels to produce. This very small Swiss ...
Sarah Manning: Shattering The Glass Ceiling
by David A. Orthmann
Listening to Sarah Manning speak at length is nearly as absorbing as her music. She's intelligent, direct, witty, and serious-minded. As Manning waxes eloquent on topics ranging from the impact of three special mentors, to the benefits of being a well-rounded person, to issues surrounding woman's empowerment, you realize that she relishes every aspect of her ...
Sam Stephenson: A "Loft-y" Vision of Jazz
by Victor L. Schermer
When, in 1997, writer, scholar, and archivist Sam Stephenson serendipitously came across audio tapes, photographs and other documents involving jazz musicians congregating in photographer W. Eugene Smith's Manhattan loft in the late 1950s and early 1960s, he was surprised as anyone. The wall of cartons had been unopened since before Smith's death in 1978. Stephenson and ...
The State of OA2 Records 2010: Nelda Swiggett and Debbie Poryes
by C. Michael Bailey
The umbrella record label Origin Arts has three imprint labels beneath it: Origin Records, founded in 1997 by Seattle drummer John Bishop, focusing primarily on prominent jazz artists from the Northwest United States. OA2 records was begun in 2002 with the aim of broadening Origin's talent attention countrywide. Origin Classical was later founded with not simply ...
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