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Results for "Skuli Sverrisson"
Otis Sandsjö

by Vincenzo Roggero
1. Aretha Franklin, Amazing Grace (Atlantic, 1972)Listening to Aretha coming home makes you feel like coming home. R.I.P. 2. Skúli Sverrisson, Óskar Gudjónsson, The Box Tree (Mengi, 2012). This album was on repeat around the time of my daughter's birth a few months back. It says it all. A ...
Otis Sandsjo

by Vincenzo Roggero
1. Aretha Franklin, Amazing Grace (Atlantic, 1972). Ascoltare Aretha ti fa sentire a casa. R.I.P. 2. Skúli Sverrisson, Óskar Gudjónsson, The Box Tree (Mengi, 2012). Perennemente sul tasto repeat durante la nascita di mia figlia qualche mese fa. Un suono di sax proveniente da un altro pianeta. 4. ...
John Scofield, Bill Frisell, Miho Hazama & other great new releases

by Ludovico Granvassu
The summer is almost over and the pace at which new albums are being released is picking up... This week we focus on a few new gems, including two remarkable tributes to Thelonious Monk, the mighty Work: The Complete Compositions of Thelonious Monk (in six volumes!) by Miles Okazaki and the idiosyncratic The MONK: Live at ...
Skuli Sverrisson with Bill Frisell: Strata

by Karl Ackermann
On their two previous third-season releases, Andy Zimmerman's Half Light and Lionel Loueke's Close Your Eyes (both 2018), Newvelle Records pushed the envelope just a bit away from the deeply melodic formula that they have favored across seventeen albums to date. While those vinyl releases incorporated more elements of improvisational complexity, they were hardly foraying into ...
Skuli Sverrisson: Strata

by Franz A. Matzner
A contemplative affair, Skuli Sverisson and Bill Frisell's Strata unfolds like a slow burning fire. The hovering notes and somber guitar lines evolve gradually, emerging like wind carved monuments visible through a hovering mist to reveal a stark, melancholic, and aridly beautiful landscape. The album demonstrates a fluid, masterful interaction between the two artists ...
Jim Black, Óskar Gudjónsson, Elias Stemeseder, Chris Tordini: Malamute

by Vic Albani
Sembra che il signor Jim Black non sbagli praticamente mai un solo colpo. Il batterista di Seattle, dai primordi accanto a nomi faro quali quelli di Tim Berne, Ned Rothenberg o Dave Douglas e poi alle personali esperienze seminali di Pachora e AlasNoAxis è cresciuto come poche altre figure che nobilitano il movimento musicale del jazz ...
ears&eyes Records: From Chicago to the World

by Jakob Baekgaard
Those who feel that jazz has run out of steam, that there is nothing new to say, should encounter bassist and renaissance man, Matthew Golombisky, who runs the Chicago-based label ears&eyes. The name says it all. Golombisky is interested in what is going on around him. He is not only curious about music, but also passionate ...
The Man Who Changed Guitar Forever!

by John Kelman
In a time when album sales are a challenge being mitigated, at least to some extent, by the release of deluxe editions and box sets, it's still more necessary than ever to grab potential listeners with imagery and words; the title of a box set can have, especially for those less than intimately familiar with the ...
The Box Tree

By Skúli Sverrisson - Óskar Guðjónsson
Label: Mengi
Released: 2014
Track listing: Afternoon Variant; The Box Treee; Fragments; For Seconds At A Time; The Typist; And Everything Within Reach; He Walked By Night; Keeper; Speak Softly Now; Óli.
Sunna Gunnlaugs: Distilled

by Angelo Leonardi
La scena musicale islandese non ha prodotto solo Björk, Sigur Rós e, per quanto riguarda il jazz, Mezzoforte e Skúli Sverrisson. La pianista di questo trio, Sunna Gunnlaugs (il cognome per esteso è Gunnlaugsdóttir) è un'artista pregevole che ha vissuto negli anni Novanta a New York suonando con Drew Gress, Tony Malaby, Loren Stillman ...