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Samuel Blaser: Purity of Purpose In All Things
by Doug Collette
One of trombonist/composer Samuel Blaser's more subtle talents is his uncanny ability to as fully distinguish himself accompanying other musicians as when he is leading theme. The prominence of a sideman is, by definition, not so great as the bandleader, producer etc, but to completely engage in the project of another is an exercise in generosity ...
The Breezy Jazz Band at The Blue Note Milano
by Martin McFie
The Breezy Jazz Band The Blue Note Milano Celebrate New Orleans! Milan, Italy October 20, 2020 While The Blue Note on West 3rd Street in New York City is temporarily closed, its cousin on via Borsieri in Milan, is presenting two performances a night. Such are the vagaries of a ...
Out of the Roma Villages of Turkey, Clarinet Reigns Beyond Its Traditions
by Arthur R George
The clarinet, foundational for jazz from Sidney Bechet unto Eric Dolphy, remains in strong use in the indigenous Roma music of the eastern Mediterranean. Elsewhere in the world clarinet generally has been moved aside by saxophone's bigger sound. But in the Balkans, Greece, and Turkey, clarinet provides jazz shadings to traditional music, speaks a range of ...
American Frederick Thomas: 'The Black Russian' Who Connected Jazz To The Margins Of Asia
by Arthur R George
The child of former slaves, Frederick Bruce Thomas' New York Times obituary called him “the sultan of jazz," for the jazz palace he founded in Constantinople (now Istanbul) after World War I, a jazz borderland beyond even the music's early Paris outpost. He was hosting bands in Constantinople in 1921 even before Louis Armstrong joined King ...
Kandace Springs, Sidney Bichet, Marquis Hill and More
by Joe Dimino
With a show spotlighting the work of Kandace Springs, Delfeayo Marsalis, Marquis Hill and Rahsaan Roland Kirk, we wish to underscore our ongoing commitment to African-American culture as well as our support to the Black Lives Matter movement for just and equal treatment of all humans. Keep on fighting the good fight. Enjoy the jazz, my ...
50th Anniversary Blue Notes for June
by Marc Cohn
Blue Note 50th anniversaries from June 1970, just two though: Horace Silver (That Healin' Feelin') and Lou Donaldson (Pretty Things). There was also a Reuben Wilson session, but it was never released, and only the 'vault gods' know if it was any good. But you know there's more (don't you?). 21st century music from the Posi-Tone ...
Jazz Musician of the Day: Sidney Bechet
All About Jazz is celebrating Sidney Bechet's birthday today! Along with his fellow New Orleanian, Louis Armstrong, Bechet was one of the first great soloists in jazz. His throaty, powerful clarinet and his throbbing soprano are among the most thrilling sounds in early jazz. He went from being a pioneer of jazz in the 1920s to ...
Saxattack & More
by Marc Cohn
Well, not every track is saxed, but we've got some heavyweights here: Johnny Griffin, Rahsaan Roland Kirk, Sonny Rollins, Branford Marsalis, Charlie Parker, Benny Carter, and Sidney Bechet. Breathers from pianists Brad Mehldau, Kris Davis and Bill Evans; as well as the Uptown Jazz Orchestra from New Orleans; trumpeters Roy Eldridge, Fats Navarro, Miles Davis; and ...
Results for pages tagged "Sidney Bechet"...
Sidney Bechet
Born:
Along with his fellow New Orleanian, Louis Armstrong, Bechet was one of the first great soloists in jazz. His throaty, powerful clarinet and his throbbing soprano are among the most thrilling sounds in early jazz. He went from being a pioneer of jazz in the 1920s to a national hero in France, where he spent the final decade of his life. In his teens he made his name playing in some of New Orleans's up-and- coming bands, and he played there and in Chicago with King Oliver. Sidney Bechet was born in New Orleans in May 1897, of Creole ancestry, grew up in a middle class environment. His father, Omar, who was a shoemaker, played the flute as a hobby
Tales of The Mystic Order of the Jazz Obsessed - Jazz Societies, Part II
by Karl Ackermann
Part 1 | Part 2 Jazz Societies, Part 1 briefly traced the preservation and interpretation of jazz from the oral history of its West African roots through academic and cultural institutions. The article included an overview of jazz societies and foundations that further the fostering of jazz education. The organizations vary in scope, size ...
