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Chip Wickham: Blue To Red
by Chris May
The marketing thrust accompanying Chip Wickham's third album emphasises an affinity between the disc and the late 1960s / early 1970s work of Yusef Lateef and Alice Coltrane. Certainly, Blue To Red ticks two boxes: Wickham puts aside his saxophone to play only flute and alto flute, whose seraphic tones were favoured by Lateef and Coltrane; ...
Shabaka And The Ancestors: We Are Sent Here by History
by Karl Ackermann
Even as Shabaka Hutchings moves the evolution of jazz forward, We Are Sent Here By History laments the present-day conditions of conflict, suffering, parity, and the struggle to survive. The saxophonist's breakthrough album came with his Sons of Kemet on Your Queen Is A Reptile (Impulse! Records, 2018). He also leads the jazz/electronica hybrid The Comet ...
Ted Poor: You Already Know
by Chris May
Breaking news 3/23/20: Impulse! is getting its mojo back. Showing definite signs of, anyway... Since its glory days in the 1960s and 1970s, Impulse! has been little more than a logo wheeled out by its parent company, Universal Music, to lend credibility to unrelated one-off projects. Until very recently, the only newly recorded ...
Shabaka & the Ancestors: We Are Sent Here by History
by Serena Antinucci
Siamo stati spediti qui dalla Storia inconsapevoli di ciò che sarebbe accaduto. Avevamo un compito, l'abbiamo disatteso. Avevamo uno scopo, l'abbiamo dimenticato. Abbiamo disimparato la lingua della natura, sopraffatti dal potere e dall'egemonia capitalista. Oggi siamo stati chiamati ad afferrare la mano degli spiriti antenati, che tentano di soccorrerci, indicandoci una nuova strada della creazione, originata ...
Yilian Cañizares, Wildflower, Shabaka Hutchings, Vincent Courtois & New Releases
by Ludovico Granvassu
Second part of our weekly exploration of new releases [for the first part click here], showcasing new and upcoming gems with a special focus on musical forces of nature like Cuban violinist and singer Yilian Cañizares, and prolific British reedist Shabaka Hutchings (check out his South African forays with his Shabaka and the Ancestors and with ...
Yazz Ahmed: The Inclusive Saboteuse
by Ludovico Granvassu
Pretty much from the beginning of her career, trumpet and flugelhorn player Yazz Ahmed has been intent on sabotaging the walls and fences that divide the jazz world, championing an inclusive vision in which Arabic traditions blend seamlessly with loops and electronics, and rock and pop can offer jazz plenty of inspiration. Two years ...
Shabaka & the Ancestors: We Are Sent Here By History
by Chris May
Reed player Shabaka Hutchings became the first British musician to sign to the iconic (for once the word is justified) Impulse! label when his band Sons of Kemet did so in 2018. It was a deal for which his management could rightly be proud. It was also an affirmation which Hutchings felt deeply, for in the ...
Wildflower: Season 2
by Karl Ackermann
On paper, the UK trios Wildflower and Ill Considered bear an obvious resemblance. Each features the outstanding reed player Idris Rahman and bassist Leon Brichard, and both groups are groove-oriented progressive jazz. Wildflower is the slightly more melody-driven and the less raw of the two bands, with intricate improvisations interwoven throughout. Season 2 sees Rahman altering ...
Gil Scott-Heron / Makaya McCraven: We're New Again
by Karl Ackermann
"All the dreams you show up in are not your own." With those words to an interviewer at The New Yorker, Gil Scott-Heron tried to explain a degree of detachment from I'm New Here (XL Recordings, 2011), his “comeback" and the final studio album before his death that year. The project was initiated by the head ...
Nick Walters: Active Imagination
by Chris May
A rugged modal-based spiritual-jazz blowing session from the trumpeter Nick Walters, who has one foot in the underground London scene which is shaking up British jazz, and another in his home city, Manchester. Walters is a member of two Manchester bands, Riot Jazz Brass Band and Beats & Pieces Big Band, and leads the London-based Paradox ...
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