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Noah Preminger: Dark Was the Night, Cold Was the Ground
by James Nadal
The Delta Blues, spawned from the callous conditions on Mississippi plantations and farmlands, is an artistic manifestation that creativity can overcome, survive, and thrive, amidst overwhelming situations. These sparse, rural blues, which came out of the fields so long ago, continue to influence contemporary musicians seeking a raw form of expression. Count saxophonist Noah Preminger among ...
Baltazanis: End Of Seas
by Dan Bilawsky
The bounding main knows no single shape, size, or direction. It's both timeless in nature and organic in its arc and flow. Greek guitarist Costas Baltazanis seems to intuitively understand those facts. His is a music that taps into the water's vastness, appreciates its beauty, respects and harnesses its strengths, and rides the ever-adjusting tides.
Kögging: Sketches of Ordinary Life
by Alberto Bazzurro
Una vocalità schiettamente pop in un contesto altrettanto schiettamente pop, se non quando a guadagnare il centro della scena sono le ance di Michael Moore, è quanto ci offre questo secondo album del cantante olandese Norbert Kögging, che proprio nella presenza (in cinque brani su nove) del sassofonista e clarinettista già nel Clusone Trio e in ...
Lew Tabackin Trio: Soundscapes
by Dan Bilawsky
There's no substitute for experiencing jazz live. There are, however, some recordings that manage to do a damn good job coming close. This happens to be one of them. Noted jazz photographer Jimmy Katz, who's quickly developed a strong reputation as a recording engineer and producer who seeks to capture jazz in its ...
Christian Winther: Refuge In Sound
by Edward Blanco
Danish-born saxophonist and composer Christian Winther moved to the New Orleans area in 1997, attended the University of New Orleans and performed regularly with some of the legends of jazz including pianist Ellis Marsalis and the late saxophonist great, Frank Morgan among many others becoming a much in-demand fixture in the city's rich and vibrant jazz ...
Avi Darash: Impermanence
by Dan McClenaghan
Pianist Avi Darash, home-based now in the Netherlands, broods beautifully on “The Day After," the third tune on his CD Impermanence. His trio mates--bassist Avri Borochov and drummer Ofri Nehemya--offer an intricate yet subtle accompaniment, on a sound that brings the Brad Mehldau Trio to mind, with its floating momentum, cerebral atmosphere and subtle melodic development. ...
Jim "Kimo" West: Guitar Stories: Slack Key & Beyond
by Mark Sullivan
Guitar Stories presents a lovely, diverse collection of music centered around Kimo West's composing and excellent guitar playing. West is a proponent of the Hawaiian slack key guitar style, a fingerstyle playing technique using various open tunings. He credits the name of the tuning used on each track, as well as including a list spelling out ...
Rodolfo Zuniga Surfaces: North Star
by Edward Blanco
Costa Rican native and Miami-based jazz drummer, Rodolfo Zuniga is a world-class drummer who has performed with some of the best artists in the business, served as a sideman on various recordings and can be found performing throughout the South Florida area as a much in-demand drummer. As well as being a fixture in the areas ...
Cameron Mizell: The Edge of Visibility
by Jim Olin
How the mind liberally generates artistic transcendence is a phenomenal concept, and creating music is a customary form to express the ethereal otherworldliness of what is beyond the mundane. Guitarist Cameron Mizell's fearless spirit travels to a different cosmos with his album The Edge of Visibility. Mizell undauntedly rambles the peripheries of his imagination.
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