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Article: Album Review

Eric Bernhardt: The Four Sidemen Of The Apocalypse

Read "The Four Sidemen Of The Apocalypse" reviewed by Rob Rosenblum

by Rob Rosenblum

On the surface, Eric Bernhardt is one of the many faceless, aspiring jazz musicians who hit the clubs on Frenchman Street in New Orleans, playing for tips and hoping to get noticed. What separates him from the rest is that he is a monster jazz musician. Recently encountered in a desperate-looking club called the ...

Article: Album Review

Sam Newsome, Jean-Michel Pilc: Magic Circle

Read "Magic Circle" reviewed by Neri Pollastri

by Neri Pollastri

Non molto noto in Italia, Sam Newsome va oggi annoverato tra i massimi specialisti del sax soprano, che suona sfruttandone molte delle nascoste peculiarità timbriche e spesso anche “preparandolo" con singolari artifici tecnici. Autore di ben tre lavori in solitudine, qui ne mette a frutto l'esperienza dialogando con il pianista francese Jean-Michel Pilc. La registrazione arriva ...

10

Article: Album Review

Juan Dhas: Catharsis

Read "Catharsis" reviewed by Ian Patterson

by Ian Patterson

Guitarist Juan Dhas' debut recording, Embracing Clarity (Self Produced, 2014), was released just before he graduated Summa Cum Laude from Berklee College of Music. Returning to Bogotá in 2016, the then twenty- two-year-old immersed himself in the Colombian jazz scene. Just the following year, he obtained the post of Coordinator of the Guitar Department at EMMAT, ...

5

Article: Album Review

Ramiro Marziani: The Martian's Playground

Read "The Martian's Playground" reviewed by Geno Thackara

by Geno Thackara

We've heard those proverbs about the devil's playground, so what would the equivalent be for Martians? The evidence here would suggest a mix of the odd, wacky, exuberant and playful. Ramiro Marziani's hands are anything but idle on his guitar throughout this whirlwind of a recording. One moment he's practically shredding with extra metallic crunch, the ...

2

Article: Album Review

Høbama: Høbama

Read "Høbama" reviewed by Alberto Bazzurro

by Alberto Bazzurro

Il trio Høbama ha avuto origine da un soggiorno bolognese di Claus Højensgård nella primavera del 2016. Nell'occasione il trombettista danese veniva a contatto con i nostri Emanuele Maniscalco, singolarmente da poco rientrato a sua volta proprio dalla Danimarca (Copenaghen), e Nelide Bandello, batterista veronese. Un anno dopo (aprile 2017), al termine di alcuni concerti in ...

6

Article: Album Review

Brand X: Live: The Rites of Spring Festival 2018

Read "Live: The Rites of Spring Festival 2018" reviewed by Roger Weisman

by Roger Weisman

It seems odd that in their four decades of existence (admittedly, with some definite gaps in activity) Brand X has never officially released any type of concert video document. Then again, perhaps it's not all that surprising. Brand X has always been a musicians' band. Image never seemed to be a concern. It is fitting that ...

2

Article: Album Review

Mariel Austin: Runner in the Rain

Read "Runner in the Rain" reviewed by Jack Bowers

by Jack Bowers

Young trombonist / vocalist Mariel Austin, who quadruples as composer / arranger on her debut album, Runner in the Rain, writes music that is hard to pigeonhole, at least as it relates to jazz. Some of her compositions are thematic, some experimental, some have classical overtones, some even swing on occasion, and most are technically demanding. ...

5

Article: Album Review

Aguanko: Pattern Recognition

Read "Pattern Recognition" reviewed by Chris M. Slawecki

by Chris M. Slawecki

Aguanko's composer, conguero and bandleader Dr. Alberto Nacif first stepped into the worlds of Latin and Afro-Cuban percussion alongside Cuban conga/bongo master Armando Peraza, the pillar of percussion fire who blazed throughout the Santana band's first decade. On Pattern Recognition, Nacif teams with another legendary Cuban percussionist: José “Pepe" Espinosa, who jumps in on timbales, guiro ...

5

Article: Album Review

Rob Dixon: Coast to Crossroads

Read "Coast to Crossroads" reviewed by Chris M. Slawecki

by Chris M. Slawecki

"The album is called Coast to Crossroads because I'm based in Indiana, the Crossroads state, but I also work a lot on the West Coast and East Coast," explains saxophonist Rob Dixon, who leads this trio session with drummer Mike Clark and seven-string funk guitar maven Charlie Hunter (who also served as producer), plus occasional guest ...

4

Article: Album Review

Victor Haskins: Showing Up

Read "Showing Up" reviewed by Nicholas F. Mondello

by Nicholas F. Mondello

Since he burst onto the scene, Victor Haskins has developed a robust reputation as a modern-day jazz storyteller. His utterly sincere approach to his art is in the highest jazz tradition of exploration and innovation. With Showing Up, Haskins has taken his message to yet another higher level. The album, Haskins' second, presents ...


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