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The EarRegulars: The EarRegulars
by Angelo Leonardi
Deliziosi. Si chiamano EarRegulars perchè si esibiscono ogni domenica sera all'Ear Inn, il più antico working bar di New York City, al 326 di Spring Street. I leader sono il trombettista Jon-Erik Kellso e il chitarrista Matt Munisteri che aggregano vari e differenti partner proponendo un jazz fondato sull'estetica pre boppistica: dixieland e classic jazz. ...
John Fedchock New York Big Band: Like It Is
by Dan Bilawsky
Trombonist John Fedchock may be a seasoned veteran, but he's not set in his ways as a player, arranger, or composer. While some big band leaders of his ilk either try to recreate the past or completely abandon it, attempting to reboot themselves by genuflecting at the altar of modernism, he isn't one of them. Fedchock ...
Maria Schneider Orchestra: The Thompson Fields
by Karl Ackermann
At the time Maria Schneider released Evanescence (Enja, 1994), big band jazz--especially in the US--was overly predictable and indecisively hanging on like ballroom music in a ghost town. Schneider, while embracing the best practices of earlier legendary big band leaders and her mentors, Gil Evans and Bob Brookmeyer, had added unconventional elements to her own compositions. ...
Maria Schneider Orchestra: The Thompson Fields
by Angelo Leonardi
Scomparso Butch Morris, Maria Schneider è da considerare il massimo compositore-orchestratore del jazz contemporaneo. Ogni suo nuovo disco è un evento e The Thompson Fields lo è in misura maggiore per la lunga gestazione che l'ha caratterizzato. A sette anni di distanza dal celebrato Sky Blue (Artist Share, 2007) Maria presenta nuove composizioni in un ...
Maria Schneider Orchestra: The Thompson Fields
by Budd Kopman
The singular achievement of Maria Schneider is to merge the particular with the universal: to use her very personal experiences and memories as grist for music which is aurally beautiful and deeply infused with love. This love originates from Schneider the person and artist; it is amplified and returned by those directly involved in ...
John Tropea: Gotcha Rhythm Right Here
by Jack Bowers
Although thirty-one musicians are listed, guitarist John Tropea's latest recording isn't strictly a big-band album, as the sidemen perform on assorted tracks in groups whose size varies from five to twelve. Tropea is always present, of course, as is his friend and fellow composer / arranger Chris Palmaro on the Hammond B3 organ or Fender Rhodes ...
Sarah Partridge: I Never Thought I’d Be Here
by C. Michael Bailey
Boston-born singer Sarah Partridge didn't start out a singer. She started out as an actor (you can see her opposite of Tom Cruise in Risky Business (Warner Brothers, 1983)) who took the Karaoke stage one night and got noticed by the right ears and five recordings later the rest is history. Where her previous recording, Perspective ...
Ryan Truesdell Gil Evans Project: Lines of Color
by Dan McClenaghan
The biggest ribbons in composer/arranger Gil Evans' (1912-1988) resume are three groundbreaking Columbia Records albums he recorded with trumpeter Miles Davis: Miles Ahead (1958); Porgy and Bess (1959); and Sketches of Spain (1960). These were orchestral jazz of the finest caliber, recorded a decade after Evans' earlier work with Davis on the seminal Capitol Records set ...
Ryan Truesdell's Gil Evans Project: Lines Of Color
by Dan Bilawsky
How do you create a follow-up to an album like Centennial-Newly Discovered Works Of Gil Evans (Artist Share, 2012)? That beauty--the debut from Ryan Truesdell's Gil Evans Project--was more than a standout record; it was an artistic tour de force and a recording for the ages. In crafting that album, Truesdell married his archeological skills, curatorial ...
Bria Skonberg: Rising Star On Hot Jazz Scene
"If Louis Armstrong and Doris Day could somehow be the same person, they'd be Bria Skonberg." —Wall Street Journal Jazz lovers in Oakland and Mill Valley, Calif. Are in for a real treat in late March as Bria Skonberg brings her unique talents to the San Francisco Bay area. She calls her music Hot Jazz and ...
