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Results for "Scott Joplin"
African-American Music: A retrospective at Jazz at Lincoln Center
by Nick Catalano
One of Jazz at Lincoln Center's most thoughtful concert ideas in recent memory came to life at the Appel Room on March 2, 2018. Dubbed “Rags, Strides & Habaneras" the intimate program managed to survey a host of strategic forms from origins in West Africa that shaped the art of music in the Americas.
Culture Clubs: Part IV: When Jazz Met Europe
by Karl Ackermann
The Geography of Jazz--When Jazz Met Europe In 2004 Maureen Anderson, a researcher at Illinois State University contributed a dissertation to the journal, African American Review, titled The White Reception of Jazz in America. Ostensibly, her article deals with stories published in high profile periodicals and journals from 1917 and into the 1930s, written by white ...
Adam Fairhall: Friendly Ghosts
by Roger Farbey
Following undergraduate studies, virtuoso pianist Adam Fairhall took a Master's degree at Leeds College of Music, receiving a MMus in Jazz Studies (Performance) in 2005. Whilst at Leeds he studied with pianist Mark Donlon and took lessons with British jazz composer Matthew Bourne. The title of his album Friendly Ghosts, Fairhall's debut recording as a soloist, ...
Chris Washburne: Rags And Roots
by James Nadal
The year 1917 stands out in music history, for that was the year of the first jazz recording, (Livery Stable Blues by Original Dixieland Jass Band) and marks the death of ragtime pianist/composer Scott Joplin. To commemorate these events, and the century that ensued, trombonist Chris Washburne takes a musical exploration back through time on Rags ...
The Freexielanders: Looking Back Playing Forward
by Alberto Bazzurro
Due pezzi da novanta dell'avanguardia storica come Eugenio Colombo e Giancarlo Schiaffini, uno che da un po' di anni nel ramo si distingue a sua volta come Alberto Popolla, più altri cinque colleghi di età ed estrazione varia, hanno deciso di ribattezzarsi The Freexielanders (nome eloquentissimo che non ci attardiamo a illustrare) e lanciarsi in un ...
Umbria Jazz Winter a Orvieto
by Libero Farnè
Umbria Jazz Winter 24 Orvieto Varie sedi 28.12.2016-01.01.2017 In questa ventiquattresima edizione di Umbria Jazz Winter, come in altre precedenti, non è mancata la qualità, con alcuni concerti che non sarebbe facile ascoltare altrove, fra cui molte proposte replicate in più sedi e in orari diversi. Quasi tutti i gruppi ...
Peter Saltzman: Blues, Preludes and Feuds
by Geannine Reid
Solo piano albums have the special place in the cannon of improvised music as a mode of presentation and holds an honored place in jazz; the history could even be traced to music predating the origins of the genre. In mechanical terms, it has not changed, one musical artist sitting at the piano for well over ...
Euopean Jazz Conference 2016: Polish Jazz Showcases
by Ian Patterson
European Jazz Conference: Polish Jazz Showcases National Forum Of Music Wroclaw, Poland September 22-24, 2016 One of the great things about returning to Poland each time is the exposure to new jazz talent, because beyond the internationally renowned marquee names--the historic Polish greats--are a great number of outstanding artists. How ...
AACM - The Association of the Advancement of Creative Music
by Hrayr Attarian
The Association of the Advancement of Creative Music (AACM) was created 50 years ago in Chicago to give voice to adventurous African American musicians and to express the political turmoil of the era. As this is the anniversary year of this revolutionary collective here are ten essential classic AACM recordings that belong in any collection, regardless ...
Maro Marconi Trio: Nordik
by Sammy Stein
From the opening of Nordik and the first track “Too High Don't Fry" the prodigious talent of Marco Marconi is clear. The theme is quickly established and then worked on by not only the rapacious delight of the piano but the rhythmic bass line and percussion which underpins the melody. Enzo Zirilli delivers a drum solo ...
