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102

News: Festival

Vision Festival 16 - June 9: An Evening of Special Projects

Vision Festival 16 - June 9: An Evening of Special Projects

The special project nights embody the epitome of the festival and the most striking contrast with the pre packaged, off the shelf bloat fests. And the events are thoughtfully timed to allow for movement between performances in the Main Stage and the Downstairs Theater, where the evening begins with the final panel discussion looking to education ...

103

Article: Album Review

Sanda Weigl: Gypsy in a Tree

Read "Gypsy in a Tree" reviewed by Raul d'Gama Rose


Anyone who has lived the myriad lives of the Diaspora as Sanda Weigl has, is qualified to speak for the generations of pain and joy, torture and triumph of human life that has come to pass for her people, and the Gypsies as well. Fleeing the repressive regime of Romania and falling afoul of the even ...

362

Article: Interview

Leslie Pintchik: Two Different Kinds of Art

Read "Leslie Pintchik: Two Different Kinds of Art" reviewed by Bruce Lindsay


The title of Leslie Pintchik's third album, We're Here To Listen (Pintch Hard Records, 2010), says much about the pianist and composer's musical philosophy. She recognizes the importance of technical skill, but she also values instinct, the open mind and the dismissal of boundaries between musical genres. It's an approach that Pintchik emphasizes throughout this interview, ...

131

Article: Album Review

Sanda: Gypsy in a Tree

Read "Gypsy in a Tree" reviewed by Bruce Lindsay


Try as they might, the world's greatest instrument makers have yet to create anything that comes close to the beauty, joy or emotional intensity of the human voice. If this sounds like a somewhat contentious statement, then Gypsy In A Tree--a follow-up to Gypsy Killer (Knitting Factory Works, 2002)--should provide sufficient evidence, in the form of ...

191

Article: Album Review

Leslie Pintchik: We're Here to Listen

Read "We're Here to Listen" reviewed by Raul d'Gama Rose


Leslie Pintchik inhabits an ocean of sound by herself and much more with her trio. The pianist creates her own ebb, and rip currents with the undulating swell of her playing. Her technique is flawless, and she has a natural tendency for irony, and even humor, as she simply spreads her hands on the keyboards and ...

Album

Displaced

Label: Palindrome 76 Records
Released: 2010
Track listing: Module; 1213; One; Cyclical

307

Article: Album Review

Leslie Pintchik: We're Here To Listen

Read "We're Here To Listen" reviewed by Bruce Lindsay


We're Here To Listen is composer and pianist Leslie Pintchik's third album. Grammatical pedants might feel that You're Here To Listen would be a more apposite title. However, Pintchik, who was once an English Literature teaching assistant at Columbia University, chose the title to emphasize the importance of musicians listening to each other as they perform, ...

98

Article: Album Review

Meg Okura and the Pan Asian Chamber Jazz Ensemble: Naima

Read "Naima" reviewed by Raul d'Gama Rose


John Coltrane's original recording of “Naima" is extraordinarily beautiful, and it's possible that he never envisioned such a breathtaking version being played so many years after it had been composed. So hats off to the Japanese-born violinist and erhu player, Meg Okura, for conjuring up that version. As wave after wave of the song's melody unfolds ...

1,299

Article: Live Review

Korean Music Shines At Performing Arts Market in Seoul, October 11-15, 2010

Read "Korean Music Shines At Performing Arts Market in Seoul, October 11-15, 2010" reviewed by Ian Patterson


Performing Arts Market in SeoulNational Theater and selected venuesSeoul, South Korea11--15 October, 2010 The number of festivals, theaters and performance groups in South Korea has grown dramatically in the last twenty years and the tremendous developments in the fields of traditional music, jazz, dance and theater is testament to the ...

654

Article: Live From New York

June 2010

Read "June 2010" reviewed by AAJ Staff


Chick Corea/Eddie Gomez/Paul Motian Blue NoteNew York, NY May 5, 2010Paying homage to Bill Evans in a two-week summit at the Blue Note, pianist Chick Corea set up camp with bassist Eddie Gomez and drummer Paul Motian--two Evans alumni who have rarely if ever worked together. It had all the ...


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