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Chicago Jazz Festival 2013
by Mark Corroto
Chicago Jazz FestivalChicago, ILAugust 29-September 1, 2013Chicago is...You get the feeling it is a jazz city when, waiting in line at the airport, you overhear a conversation about Anthony Braxton's first meeting with Derek Bailey. Then, your suspicions are confirmed in the taxi, on the drive to the 2013 Chicago Jazz ...
Satoko Fujii Ma-Do: Time Stands Still
by AAJ Italy Staff
Dopo Heat Wave e Desert Ship, questo Time Stands Still è il terzo CD del Satoko Fujii Ma-Do, quartetto tutto giapponese nato nell'ottobre 2007. Purtroppo sarà anche l'ultimo nella medesima formazione, in quanto il bassista Norikatsu Koreyasu è improvvisamente deceduto il 23 settembre 2011, esattamente tre mesi dopo che Time Stands Still fu inciso a New ...
Enter the "Satoko Fujii - Gen Himmel" Giveaway at All About Jazz!
All About Jazz members are invited to enter the Libra Records Satoko Fujii - Gen Himmel giveaway contest starting today. We'll select FIVE winners at the conclusion of the contest on October 7th. Click here to enter the contest (Becoming a fan of Satoko Fujii at AAJ automatically enters you in the contest.) Good luck!
I nuovi mondi di Satoko Fujii: Spring Storm / Gen Himmel / Tornado
by AAJ Italy Staff
Ormai più che ventennale, la discografia della pianista e compositrice giapponese Satoko Fujii è ormai piuttosto corposa, sia per particolare versatilità della musicista - che spazia dal piano solo a intriganti progetti orchestrali - che per una dedizione davvero minuziosa alla documentazione dei propri lavori. In questo 2013 sono ben tre i dischi che la Fujii ...
Satoko Fujii Ma-Do: Time Stands Still
by Glenn Astarita
Several months after this recording, bassist Norikatsu Koeyasu died of a heart-attack in-between tours. Pianist Satoko Fujii decided that the band could not continue without his presence, citing his vital role and telepathic connection." Hence, Ma-Do's third album will be its last. It's an unfortunate occurrence but a testament to the musicians' realization that a replacement ...
Satoko Fujii: Gen Himmel
by Dan McClenaghan
Satoko Fujii's notoriety is based on her originality, energy, and an unmatchable sense of fearlessness and adventure in the creation of music. As a leader of numerous ensembles--duos, trios, quartets, and big bands--she is a gregarious and generous spirit. Her music ebbs and flows, a moment of captivating serenity followed by a burst of a clamorous, ...
Mark Dresser Quintet: Nourishments
by Dan McClenaghan
There's evidence of bassist Mark Dresser's audacity and originality in his sideman work with Satoko Fujii, opening the title tune of the Japanese pianist's Trace a River (Libra Records, 2008) with a ghostly arco whine that sounds as if it drifted in out of the twilight zone, before the ever-mercurial Fujii shifts the tune into a ...
Satoko Fujii New Trio: Spring Storm
by John Sharpe
Back at the start of her career, Japanese pianist Satoko Fujii's reputation was considerably enhanced by her stellar trio with bassist Mark Dresser and drummer Jim Black. Together they waxed seven discs, with the last Trace A River (Libra) in 2008. Since then, the traditional piano trio hasn't appeared in her prodigious output, until the New ...
Thollem McDonas: The Beauty of Never Going Back Home
by Dave Wayne
What is often forgotten about improvised music is that it can come from anywhere. Though its history is inextricably intertwined with jazz, improvisation is part and parcel of a myriad of musical cultures. Pianist and composer Thollem McDonas is not just aware of this fact, it is part of his daily existence. About 10 years ago, ...
Satoko Fujii's Ma-Do and New Trio: Time Stands Still and Spring Storm
by Hrayr Attarian
Japanese pianist Satoko Fujii is a prolific and versatile musician whose fast pace and relatively large volume are never at the expense of quality. In fact her improvisation heavy records are innovative and cerebral yet they maintain a certain, surprising, accessibility. She has recorded in settings ranging from solo to large orchestra and always with a ...


